UNITED STATES AUTHOR · POETRY · COLLECTIONS
Kenneth Koch
WHO stands on that cliff, like a figure of stone,
— from Poems
Most acclaimed
On the Edge
Elizabeth Drew's On the Edge is the first inside, full-spectrum report on the Clinton Presidency. Since he came to office, Clinton has been hard to read - ambitious and uncertain, looking toward the future and hounded by the past. From the first days of the administration, Drew has been speaking with and learning from the President's top advisers, key Cabinet officers, and well-placed members of Congress, as she has watched - up close, behind the scenes - as plans are hammered out, policies set, and problems confronted. Drew tells the remarkable story of this turbulent term - and deciphers what it means. Clinton's far-reaching domestic proposals and considerable achievements are recounted, as well as the distracting and corrosive personal struggles, especially Whitewater. Drew portrays his legislative gambles - from health care to NAFTA - and his costly inattention to foreign policy - the confused policymaking on Somalia, Bosnia, Haiti. She reveals the struggles within the President's foreign policy team. She traces how controversies over such a wide range of issues and events - gays in the military, the mishandling of Zoe Baird's and Lani Guinier's nominations, the $200 haircut, the travel office, and the death of Vincent Foster - have undermined confidence in Clinton's Presidency and fanned the flames of "the character issue." She shows sides of Clinton never seen before and explores the critical and little-understood role of Hillary Rodham Clinton - both as a power and as a personality - and measures the truly unprecedented influence of Vice President Al Gore.
The Collected Fiction of Kenneth Koch
Hilarious and profoundly moving, this volume restores to print all the fiction of the writer John Ashbery called “simply the best we have.” Koch, who once characterized New York School writing as about “the fullness and richness of possibility and excitement and happiness,” imbues his prose with humor, wit, and a beautifully tender exuberance. The Collected Fiction of Kenneth Koch is a must-read for anyone interested in discovering what American literature might still hope to be. Published simultaneously with The Collected Poems of Kenneth Koch (Knopf), Collected Fiction includes Koch’s innocent and rambunctious novel The Red Robins, as well as Hotel Lambosa, his book of semi-autobiographical short pieces inspired equally by Hemingway’s Nick Adams stories and Yasunari Kawabata’s Palm-of-the-Hand Stories. Fans of Koch’s unparalleled gift for comic invention will turn immediately to “The New Orleans Stories,” a cycle about the family of a small-time criminal, published here for the first time along with “The Soviet Room,” a gentle story of requited love at the end of the Cold War. Koch’s previously uncollected work includes a warm-hearted parody of a children’s adventure narrative and a story detailing the mysteries uncovered by an obsessive postcard detective. Together, the work of Kenneth Koch opens up a wonderful world—one where the pursuit of happiness is taken very seriously indeed.
Poems
This is an edition of all the known poems of Mark Akenside, the eighteenth-century English poet and physician, whose poetry has not been newly edited for more than a century. This edition will thus provide scholars and students with a much-needed opportunity to reassess the extent of Akenside's contribution to literary culture, and it will also clarify his role in the development of the aesthetic theories of his own generation and the one that followed. The career of Mark Akenside (1721-70) spans a period of extraordinarily fast change in English literature: his first major poem, The Pleasures of Imagination, appeared in the year of Pope's death; and Akenside died in the year Wordsworth was born. His works not only reflected the very considerable changes that took place during these years; they also contributed in many ways to the shifts in focus, interest, and emphasis that characterize the literature of the later eighteenth century. Akenside's fascination with the imagination, its characteristics and functions, resulted in an intriguing and influential blend of the poetic and the philosophical in his longer poems, The Pleasures of Imagination (1744) and The Pleasures of the Imagination (1772). The earlier work explores the then new subject of aesthetics in greater detail than it had ever been explored before, presenting various original insights and arguments. Yet it would be wrong to see the poem as merely a versified philosophical treatise; its complex structure offers satisfactions beyond those of sequential logic, and the examples cited to illustrate the central ideas are imbued with considerable vigor and clarity. As products of, and contributors to, the eighteenth-century enthusiasm for aesthetics, Akenside's longer poems are captivating examples of the eighteenth- and nineteenth-century experiment in developing the philosophical poem into a major literary form. It is for this reason above all others that they are valued by Coleridge and the writers of the next generation. Because of the comparative obscurity into which Akenside's works fell after the demise of the long philosophical poem in the latter part of the nineteenth century, they have not by and large attracted the attention of modern bibliographers. In this edition numerous bibliographical and textual puzzles presented by his poems are solved for the first time. The apparatus, meanwhile, demonstrates the full extent of the poet's urge to revise - an urge that extended from the wholesale rewriting of some poems to subtle alterations of textual minutiae, showing a mind and an ear alive to nuances of meaning and intonation.