KINGDOM OF ITALY AUTHOR · GENERAL · FICTION
Pier Paolo Pasolini
Also known as: Pasolini Pier Paolo, Pier Paulo Pasolini
Pier Paolo Pasolini (Italian: [ˈpjɛr ˈpaːolo pazoˈliːni]; 5 March 1922 – 2 November 1975) was an Italian poet, writer, film director, actor and playwright. He is considered one of the defining public intellectuals in 20th-century Italian history, influential both as an artist and a political figure. He is known for directing The Gospel According to St. Matthew, the films from Trilogy of Life (The Decameron, The Canterbury Tales and Arabian Nights) and Salò, or the 120 Days of Sodom. A controversial personality due to his straightforward style, Pasolini's legacy remains contentious.
Perhaps we should not pride ourselves too much on our modern, tolerant outlook toward the practitioners of, and believers in, witchcraft.
— from Witches, 2007
Most acclaimed
Saint Paul
"Pier Paolo Pasolini's screenplay of an unfinished film about St. Paul is a key addition to the existing bibliography around St. Paul and to a proliferating trend in literature centered on the current turn to religion in philosophy and critical theory. Authors such as Alain Badiou, Slavoj Žižek and Giorgio Agamben have all taken part in these discussions. Pasolini's screenplay, however, looks nothing like a sober philosophical treatise on religion, faith or St. Paul; instead, it is a remarkably exciting text, relentless in both its sacralization and profaning of filmic reality"--
Petrolio
A work in progress at the time of Pasolini's murder, Petrolio is made up of a series of notes - some extended and polished narrative passages, others cryptic messages from the author to himself that consist of no more than a few words. At the novel's center is Carlo, an oil executive who undergoes a profound personality split: Carlo 1 is a super-Machiavellian power monger; Carlo 2 lives only to satisfy his perverse and insatiable sexual desires. Carlo also experiences a sexual metamorphosis in which he becomes, at will, female. The story of Carlo is interspersed with re-visions of myth - Oedipus, Medea, the Argonauts - and of Dante's hell. The teller of this story is also dual in nature. There is the author - the external shaper of the novel - who interrupts the text to comment on its mechanics and its meaning. And there is the narrator, whose cynical and seductive perspective comes from within Petrolio's fictional world. Fragmentary, deliberately self-referential, meta-literary, schizoid, a devotional exploration of the male libido, an ode to the lust for power and the power of lust and, above all, a wrenching attempt to define the intellectual and his responsibilities, Petrolio is a postmodern masterpiece.
Witches
2007
"September 1613. In Belvoir Castle, the heir of one of England's great noble families falls suddenly and dangerously ill. His body is 'tormented' with violent convulsions. Within a few short weeks he will suffer an excruciating death. Soon the whole family will be stricken with the same terrifying symptoms. The second son, the last male of the line, will not survive. It is said witches are to blame. And so the Earl of Rutland's sons will not be the last to die. Witches traces the dramatic events which unfolded at one of England's oldest and most spectacular castles four hundred years ago. The case is among those which constitute the European witch craze of the 15th-18th centuries, when suspected witches were burned, hanged, or tortured by the thousand. Like those other cases, it is a tale of superstition, the darkest limits of the human imagination and, ultimately, injustice - a reminder of how paranoia and hysteria can create an environment in which nonconformism spells death. But as Tracy Borman reveals here, it is not quite typical. The most powerful and Machiavellian figure of the Jacobean court had a vested interest in events at Belvoir.He would mastermind a conspiracy that has remained hidden for centuries."--Publisher's description.