Robert Louis Stevenson

I. THE EVOLUTION OF THE SHORT-STORY II. THE APPARITION OF MRS. VEAL. By Daniel Defoe (1661-1731) III. THE MYSTERIOUS BRIDE. By James Hogg (1770-1835) IV. THE DEVIL AND TOM WALKER. By Washington Irving (1783-1859) V. [DR. HEIDEGGER'S EXPERIMENT]( By Nathaniel Hawthorne (1807-1864) VI. [THE PURLOINED LETTER]( By Edgar Allan Poe (1809-1849) VII. RAB AND HIS FRIENDS. By Dr. John Brown (1810-1882) VIII. THE BOOTS AT THE HOLLY-TREE INN. By Charles Dickens (1812-1870) IX. A STORY OF SEVEN DEVILS. By Frank R. Stockton. (1834-1902) X. A DOG'S TALE. By Mark Twain (1835) XI. THE OUTCASTS OF POKER FLAT. By Bret Harte (1839-1902) XII. THE THREE STRANGERS. By Thomas Hardy (1840) XIII. JULIA BRIDE. By Henry James (1843) XIV. A LODGING FOR THE NIGHT. By Robert Louis Stevenson (1850-1894)

Stevenson's chilling Victorian gothic novella about decaying aristocracy, vampirism and tormented love.

Robert Louis Stevenson's short novel, Dr. Jekyll and Mr. Hyde, first published in 1886, became an instant classic, a Gothic horror originating in a feverish nightmare whose hallucinatory setting in the back streets of London gripped a nation mesmerized by crime and violence. Its revelatory ending is one of the most original and thrilling in English Literature. This new edition of Stevenson's most famous work includes three additional short stories, two short essays, and extracts from contemporary writing on psychological disorders. The introduction considers the reasons for the books popularity, "the double," and psychoanalytic interpretations, as well as crime, sex, class, and urbanism in the 1880s. Appendixes provide contextual historical material by Henry Maudsley, Frederic Myers, and W.T. Stead. This edition also provides an up-to-date bibliography and full notes, including details of the initial responses of Stevenson's contemporaries, such as John Addington Symonds, Gerard Manley Hopkins and Rider Haggard.

While going through the possessions of a deceased guest who owed them money, the mistress of the inn and her son find a treasure map that leads to a pirate treasure as well as great danger. Presented in comic book format.

G. K. Chesterton said of Scottish writer Robert Louis Stevenson that he "seemed to pick the right word up on the point of his pen, like a man playing spillikins." This collection of Stevenson's essays includes:On the Enjoyment of Unpleasant PlacesAn Apology for IdlersAes TriplexTalk and TalkersA Gossip on RomanceThe Character of DogsA College MagazineBooks Which Have Influenced MePulvis et Umbra

Most of the problems travelers encounter have to do with transportation. On a 12-day trek through the Cevennes, Stevenson's cross to bear was Modestine, a stubborn, manipulative donkey he could never quite get the better of. After many humorous trials and tribulations, Stevenson found that his disdain for the creature had turned to love, and at the end of the trip he said goodbye with much regret. Written in just a few months when he was in his late twenties, the publication was initially a means to earn a quick buck. Little did Stevenson know that his Modestine would become one of the great characters in travel literature.

From the book:From the thirteenth century onwards, the name, under the various disguises of Stevinstoun, Stevensoun, Stevensonne, Stenesone, and Stewinsoune, spread across Scotland from the mouth of the Firth of Forth to the mouth of the Firth of Clyde. Four times at least it occurs as a place-name. There is a parish of Stevenston in Cunningham; a second place of the name in the Barony of Bothwell in Lanark; a third on Lyne, above Drochil Castle; the fourth on the Tyne, near Traprain Law. Stevenson of Stevenson (co. Lanark) swore fealty to Edward I in 1296, and the last of that family died after the Restoration. Stevensons of Hirdmanshiels, in Midlothian, rode in the Bishops' Raid of Aberlady, served as jurors, stood bail for neighbours - Hunter of Polwood, for instance - and became extinct about the same period, or possibly earlier. A Stevenson of Luthrie and another of Pitroddie make their bows, give their names, and vanish. And by the year 1700 it does not appear that any acre of Scots land was vested in any Stevenson.

Part 1 Beginnings: "Sir Bertrand - A Fragment" (1773), Anna Laetitia Aiken "The Poisoner of Montremos" (1791), Richard Cumberland "The Friar's Tale" (1792), Anonymous "Raymond - A Fragment (1799), "Juvenis" "The Parricide Punished" (1799), Anonymous "The Ruins of the Abbey of Fitz-Martin" (1801), Anonymous "The Vindictive Monk, or The Fatal Ring" (1802), Isaac Crookenden. Part 2 The 19th century: "The Astrologer's Prediction or the Maniac's Fate" (1826), Anonymous "Andreas Vesalius the Anatomist" (1833), Petrus Borel "Lady Eltringham or The Castle of Ratcliffe Cross" (1836), J. Wadham "[The Fall of the House of Usher]( (1839), Edgar Allan Poe "A Chapter in the History of the Tyrone Family" (1839), Sheridan Le Fanu "[Rappacini's Daughter]( (1844), Nathaniel Hawthorne "Selina Sedilia" (1865), Bret Harte "Jean-Ah Poquelin" (1875), George Washington Cable "Olalla" (1885), Robert Louis Stevenson "Barbara of the House of Grebe" (1891), Thomas Hardy "Bloody Blanche" (1892), Marcel Schwob "The Yellow Wall-Paper" (1892), Charlotte Perkins Stetson "[The Adventure of the Speckled Band]( (1892), Arthur Conan Doyle "Hurst of Hurstcote" (1893), E. Nesbit. Part 3 The 20th century: "A Vine on the House" (1905), Ambrose Bierce "Jordan's End" (1923), Ellen Glasgow "The Outsider" (1926), H.P. Lovecraft "[A Rose for Emily]( (1930), William Faulkner "A Rendezvous in Averoigne" (1931), Clark Ashton Smith "The Monkey" (1934), Isak Dinesen "Miss De Mannering of Asham" (1935), F.M. Mayor "The Vampire of Kaldenstein" (1938), Frederick Cowles "Clytie" (1941), Eudora Welty "Sardonicus" (1961), Ray Russell "The Bloody Countess" (1968), Alejandra Pizarnik "The Gospel According to Mark" (1970), Jorge Luis Borges "The Lady of the House of Love" (1979), Angela Carter "Secret Observations of the Goat-Girl" (1988), Joyce Carol Oates "Blood Disease" (1988), Patrick McGrath "If You Touched My Heart" (1991), Isabel Allende.

John Varey Nicholson was stupid; yet, stupider men than he are now sprawling in Parliament, and lauding themselves as the authors of their own distinction. He was of a fat habit, even from boyhood, and inclined to a cheerful and cursory reading of the face of life; and possibly this attitude of mind was the original cause of his misfortunes. Beyond this hint philosophy is silent on his career, and superstition steps in with the more ready explanation that he was detested of the gods.