KINGDOM OF ENGLAND AUTHOR · HISTORY · EARLY WORKS TO 1800
Walter Raleigh
Also known as: Walter Raleigh, Sir Walter Raleigh
WHO stands on that cliff, like a figure of stone,
— from Poems
Most acclaimed

The Prince
"A portrait of one of the most enigmatic yet influential powerbrokers in America - Prince Bandar bin Sultan bin Abdul Aziz Al-Saud, the Saudi Arabian Ambassador to the United States from 1983 to 2005." "For the last two and a half decades, the United States and Saudi Arabia have had a very special relationship - through war, oil crises, and global terrorism. At a time when understanding our friends is as important as knowing our enemies, understanding Prince Bandar bin Sultan may be the key to figuring out the Saudis. As the illegitimate son of a Saudi prince and a servant girl, Prince Bandar overcame his unrecognized beginnings to rise through the ranks of the Royal Saudi Air Force. Through his work with President Carter on the sale of F-15s to Saudi Arabia and his vital behind-the-scenes help in getting the Panama Canal Treaty through Congress, Bandar became one of Saudi Arabia's brightest diplomatic stars - leading to his appointment as the Ambassador to the United States." "As Ambassador, Bandar worked with President Reagan and CIA Director Bill Casey to win the Cold War with Saudi petrodollars. Seemingly in the thick of some of the most important world events of the last twenty-five years, Bandar played a key role in the Iran-Contra affair; convinced President Gorbachev to withdraw the Soviet military from Afghanistan; and negotiated an end to the Iran-Iraq war among others. A Machiavellian manipulator and a master tactician on the global chessboard, Bandar has had unmatched access to the Oval Office. George H. W. Bush took The Prince and his family fishing; Nancy Reagan used him to convey messages to her husband's Cabinet; Colin Powell would drop by to play racquetball. During the Gulf War, Prince Bandar even became a de facto member of the National Security Council." "In this biography, William Simpson pulls back the curtain for the first time on the fascinating and startling life of a man of contradictions - equally at home in the royal palace in Riyadh as on the ski slopes of Aspen or playing hardball politics with international heads of state; a super-wealthy playboy yet a devoted family man; an expert in subterfuge and misdirection, yet a straight talker trusted the world over; a man of peace and yet the biggest arms dealer in the world - who emerged throughout the 1980s and '90s as one of the driving forces behind American foreign policy."--BOOK JACKET

Selected writings
1994
Sir Thomas Browne (1605-82), physician and philosopher, is celebrated principally for his Religio Medici and his study of burial customs, Urn Burial, masterpieces of English prose. But a portrait of Browne as a seventeenth-century intellectual must include much that is rarely seen except by specialists. The Pseudodoxia Epidemica, for example, tracts, letters to naturalists and antiquarians, notebooks and observations on natural history, are neglected. This modernised edition includes the complete text of Urn Burial, selections from Religio Medici, and much else to give account of Browne as doctor, scientist, philosopher, Christian, political and social being. Designed for those unfamiliar with Browne's sometimes opaque prose, it includes substantial annotation and a full introduction. . Browne's elaborate wit engages us by its reflective, at times outrageous tone. He can parody himself: 'if elegancy still proceedeth...we shall, within few years, be fain to learn Latin to understand English...' He was 'rich in various knowledge, exuberant in conceptions and conceits; contemplative, imaginative, often truly great and magnificent in his style,' Coleridge said. His work has marked generations of English writers.

Poems
This is an edition of all the known poems of Mark Akenside, the eighteenth-century English poet and physician, whose poetry has not been newly edited for more than a century. This edition will thus provide scholars and students with a much-needed opportunity to reassess the extent of Akenside's contribution to literary culture, and it will also clarify his role in the development of the aesthetic theories of his own generation and the one that followed. The career of Mark Akenside (1721-70) spans a period of extraordinarily fast change in English literature: his first major poem, The Pleasures of Imagination, appeared in the year of Pope's death; and Akenside died in the year Wordsworth was born. His works not only reflected the very considerable changes that took place during these years; they also contributed in many ways to the shifts in focus, interest, and emphasis that characterize the literature of the later eighteenth century. Akenside's fascination with the imagination, its characteristics and functions, resulted in an intriguing and influential blend of the poetic and the philosophical in his longer poems, The Pleasures of Imagination (1744) and The Pleasures of the Imagination (1772). The earlier work explores the then new subject of aesthetics in greater detail than it had ever been explored before, presenting various original insights and arguments. Yet it would be wrong to see the poem as merely a versified philosophical treatise; its complex structure offers satisfactions beyond those of sequential logic, and the examples cited to illustrate the central ideas are imbued with considerable vigor and clarity. As products of, and contributors to, the eighteenth-century enthusiasm for aesthetics, Akenside's longer poems are captivating examples of the eighteenth- and nineteenth-century experiment in developing the philosophical poem into a major literary form. It is for this reason above all others that they are valued by Coleridge and the writers of the next generation. Because of the comparative obscurity into which Akenside's works fell after the demise of the long philosophical poem in the latter part of the nineteenth century, they have not by and large attracted the attention of modern bibliographers. In this edition numerous bibliographical and textual puzzles presented by his poems are solved for the first time. The apparatus, meanwhile, demonstrates the full extent of the poet's urge to revise - an urge that extended from the wholesale rewriting of some poems to subtle alterations of textual minutiae, showing a mind and an ear alive to nuances of meaning and intonation.