Adrienne Rich

A collection of essays examining a diverse selection of writings and their place in past and present social disorders and transformations.

"Adrienne Rich suggests how poetry has actually been lived in the world, past and present. In this essay, which was the basis for her speech upon accepting the National Book Foundation's Medal for Distinguished Contribution to American Letters, she ranges among themes including poetry's disparagement as "either immoral or unprofitable," the politics of translation, how poetry enters into extreme situations, different poetries as conversations across place and time. In its openness to many voices, Poetry and Commitment offers a perspective on poetry in an ever more divided and violent world."--book jacket.

bell hooks gibt in diesem Buch eine treffende Analyse patriarchaler Stereotypen von Männlichkeit und die Auswirkungen auf uns alle. Insbesondere ihre reflektierten und konstruktiven Ideen zu alternativen Männlichkeitsbildern regen zum Nachdenken an und eröffnen neue Sichtweisen.

"In this new collection Adrienne Rich confronts dislocations and upheavals at the beginning of the twenty-first century. The title poem evokes the lessons children (Not of course here) learn amid violence and hatred, when the whole town flinches/blood on the undersole thickening to glass. "USonian Journals 2000" intercuts faces and conversations, building to a dystopic/utopic vision. Throughout these fierce and musical poems, Rich traces the imprint of public crisis upon individual experience: personal lives bent by collective realities, language itself held to account."--BOOK JACKET.

In this new volume, Adrienne Rich pursues her signature themes and takes them further: the discourse between poetry and history, interlocutions within and across gender, dialogues between poets and visual artists, human damages and dignity, and the persistence of utopian visions. Here Rich continues taking the temperature of mind and body in her time in an intimate and yet commanding voice that resonates long after an initial reading. With two long exploratory poems ("Veteran's Day" and "Terza Rima") as framework, and the title poem as core, Fox is formidable and moving, fierce and passionate, and one of Rich's most powerful works to date.

These essays trace a distinguished writer's engagement with her time, her arguments with herself and others. "I am a poet who knows the social power of poetry, a United States citizen who knows herself irrevocably tangled in her society's hopes, arrogance, and despair," Adrienne Rich writes. The essays in Arts of the Possible search for possibilities beyond a compromised, degraded system, seeking to imagine something else. They call on the fluidity of the imagination, from poetic vision to social justice, from the badlands of political demoralization to an art that might wound, that may open scars when engaged in its work, but will finally suture and not tear apart. This volume collects Rich's essays from the last decade of the twentieth century, including four earlier essays, as well as several conversations that go further than the usual interview. Also included is her essay explaining her reasons for declining the National Medal for the Arts.

"When does a life bend towards freed? grasp its direction" asks Adrienne Rich in Dark Fields of the Republic, her major new work. Her explorations go to the heart of democracy and love, and the historical and present endangerment of both. A theater of voices of men and women, the dead and the living, over time and across continents, the poems of Dark Fields of the Republic take conversations, imaginary and real, actions taken for better or worse, out of histories and songs to extend the poet's reach of witness and power of connection--and then invites the reader to participate.

"America's poet of conscience reflects on the proven and potential role of poetry in contemporary politics and life." "Through journals, letters, dreams, and close readings of the work of many poets, Adrienne Rich reflects on how poetry and politics enter and impinge on American life. This reissue includes a new preface by the author as well as her post-9/11 "Six meditations in place of a lecture.""--Jacket.

With more than 700,000 copies of her books sold, Adrienne Rich's work is unequaled today in reclaiming serious poetry from scholars and returning it to the lives of general readers. Collected here for the first time are more than 200 poems: all those in her first six books plus a dozen others of those decades. From her first publication, when she was twenty-one, in the prestigious Yale Younger Poets series, the successive volumes of Rich's poems have both charted the growth of her own mind and vision, and mirrored our tempestuous, unsettled age. Her unmistakable voice, speaking even from the earliest poems with rare assurance and precision, wrestles with urgent questions while never failing to explore new poetic territory. This collection is a triumphant assertion of the centrality of poetry in our intertwined personal and political realms, and it confirms Rich's position among the enduring poets of our language.

Winner of the Los Angeles Times Book Prize. In this, her thirteenth book of verse, the author of "The Dream of a Common Language" and "Snapshots of a Daughter-in-Law" writes of war, oppression, the future, death, mystery, love and the magic of poetry.

Poet Adrienne Rich presents works from throughout her career, from 1951's "Storm Warnings" to 2001's "Ends of the Earth."