Ishmael Reed

A collection of essays by the prominent author and activist criticizes the perpetuators of what he identifies as America's war on the black population, citing historical and ongoing conflicts, while noting areas of responsibility in governmental, media, and public arenas.

A generous sampling of the brilliant and witty satire, the politically charged, wildly imaginative storytelling, and caustic cultural criticism that have become Reed's trademarks.

A collection of essays in which Reed confirms his status as an "Establishment" agitator, an undying advocate of multiculturalism, and a supportive and nurturing presence in a variety of artistic endeavors from writing to rap.

Since the publication of his first novel, The Free-Lance Pallbearers, and through works such as Mumbo Jumbo and The Last Days of Louisiana Red, Ishmael Reed has forged a reputation as "the brightest contributor to American satire since Mark Twain" (The Nation). In his boisterous and irreverent new novel, Japanese by Spring, Reed turns the full force of his satiric wit on the American university. Benjamin "Chappie" Puttbutt, a black junior professor at overwhelmingly white Jack London College, lusts after tenure and its glorious perks, which include a house in the Oakland Hills. Puttbutt spends most of his time trying to divine the ideological climate at the school and obligingly adapting his beliefs to it. He's a dismal failure, though, and is due to be replaced by a snappy radical feminist poet from back East (who collects causes like alley cats, and whose demands include a police escort and a chauffeured limousine). But then Puttbutt's serene yet mysterious tutor, Dr. Yamato, who promises to teach him Japanese by spring, suddenly becomes the school's new president when the Japanese buy Jack London College. Puttbutt finds himself the boss of his once supercilious department and, drunk with power, sets out to stir things up and settle old scores. More twists of fate await him, and before long he is unwit tingly embroiled in a plot to assassinate the Japanese emperor. Racial strife, Japanophobia and political correctness get a radically comic treatment in this satiric romp through academic life, making Japanese by Spring one of Reed's most topical and wittiest novels yet.

Spanning a dizzying host of genres, from cinema to academia to mythology, Mumbo Jumbo is a lively ride through a key decade of American history the 1920's. In addition to ragtime, blues, and jazz, Reed's allegory draws on the Harlem Renaissance, the Back to Africa movement, and America's occupation of Haiti. His style throughout is as avant-garde and vibrant as the music at its center. From New Orleans to Chicago to New York, the "Jes Grew" epidemic makes people desperate to dance, overturning social norms in the process.

"It's the 1980s and the politics of the New York theatre scene have taken yet another turn. Masochism is out and feminism is in, Jews are out and Germans are in, race is out and gender is in, and everyone's fighting (and rewriting) for a piece of the pie. Jewish director Jim Minsk disappears during a trip to the South. Black playwright Ian Ball writes the all-female play Reckless Eyeballing in hopes of getting off the "sex-list." Preeminent playwright Jack Brashford, claiming Jews stole all his black material, decides to write about Armenians. In the background, an unknown assailant dubbed the "Flower Phantom" runs loose through the city shaving heads of prominent black feminists (to the secret delight of black men).". "In this hilarious, devastating, but also deeply sympathetic novel, Ishmael Reed turns characters on their backs, sides, tops and bottoms to expose the multiple hypocrisies at the heart of American culture."--BOOK JACKET.

Ishmael Reed has created a sharp, wildly funny slave's-eye view of the Civil War. Three slaves infected with Dysaethesia Aethipica (a term coined in the nineteenth century for the disease that makes Negroes run away) escape from Virginia. Not satisfied with leaving slavery halfway, one of the trio has vowed to go the whole distance to Canada; his master, Arthur Swille, determined to recover his property, pursues, hot on Raven Quickskill's trail. With myth-bending ingenuity, Reed merges history, fantasy, political reality, and high comedy as he parodies the fugitive slave narrative: the slave-poet Quickskill flees to Canada on a nonstop jumbo jet; Abe Lincoln waltzes through slave quarters to the tune of "Hello Dolly"; the plantation mistress lies in bed watching the Beecher Hour on TV. Flight to Canada's preposterous episodes leap out from the pages of history to reveal a keen sense of America past and present.

""Folks, this here is the story of the Loop Garoo Kid. A cowboy so bad he made a working posse of spells phone in sick. A bullwhacker so unfeeling he left the print of winged mice on hides of crawling women. A desperado so onery he made the Pope cry and the most powerful of cattlemen shed his head to the Executioner's swine." And so begins the HooDoo Western by Ishmael Reed, author of Mumbo Jumbo and one of America's most innovative and celebrated writers. Reed demolishes white American history and folklore as well as Christian myth in this masterful satire of contemporary American life. In addition to the black, satanic Loop Garoo Kid, Yellow Back Radio Broke-Down features Drag Gibson (a rich, slovenly cattleman), Mustache Sal (his nymphomaniac mail-order bride), Thomas Jefferson and many others in a hilarious parody of the old Western."--BOOK JACKET.

Angry and hilarious, this collection of satirical essays about Barack Obama confronts the racial tensions that have dogged the president during his campaign and first year in office. Some of the pieces include "Ma and Pa Clinton Flog Uppity Black Man," "Crazy Rev. Wright," and "Obama Scolds Black Fathers, Gets Bounce in Polls." Previously unpublished material also addresses the controversies around Henry Louis Gates, Jr. and Tiger Woods. --publisher.