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Jan 1, 1956 — —· 70 yrs

PEOPLE'S REPUBLIC OF CHINA AUTHOR · FICTION · SHORT

Ha Jin

18
BOOKS
3.1
AVG RATING (11)
1
READERS
Jinzhou, People's Republic of China
Wikipedia

What is this light in Darren's eyes.

— from Wreckage

Most acclaimed

#2

Between silences

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#1

The Best American Short Stories 1997

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Donald Edwin Westlake (July 12, 1933 – December 31, 2008) was an American writer with more than one hundred novels and non-fiction books to his credit. He specialized in crime fiction, especially comic capers, with an occasional foray into science fiction and other genres. Westlake created two professional criminal characters who each starred in a long-running series: the relentless, hardboiled Parker (published under the pen name Richard Stark), and John Dortmunder, who featured in a more humorous series. Westlake was a three-time Edgar Award winner and, alongside Joe Gores and William L. DeAndrea, was one of few writers to win Edgars in three different categories (1968, Best Novel, God Save the Mark; 1990, Best Short Story, "Too Many Crooks"; 1991, Best Motion Picture Screenplay, The Grifters). In 1993, the Mystery Writers of America named Westlake a Grand Master, the highest honor bestowed by the society.

#3

War trash

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Set in 1951–53, War Trash takes the form of the memoir of Yu Yuan, a young Chinese army officer, one of a corps of “volunteers” sent by Mao to help shore up the Communist side in Korea. When Yu is captured, his command of English thrusts him into the role of unofficial interpreter in the psychological warfare that defines the POW camp. Taking us behind the barbed wire, Ha Jin draws on true historical accounts to render the complex world the prisoners inhabit—a world of strict surveillance and complete allegiance to authority. Under the rules of war and the constraints of captivity, every human instinct is called into question, to the point that what it means to be human comes to occupy the foremost position in every prisoner’s mind. As Yu and his fellow captives struggle to create some sense of community while remaining watchful of the deceptions inherent in every exchange, only the idea of home can begin to hold out the promise that they might return to their former selves. But by the end of this unforgettable novel—an astonishing addition to the literature of war that echoes classics like Dostoevsky’s Memoirs from the House of the Dead and the works of Siegfried Sassoon and Wilfred Owen—the very concept of home will be more profoundly altered than they can even begin to imagine.

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