Discover
Jan 1, 1921 — Jan 1, 1988· 67 yrs

UNITED KINGDOM OF GREAT BRITAIN AND IRELAND AUTHOR · FICTION · HISTORY AND CRITICISM

Raymond Williams

33
BOOKS
3.7
AVG RATING (6)
0
READERS

Raymond Henry Williams (31 August 1921 – 26 January 1988) was a Welsh socialist writer, academic, novelist and critic influential within the New Left and in wider culture. His writings on politics, culture, the media and literature contributed to the Marxist critique of culture and the arts. Some 750,000 copies of his books were sold in UK editions alone, and there are many translations available. His work laid foundations for the field of cultural studies and cultural materialism.

Pandy, United Kingdom of Great Britain and Ireland
Wikipedia

Two very beautiful naked girls are crouched facing each other.

— from Essays, 1987

Most acclaimed

#2

Living in the future

0.0 (0)

Edited by Isaac Asimov Devised by Peter Nicholls Analysing the Future by Bruce Page Population and health by Norman Myers The world's food supply by Magnus Pyke Is Earth Over-Exploited? by Robin Clarke International politics by Dan Smith Liberty and law by Duncan Campbell The technology of warfare by Frank Barnaby Terrorism by Martin Walker The physical world: future insights by Duncan Campbell Transport by Mick Hamer Communications present and future by Ian Graham The future of the press by Martin Walker Television 'news' by Michael Elkins High-technology medicine by Richard Hawkins Medicine negated by Christiaan Barnard Children's rights by Humphrey Evans Childrearing by James Coleman The future of women by Betty Friedan The anti-futurist by Martin Walker How we make the future by Raymond Williams

#1

Cobbett

0.0 (0)
#3

Essays

1987

5.0 (2)

The titles of Ralph Waldo Emerson’s essays consist of a range of general concepts such as character, experience, friendship, history, intellect, love, nature, politics, prudence and, most famously, self-reliance. However, in no case is the content of an essay limited to considerations relevant to its title concept. Emerson’s style is digressive and aphoristic, his lengthy paragraphs strewn with terse, dogmatic assertions. The pieces record the diffuse preconceptions and opinions of the author, typically without arguing for them. “Nature,” Emerson’s first published essay, was published independently five years before his first collection of essays. It became a foundational text for transcendentalism, the New England intellectual movement that upheld the divine character of the natural world and the importance of spiritual connection with it. In its emphasis on reason, individual conscience, and innate human goodness, transcendentalism was related to Unitarianism, where Emerson began his career as a minister. While Emerson resigned from this post after only a few years, he retained a lifelong concern with religion and theology that is frequently manifest in his essays. Even in the earlier essays Emerson expresses in passing a general opposition to slavery, but he has sometimes been criticized for remaining aloof from the social issues of his day, and especially from abolition. Emerson’s growing willingness to think and speak about slavery as he aged is visible in the collection; its final essay is a lecture given before the American Anti-Slavery Society. In “Politics,” he includes “emancipat[ing] the slave” alongside befriending the poor, building schools and cherishing the arts in a list of causes that he takes to represent “real good.” Emerson’s essays were especially influential among the members of the Transcendental Club that met in Cambridge, Massachusetts, which included Henry Thoreau among its members. Reading the essays was also instrumental in the literary development of Emerson’s later correspondent Walt Whitman, who in Leaves of Grass aimed to attain the ideal of the American poet described in “The Poet.” In German translation, the essays were read and appreciated by Nietzsche, who chose a quotation from “History” as the epigraph for the first edition of his 1882 book The Gay Science and in the same book named Emerson among the few men he judged to be “masters of prose.” The essays collected here were originally released in two volumes, or “series,” the first in 1841 and the second in 1844. In the original editions, each essay was prefaced by a poem of Emerson’s own authorship. While some of these poems were omitted in later editions, all have been included here.

Books

Newest First