AUSTRALIA AUTHOR · POETRY · AUSTRALIAN POETRY
A. D. Hope
WHO stands on that cliff, like a figure of stone,
— from Poems
Most acclaimed
The age of reason
Thomas Paine who was a dynamic philosophical presence in the American Revolution of 1776 wrote his last book in 1795 on an investigation and commentary of organized religion with a focus on Christianity. Paine said that his "religious duties" included doing justice, loving benevolence, and attempting to make others happy. He called himself a deist which is a person who believes in the existence of a God based on the evidence of reason and nature but not on supernatural revelation. In this book he outlines deism as a rational religious belief and offers an analysis of the Bible based on textual content. He makes comparisons of the internal arguments of the Old and New Testaments by explaining, for example, inconsistencies of the biographic accounts in the four gospels. Paine suggests that since they were written separate of each other their basis is no better than hearsay. Because the United States convicted Paine of seditious libel in 1792, he escaped to France where he was selected to be a member of its National Convention. But there he conflicted with Robespierre, and while awaiting his arrest he wrote the first part of "The Age of Reason." Afterwards he was confined in Luxembourg and wrote the second half of the book. The work was published in 1795 and serves as a criticism of established religion from the point of view of the 18th century deists. Paine's clear and concise understanding of the development of the Christian religion from its pagan origins is especially significant when the reader examines the interconnecting references and implications of superstition and fallacy that are still involved in any ceremonial aspect. And, finally, Thomas Paine explains the answer to any confrontation best of all: "The most formidable weapon against errors of every kind is Reason."Please Note: This book is easy to read in true text, not scanned images that can sometimes be difficult to decipher. The Microsoft eBook has a contents page linked to the chapter headings for easy navigation. The Adobe eBook has bookmarks at chapter headings and is printable up to two full copies per year. Both versions are text searchable.
Poems
This is an edition of all the known poems of Mark Akenside, the eighteenth-century English poet and physician, whose poetry has not been newly edited for more than a century. This edition will thus provide scholars and students with a much-needed opportunity to reassess the extent of Akenside's contribution to literary culture, and it will also clarify his role in the development of the aesthetic theories of his own generation and the one that followed. The career of Mark Akenside (1721-70) spans a period of extraordinarily fast change in English literature: his first major poem, The Pleasures of Imagination, appeared in the year of Pope's death; and Akenside died in the year Wordsworth was born. His works not only reflected the very considerable changes that took place during these years; they also contributed in many ways to the shifts in focus, interest, and emphasis that characterize the literature of the later eighteenth century. Akenside's fascination with the imagination, its characteristics and functions, resulted in an intriguing and influential blend of the poetic and the philosophical in his longer poems, The Pleasures of Imagination (1744) and The Pleasures of the Imagination (1772). The earlier work explores the then new subject of aesthetics in greater detail than it had ever been explored before, presenting various original insights and arguments. Yet it would be wrong to see the poem as merely a versified philosophical treatise; its complex structure offers satisfactions beyond those of sequential logic, and the examples cited to illustrate the central ideas are imbued with considerable vigor and clarity. As products of, and contributors to, the eighteenth-century enthusiasm for aesthetics, Akenside's longer poems are captivating examples of the eighteenth- and nineteenth-century experiment in developing the philosophical poem into a major literary form. It is for this reason above all others that they are valued by Coleridge and the writers of the next generation. Because of the comparative obscurity into which Akenside's works fell after the demise of the long philosophical poem in the latter part of the nineteenth century, they have not by and large attracted the attention of modern bibliographers. In this edition numerous bibliographical and textual puzzles presented by his poems are solved for the first time. The apparatus, meanwhile, demonstrates the full extent of the poet's urge to revise - an urge that extended from the wholesale rewriting of some poems to subtle alterations of textual minutiae, showing a mind and an ear alive to nuances of meaning and intonation.