

UNITED STATES AUTHOR · POETRY · FICTION
Carl Sandburg
Carl August Sandburg (January 6, 1878 – July 22, 1967) was an American poet, biographer, journalist, and editor. He won three Pulitzer Prizes: two for his poetry and one for his biography of Abraham Lincoln. During his lifetime, Sandburg was widely regarded as "a major figure in contemporary literature", especially for volumes of his collected verse, including Chicago Poems (1916), Cornhuskers (1918), and Smoke and Steel (1920). He enjoyed "unrivaled appeal as a poet in his day, perhaps because the breadth of his experiences connected him with so many strands of American life". When he died in 1967, President Lyndon B. Johnson observed that "Carl Sandburg was more than the voice of America, more than the poet of its strength and genius.
In 1858, against a backdrop of heightening sectional tensions over slavery, Abraham Lincoln stood in the Great Hall of the Illinois House of Representatives, warning his countrymen that a house divided against itself could not stand.
— from Abraham Lincoln
Most acclaimed

Complete poems
This volume of E.J. Pratt's selected poems introduces Pratt's poems to the college and university student, providing the background necessary for an informed reading of the poems. The volume offers a full sampling of Pratt's poems chosen both for their representativeness and for their intrinsic value. Included are the major long poems, The Witches' Brew, The Iron Door, The Titanic, Brébeuf and His Brethren, and Towards the Last Spike, and important shorter lyrics such as 'Newfoundland,' 'Come Away, Death,' and 'From Stone to Steel.' The editorial approach is historical, chronological, and biographical. The introduction locates E.J. Pratt in his Newfoundland and Canadian contexts, and discusses the development of his work in relation to his early modernist contemporaries, concluding that Pratt remains the most important and influential Canadian poet up to the mid-fifties. As such, he has been a key figure in shaping the Canadian literary imagination of his day and the later poetics of landscape adopted by Earle Birney and Margaret Atwood. The editors provide annotations, textual notes, and a biographical chronology. The printed volume is supplemented by the electronic resources of the Selected Pratt website at www.trentu.ca/pratt/selected.

Prentice Hall Literature -- Platinum
A novel is an extended work of narrative fiction usually written in prose and published as a book. The word derives from the Italian: novella for 'new', 'news', or 'short story (of something new)', itself from the Latin: novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning 'new'. According to Margaret Doody, the novel has "a continuous and comprehensive history of about two thousand years", with its origins in the Ancient Greek and Roman novel, Medieval chivalric romance, and the tradition of the Italian Renaissance novella. The ancient romance form was revived by Romanticism, in the historical romances of Walter Scott and the Gothic novel. Some novelists, including Nathaniel Hawthorne, Herman Melville, Ann Radcliffe, and John Cowper Powys, preferred the term romance.

Selected poems
1990
Charles Olson, the poet who coined the word post-modern and helped shape the generation that would emerge under its mantle, is known for the immense range of his intellectual and poetic reach. Here, in this selection by Robert Creeley, Olson's personal friend and literary ally, is the more "intimate order" of the poet who sought to embrace all of history and human thought. Olson came from working-class immigrant roots in a Massachusetts mill town. A scholar of profound originality and vision, he worked for Roosevelt's administration during the war years, then at Black Mountain, the prototypical experimental college and enclave of avantgarde writers and artists. In 1957 he settled in Gloucester, a town on the shore north of Boston where he had spent summers as a child. It was Gloucester, with its richness of history and human use, that provided the ground of The Maximus Poems, begun as letters some years before and which over the next two decades grew into a masterwork of epic dimensions. From the more than three hundred poems making up The Maximus Poems and the comparable number in Olson's Collected Poems, Creeley's selection makes available for the first time an essential sampling of Olson's poetry. Included are paradigmatic early works like "The Kingfishers," which Guy Davenport called "the most modern of American poems, the most energetically influential text in the last thirty-five years," as well as familiar pieces from Maximus like "Maximus, to Gloucester" and "Celestial Evening." Also represented are less known poems, such as "The chain of memory is resurrection" and "The Lamp," works that reveal a more personal side of this major American poet. Together these poems demonstrate Olson's genius and grace, a poet as at home in Gloucester as in the cosmos, a reckoner with dreams and myths, and "Western man at the limit of himself."