Joseph Brodsky

"Joseph Brodsky spent his life advocating for the place of the poet in society. As Derek Walcott said of him, "Joseph was somebody who lived poetry . . . He saw being a poet as being a sacred calling." The poems in this volume span Brodsky's career, which was marked by his expulsion from the Soviet Union in 1972. Together, they represent the project that, as Brodsky said, the "condition we call exile" presented: "to set the next man--however theoretical he and his needs may be--a bit more free.""--Amazon.com.

Includes essays on Russian writers, Western poets, politics, and the author's native city, Leningrad. "This collection of essays thrusts Brodsky--heretofore known more for his poetry and translations--into the forefront of the "Third Wave" of Russian emigre writers. His insights into the works of Dostoyevsky, Mandelstam, Platonov, as well as non-Russian poets Auden, Cavafy and Montale are brilliant. While the Western popularity of many other Third Wavers has been stunted by their inability to write in English, Brodsky consumed the language to attain a "closer proximity" to poets such as Auden. The book, which won a National Book Critics Circle Award, opens and closes with revealing autobiographical essay."--Provided by publisher.

"In Nativity Poems, six superb poets in English offer ten new translations from this sequence. The sequence is presented here in English in its entirety for the first time, translated by Melissa Green, Seamus Heaney, Anthony Hecht, George L. Kline, Glyn Maxwell, Paul Muldoon, Alan Myers, Derek Walcott, Daniel Weissbort, Richard Wilbur, and the author."--BOOK JACKET.

Traces the history of marbles and marble making, gives instructions for playing various kinds of games, explains related terms, and suggests further activities.

"Dancing on Water is both a personal coming-of-age story and a sweeping look at ballet life in Russia and the United States during the golden age of dance. Elena Tchernichova takes us from her childhood during the siege of Leningrad to her mother's alcoholism and suicide, and from her adoption by Kirov ballerina Tatiana Vecheslova, who entered her into the state ballet school, to her career at American Ballet Theatre. As a student and young dancer with the Kirov, she witnessed the company's achievements as a citadel of classic ballet, home to legendary names--Shelest, Nureyev, Dudinskaya, Baryshnikov--but also a hotbed of intrigue and ambition run amok. As ballet mistress of American Ballet Theatre from 1978 to 1990, Elena was called 'the most important behind-the-scenes force for change in ballet today, ' by Vogue magazine. She coached stars and corps de ballet alike, and helped mold the careers of some of the great dancers of the age, including Gelsey Kirkland, Cynthia Gregory, Natalia Makarova, and Alexander Godunov. Dancing on Water is a tour de force, exploring the highest levels of the world of dance."--Jacket.

A Part of Speech contains poems from the years 1965-1978, translated by various hands.

On Grief and Reason is the second volume of Joseph Brodsky's essays, and the first to be published since he was awarded the Nobel Prize in Literature in 1987. In addition to his Nobel lecture, the volume includes essays on the condition of exile, the nature of history, the art of reading, and the idea of the poet as an inveterate Don Giovanni, as well as a homage to Marcus Aurelius and an appraisal of the case of the double agent Kim Philby (the last two were selected for inclusion in the annual Best American Essays volume). The title essay is a consideration of the poetry of Robert Frost, and the book also includes a fond appreciation of Thomas Hardy, a "Letter to Horace," a close reading of Rilke's poem "Orpheus. Eurydice. Hermes," and a memoir of Stephen Spender. Among the other essays are Mr. Brodsky's open letter to Czech President Vaclav Havel and his "immodest proposal" for the future of poetry, an address he delivered while serving as U.S. Poet Laureate. In his Nobel lecture, Mr. Brodsky declared that "verse really does, in Akhmatova's words, grow from rubbish; the roots of prose are no more honorable" - but his own prose's flowering in these essays gives us thought and language at their noblest.