UNITED STATES AUTHOR · HISTORY · POETRY
Philip Morin Freneau
Also known as: Philip Freneau
WHO stands on that cliff, like a figure of stone,
— from Poems
Most acclaimed
Words of Ages
Explorers and early settlers -- The general history of Virginia, New England, and the Summer Isles / John Smith -- The history and present state of Virginia / Robert Beverley -- Of Plymouth Plantation / William Bradford -- "A model of Christian charity" / John Winthrop -- "In memory of my dear grandchild Anne Bradstreet" / Anne Bradstreet -- "The minister's black veil" / Nathaniel Hawthorne -- Voices of a revolution -- "Sinners in the hands of an angry God" / Jonathan Edwards -- "The way to wealth" / Benjamin Franklin -- "Considerations on keeping Negroes" / John Woolman -- "The last of the Mohicans: a narrative of 1757" / James Fenimore Cooper -- Common sense / Thomas Paine -- Declaration of independence / Thomas Jefferson -- personal letters / John Adams & Abigail Adams -- The search for a national identity -- "On the emigration to America and peopling the western country" / Philip Freneau -- "Federalist no.2" / John Jay -- "The interesting narrative of the life of Olaudah Equiano" / Olaudah Equiano -- The history of the Lewis and Clark expedition / Meriwether Lewis & William Clark -- A tour on the prairies / Washington Irving -- "Tecumseh's plea to the Choctaws and the Chickasaws" / Tecumseh -- The shackles of power: three Jeffersonian decades / John Dos Passos. A confident nation -- "The young American" / Ralph Waldo Emerson -- "Resistance to civil government" / Henry David Thoreau -- Woman in the nineteenth century / Margaret Fuller -- "Great are the myths" / Walt Whitman -- "Annexation" / John L. O'Sullivan -- Personal memoirs / Juan Nepomuceno Seguin -- Slavery and the abolition movement -- Narrative of the life of Frederick Douglass / Frederick Douglass -- Incidents in the life of a slave girl / Harriet Jacobs -- Uncle Tom's cabin / Harrriet Beecher Stowe -- Sociology for the South / George Fitzhugh -- "Appeal to the Christian women of the South" / Angelina Grimke Weld -- "The hunters of men" / John Greenleaf Whittier -- Civil war and reconstruction -- "The portent" / Herman Melville -- The red badge of courage: an episode of the American Civil War / Stephen Crane -- "Hospital sketches" / Louisa May Alcott -- "O Captain! My Captain!" / Walt Whitman -- "Up from slavery" / Booker T. Washington -- The souls of Black folk / W.E.B. DuBois. Industrializing America -- The closing of the frontier -- O pioneers! / Willa Cather -- "Chiquita" / Bret Harte -- The life and adventure of Nat Love, better known in the cattle country as Deadwood Dick / Nat Love -- "Kansas I" / A Mexican Folk Ballad -- "The passing of the buffalo" / Hamlin Garland -- Black Elk speaks / Black Elk -- Artists render industrialization and urbanization -- "What the engines said" / Bret Harte -- "Life in the iron mills" / Rebecca Harding Davis -- The age of innocence / Edith Wharton -- "Proem: to Brooklyn Bridge" / Hart Crane -- Yekl: a tale of the New York ghetto / Abraham Cahan -- "Chicago" / Carl Sandburg -- Social critics and reformers -- "We are all bound up together" / Francis E. Watkins Harper -- Eighty years and more: reminiscences 1815-1897 / Elizabeth Cady Stanton -- "A church mouse" / Mary Wilkins Freeman -- Huckleberry Finn / Samuel L. Clemens -- The shame of the cities / Lincoln Steffens -- The jungle / Upton Sinclair. Americans abroad and World War I -- The portrait of a lady / Henry James -- "The white man's burden" / Rudyard Kipling -- "The real 'white man's burden'" / Ernest Crosby -- "Hallelujahs" / Jose de Diego -- One of ours / Willa Cather -- "next to of course god america i" / E. E. Cummings -- Democracy and adversity -- The jazz age -- The great Gatsby / F. Scott Fitzgerald -- "Song of perfect propriety" / Dorothy Parker -- The flivver king / Upton Sinclair -- Jazz / Toni Morrison -- "The weary blues" / Langston Hughes -- Their eyes were watching