Dinah Maria Mulock Craik
Personal Information
Description
Dinah Maria Mulock enjoyed a highly successful and diverse writing career and is perhaps best known today for her novel John Halifax, Gentleman (1857). A prolific author of fiction, essays and poetry, Mulock contributed many items, including supernatural material, to the popular magazines of the mid-Victorian period. Her short stories were subsequently collected in a variety of works. Following her marriage in 1864, her work was attributed to 'Mrs Craik'. -- from Shadows in the Attic: A Guide to British Supernatural Fiction 1820-1950, Neil Wilson (2000)
Books
The Little Lame Prince and The Adventures of a Brownie
Five fairy tales: The Little Lame Prince, The Adventures of a Brownie, The Invisible Prince, Prince Cherry, and The Prince with the Nose.
The adventures of a brownie
A brownie makes friends with two small children.
The Fairy Book
A collection of classic tales, some English, and some from Perrault, d'Aulnois, and Grimm.
Maude (Women's Classics Series)
In this volume, Elaine Showalter brings together three and diverse examples of early feminist writing. Cristina Rossetti was nineteen years old when she wrote Maude: Prose and Verse in 1850. Clearly autobiographical, the novel examines the heroine's endeavor to resist the notion that modesty, virtue and domesticity constitute the sole duties of womanhood. For the precocious young poet, the work was only one of several projects of her teens. Growing up in London as the youngest child in a gifted and unusual family of artists and writers, Rossetti had early developed a poetic vocation. But by the time she wrote Maude, the lively, passionate, and adventurous little girl who had hated needlework, delighted in fiercely competitive games of chess, and explored the country with her brothers became a painfully constrained, sickly, and over-scrupulous teenager. Maude makes clear that at least some of Rossetti's affliction came from anxieties about poetic achievement, her wishes both to be admired for her genius and to renounce it as unfeminine. Often overshadowed by her brother Dante Gabriel Rossetti, Christina struggled to express her own independent authorial voice, and to resist a life bound by the constraints and demands of the traditional female role. Other late Victorian attitudes towards Anglican women's communities are brought out in On Sisterhoods by Dinah Mulock Craik which appeared in Longman's magazine in 1883. Craik herself worked on the literary border between feminine gentility and feminist rebellion. In 1850, when Christina Rossetti was writing Maude within the confines of her family, Dinah Mulock was supporting herself and her two younger brothers by her pen. On Sisterhoods confronts head-on `the woman question.' Asserting that women's role is to find beauty in their lives through altruism and good works--to be more or less `good women'--Craik provides a radical solution to the `woman question' by advocating the encouragement of Anglican sisterhoods, effectively women's co-operatives. For her, the strongest argument for such a sisterhood is the alternative life it offers to single women, with no outlets for their maternal emotions. The third text presented here, Craik's A Woman's Thoughts About Women, was a widely circulated manual of advice on female self-sufficiency for unmarried women, based on her own experience in a family left destitute by an eccentric father when she was nineteen. It addressed a pressing contemporary problem: the large number of urban single women who were well educated and qualified but for whom traditional employment offered no place. Craik understood that independence would come hard to middle-class women, yet she was optimistic about the ways women might re-educate themselves, abandoning false pride and learning to manage small businesses or conduct trades. Throughout her career, Craik masked her private feminist views with disdain for women's rights and criticism of women's public activism. Unmarried and self-supporting until the age of forty, she wrote about the problems of single and working women in over fifty popular novels, children's stories and collections of essays. from publisher
The adventures of a brownie, as told to my child
A brownie makes friends with two small children.
It is the Christmas-time ... with twelve ideal Christmas hymns and poems
Poems
The mammoth book of Victorian and Edwardian ghost stories
Ghosts / Anon. -- Schalken the painter / Joseph Sheridan Le Fanu -- M. Anastasius / Dinah Maria Mulock -- The lost room / Fitz-James O'Brien -- No. 1 branch line: The signalman / Charles Dickens -- Haunted / Anon. -- The romance of certain old clothes / Henry James -- John Granger / Mary E. Braddon -- The ghost in the mill and The ghost in the Cap'n Brown house / Harriet Beecher Stowe -- Poor pretty Bobby / Rhoda Broughton -- The new pass / Amelia B. Edwards -- The white and the black / Erckmann-Chatrain -- The underground ghost / J.B. Harwood -- Christmas eve on a haunted hulk / Frank Cowper. Dog or demon? / Theo Gift -- A ghost from the sea / J.E.P. Muddock -- A set of chessmen / Richard Marsh -- The judge's house / Bram Stocker -- Pallinghurst barrow / Grant Allen -- The mystery of the semi-detatched / E. Nesbit -- Sister Maddelena / Ralph Adams Cram -- The trainer's ghost / Lettice Galbraith -- An original revenge / W.C. Morrow -- Caufield's crime / Alice Perrin -- The bridal pair / Robert W. Chambers -- The watcher / Robert Benson -- The spectre in the cart / Thomas Nelson Page -- H.P. / S. Baring-Gould -- Yuki-Omna / Lafcadio Hearn.