Iain Banks

Bringing to life the culture of Harlem in the 1920s, Charles Chestnutt's final novel dramatizes the political and aesthetic milieu of the exciting period we now know as the Harlem Renaissance. Mixing fact and fiction, and real and imagined characters, The Quarry is peopled with so many figures of the time - including Booker T. Washington, W.E.B. Dubois, and Marcus Garvey - that it constitutes a virtual guide to this inspiring period in American history. Protagonist Glover is a light-skinned man, whose adoptive black parents are determined that he become a leader in the black community. Moving from Ohio to Tennessee, from rural Kentucky to Harlem, his story depicts not only his conflicted relationship to his heritage but also the situation of a variety of black people struggling to escape prejudice and to take advantage of new opportunities.

It begins in the realm of the Real, where matter still matters. It begins with a murder. And it will not end until the Culture has gone to war with death itself. Lededje Y'breq is one of the Intagliated, her marked body bearing witness to a family shame, her life belonging to a man whose lust for power is without limit. Prepared to risk everything for her freedom, her release, when it comes, is at a price, and to put things right she will need the help of the Culture. Benevolent, enlightened and almost infinitely resourceful though it may be, the Culture can only do so much for any individual. With the assistance of one of its most powerful - and arguably deranged - warships, Lededje finds herself heading into a combat zone not even sure which side the Culture is really on. A war - brutal, far-reaching - is already raging within the digital realms that store the souls of the dead, and it's about to erupt into reality. It started in the realm of the Real and that is where it will end. It will touch countless lives and affect entire civilizations, but at the center of it all is a young woman whose need for revenge masks another motive altogether. SURFACE DETAIL is Iain M. Banks' new Culture novel, a breathtaking achievement from a writer whose body of work is without parallel in the modern history of science fiction.

"This volume covers conflicts from sub-Neolithic Finland to early Modern Ireland, looking at the archaeological evidence for conflict. This evidence ranges from excavation, to osteology, to artefacts, to linguistics, bringing together varying approaches to the study of conflict in the past. Most of the papers relate to prehistory, starting with the sub-Neolithic, running through the Bronze Age and into the Iron Age. There are also papers on Irish conflict archaeology, running from the sixteenth century A.D. to the 1916 Easter Rising."--BOOK JACKET.

"When it was over, and the last notes died, finally giving themselves up to the air, to the flesh of her fingertips and to the ancient wood of the instrument, she kept her eyes closed for a time, still in her deep red cave of heartache and loss. There were strange patterns behind her eyelids, swimming and pulsing to the strong beat of her blood. The music seemed to have set them into a theme of movement of its own, and they were only now unravelling into their natural semi-chaos. She watched them.'" "Hisako Onoda, world-famous cellist, refuses to fly. And so she travels to Europe as a passenger on a tanker passing through the Panama Canal. But Panama is a country whose politics are as volatile as the local freedom fighters. When Hisako's ship is captured, it is not long before the atmosphere is as flammable as an oxyacetylene torch, and the tension as sharp as the spike on her cello."--BOOK JACKET.

From its bravura opening onwards, THE CROW ROAD is justly regarded as an outstanding contemporary novel. 'It was the day my grandmother exploded. I sat in the crematorium, listening to my Uncle Hamish quietly snoring in harmony to Bach's Mass in B Minor, and I reflected that it always seemed to be death that drew me back to Gallanach.' Prentice McHoan has returned to the bosom of his complex but enduring Scottish family. Full of questions about the McHoan past, present and future, he is also deeply preoccupied: mainly with death, sex, drink, God and illegal substances...

The Culture - a human/machine symbiotic society - has thrown up many great Game Players, and one of the greatest is Gurgeh. Jernau Morat Gurgeh. The Player of Games. Master of every board, computer, and strategy. Bored with success, Gurgeh travels to the Empire of Azad, cruel and incredibly wealthy, to try their fabulous game ... a game so complex, so like life itself, that the winner becomes emperor. Mocked, blackmailed, almost murdered, Gurgeh accepts the game, and with it the challenge of his life - a very possibly his death.

Papers originally delivered at a conference hosted by the Scottish Archaeological Forum in April 1994. Includes bibliographical references.

"The Wopuld family have built their fortune on a board game called Empire. It has transferred remarkably well to the computer generation and now the American Spraint company wants to buy them out. Alban, head of the family, thinks the Yanks should be treated with suspicion - but he also has other things on this mind. Dark secrets, a long-lost love affair and a multi-million-pound gaming business lie at the heart of Iain Banks' fabulous new novel."--Publisher.

When the old wooden bridge breaks, a young boy is delighted to be able to watch, from his front yard, the many different machines at work building the new bridge across the brook.

Sharrow was once the leader of a personality-attuned combat team in one of the sporadic little commercial wars in the civilization based around the planet Golter. Now she is hunted by the Huhsz, a religious cult which believes that she is the last obstacle before the faith's apotheosis, and her only hope of escape is to find the last of the apocalyptically powerful Lazy Guns before the Huhsz find her.Her journey through the exotic Golterian system is a destructive and savage odyssey into her past, and that of her family and of the system itself.

Isis Whit is no ordinary teenager. An innocent in the ways of the world, an ingenue when it comes to pop and fashion, she does however rejoice in the exalted status of Elect of God of the Luskentyrian Sect, a small but committed religious cult based near Stirling. A month before their four-yearly Festival of Love, during which members indulge vigorously in acts of carnal abandon, the Luskentyrians are thrown into crisis when their Guest of Honour renounces her faith and refuses to attend. Isis' standing in the Community, coupled with the fact that the apostate is her cousin Morag, swiftly marks her out as the person to venture out among the Unsaved and bring the fallen one back to the fold But her mission through the spiritual barrenness of Nineties Britain - with its 'herbal cigarettes', compact discs and neo-facist thugs - is soon made even more treacherous. It appears that not only has Morag embraced the ways of the Unsaved with spectacular abandon, but for some reason she seems to be actively avoiding Isis, whose own hallowed status among the brethren undergoes a radical about-turn as her pillar of faith slowly crumbles from within.

Frank, no ordinary sixteen-year-old, lives with his father outsIde a remote Scottish village. Their life is, to say the least, unconventional. Frank's mother abandoned them years ago: his elder brother Eric is confined to a psychiatric hospital; and his father measures out his eccentricities on an imperial scale. Frank has turned to strange acts of violence to vent his frustrations. In the bizarre daily rituals there is some solace. But when news comes of Eric's escape from the hospital Frank has to prepare the ground for his brother's inevitable return - an event that explodes the mysteries of the past and changes Frank utterly. Iain Banks' celebrated first novel is a work of extraordinary originality, imagination and horrifying compulsion: horrifying, because it enters a mind whose realities are not our own, whose values of life and death are alien to our society; and compulsive, because the humour and compassion of that mind reach out to us all.