God / Zora Neale Hurston -- The Great Depression and the New Deal -- The big money / John Dos Passos -- Waiting for Lefty / Clifford Odets -- "Women on the breadlines" / Meridel LeSueur -- The grapes of wrath / John Steinbeck -- "Colonial Park" / Ralph Ellison -- "Proud day" / Genevieve Taggard. World War II -- "Freedom" / E. B. White -- Battle cry / Leon Uris -- Farewell to Manzanar / Jeanne Wakatsuki Houston and James D. Houston -- "Apostrophe to the land" / Countee Cullen -- The face of war / Martha Gellhorn -- Night / Elie Wiesel -- Hiroshima / John Hershey -- The challenges of power -- Prosperity and anxiety -- An American childhood / Annie Dillard -- The man in the gray flannel suit / Sloan Wilson -- On the road / Jack Kerouac -- Coming of age in Mississippi / Anne Moody -- The cruicible / Arthur Miller -- The right stuff / Tom Wolfe -- Rights and revolutions -- "Letter from a Birmingham jail" / Martin Luther King, Jr. -- "Message to the grass roots" / Malcolm X -- "Why I want a wife" / Judy Brady -- The house on Mango Street / Sandra Cisneros -- Lakota woman / Mary Crow Dog -- "Blowin' in the wind" / Bob Dylan -- The Vietnam years -- One very hot day / David Halberstam -- Going after Cacciato / Tim O'Brien -- "Life at war" / Denise Levertov -- American pastoral / Philip Roth -- "Letters from my father" / Robert Olen Butler.
Poems
This is an edition of all the known poems of Mark Akenside, the eighteenth-century English poet and physician, whose poetry has not been newly edited for more than a century. This edition will thus provide scholars and students with a much-needed opportunity to reassess the extent of Akenside's contribution to literary culture, and it will also clarify his role in the development of the aesthetic theories of his own generation and the one that followed. The career of Mark Akenside (1721-70) spans a period of extraordinarily fast change in English literature: his first major poem, The Pleasures of Imagination, appeared in the year of Pope's death; and Akenside died in the year Wordsworth was born. His works not only reflected the very considerable changes that took place during these years; they also contributed in many ways to the shifts in focus, interest, and emphasis that characterize the literature of the later eighteenth century. Akenside's fascination with the imagination, its characteristics and functions, resulted in an intriguing and influential blend of the poetic and the philosophical in his longer poems, The Pleasures of Imagination (1744) and The Pleasures of the Imagination (1772). The earlier work explores the then new subject of aesthetics in greater detail than it had ever been explored before, presenting various original insights and arguments. Yet it would be wrong to see the poem as merely a versified philosophical treatise; its complex structure offers satisfactions beyond those of sequential logic, and the examples cited to illustrate the central ideas are imbued with considerable vigor and clarity. As products of, and contributors to, the eighteenth-century enthusiasm for aesthetics, Akenside's longer poems are captivating examples of the eighteenth- and nineteenth-century experiment in developing the philosophical poem into a major literary form. It is for this reason above all others that they are valued by Coleridge and the writers of the next generation. Because of the comparative obscurity into which Akenside's works fell after the demise of the long philosophical poem in the latter part of the nineteenth century, they have not by and large attracted the attention of modern bibliographers. In this edition numerous bibliographical and textual puzzles presented by his poems are solved for the first time. The apparatus, meanwhile, demonstrates the full extent of the poet's urge to revise - an urge that extended from the wholesale rewriting of some poems to subtle alterations of textual minutiae, showing a mind and an ear alive to nuances of meaning and intonation.