UNITED STATES AUTHOR · FICTION · NEW YORK TIMES REVIEWED
Jonathan Franzen
Also known as: Jonathan Earl Franzen
Jonathan Earl Franzen (born August 17, 1959) is an American novelist and essayist. His 2001 novel The Corrections drew widespread critical acclaim, earned Franzen a National Book Award, was a Pulitzer Prize for Fiction finalist, earned a James Tait Black Memorial Prize, and was shortlisted for the International Dublin Literary Award. His novel Freedom (2010) garnered similar praise and led to an appearance on the cover of Time magazine alongside the headline "Great American Novelist". Franzen has contributed to The New Yorker magazine since 1994. His 1996 Harper's essay Perchance to Dream bemoaned the state of contemporary literature. Oprah Winfrey's book club selection in 2001 of The Corrections led to a much publicized feud with the talk show host.
The madness of an autumn prairie cold front coming through.
— from The Corrections
Most acclaimed
Strong motion
Another second novel. As always Franzen’s scope is immense, and his talent is clear on every page. If Palanuick is the very best writer, sentence to sentence, then Franzen is clearly the best living novelist. This story involves one Louis Holland, and a Harvard seismologist named Dr. Reneé Seitchek, and it revolves around abortion activists, big corporations, and strange sudden earthquakes appearing near Boston, which every Harvard seismologist knows is very strange indeed. It writes about the evil of corporations, but in a stronger, more mature way than Palanuick. Franzen is a historian, and he tells us exactly why the world is bad, how it came to be that way. He goes all the way back to the colonization of America, but not in a preachy or boring way. He personifies a raccoon for five pages, which is strangely one of the most poignant parts of the whole book. The two main characters are what make the book. The medium-attractive Renee’ Seitchek and the lonely, lost Louis Holland, who fall for each other but seemingly never at the same time, and have painful rubbing sex as the earth shakes underneath them. Franzen is a master and a genius; he builds and constructs. He creates suspense, and makes us wait for whatever’s going to happen. He makes us work for it. As with the #1 author on this list, you can imagine him standing behind a door somewhere laughing at all of his readers. He’s smarter than us, and God can the man write. This novel succeeds where The Twenty-seventh City fell a little short, and The Corrections overthrew.
The Corrections
Like bookends of the past half century, the two generations of the Lambert family represent two very different aspects of America. Alfred, the patriarch, is a distant, puritanical company man; he is also slipping into Parkinson's-induced dementia. His wife, Enid, is a model Midwestern housewife, at once deferential and controlling. Their three children--Gary, an uptight banker, baffled by his own persistent unhappiness; Chip, and ex-professor now failing as a screenwriter; and Denise, and up-and-coming chief in a hot new restaurant--have little time for Enid and Alfred. But when Enid calls for one last Christmas at the family home, the trajectories of five American lifetimes converge. With this important, profoundly affecting work, Jonathan Franzen confirms his place in the top tier of American novelists. His unique blend of subversive humor and full-blooded realism makes The Corrections a grandly entertaining family saga.
The Best American Short Stories 1997
Donald Edwin Westlake (July 12, 1933 – December 31, 2008) was an American writer with more than one hundred novels and non-fiction books to his credit. He specialized in crime fiction, especially comic capers, with an occasional foray into science fiction and other genres. Westlake created two professional criminal characters who each starred in a long-running series: the relentless, hardboiled Parker (published under the pen name Richard Stark), and John Dortmunder, who featured in a more humorous series. Westlake was a three-time Edgar Award winner and, alongside Joe Gores and William L. DeAndrea, was one of few writers to win Edgars in three different categories (1968, Best Novel, God Save the Mark; 1990, Best Short Story, "Too Many Crooks"; 1991, Best Motion Picture Screenplay, The Grifters). In 1993, the Mystery Writers of America named Westlake a Grand Master, the highest honor bestowed by the society.