Herbert Spencer

#2

This inspiring life-story by a towering figure of our era is an epic of genius in relation to the twentieth century. In these pages, Frank Lloyd Wright's personal revelations illumine an astonishing variety of experiences, opening with his life as a child with his Welsh forebears in the Midwest, his running away to plunge into the creative ferment of the Chicago of the Nineties, the beginning of one of the world's most productive careers, through his long dramatic life which culminated in his transforming influence on the modern world. His autobiography is a book of triumph over nearly incredible adversity. It is filled with memorable descriptions: of the young architect's apprentice with the pioneer Louis Sullivan; the fire which destroyed his renowned home, Taliesin, in the tragedy that took several lives, and his courageous re-building of his Imperial Hotel, in which he reveals why it rode out the disastrous 1923 earthquake in Tokyo, unharmed, while the city lay bout it in ruins; his romantic meeting with the woman whose devotion was to transform his life; the ordeals to which he and Olgivanna Lloyd Wright were early subjected and out of which they built a new life; the story of how they established the Taliesin Fellowship, the now renowned school of architecture to which students come from every part of the world; his friendships with Carl Sandburg, Alexander Woollcott, Lloyd Lewis, Ferdinand Schevill, among his others; his journeys to Japan and Russia; his creation of building after building-low cost houses, skyscrapers, churches, celebrated dwellings such as Hollyhock House, La Miniatura, Fallingwater, the Jacobs House (cost $5,500, including the architect's fee in 1936), etc.-which revolutionized the architecture of our century. During what he called "a very bad time in my life" Mrs. Wright urged him to begin work on his life-story and encouraged him through the years to complete it; and it is to her that he dedicated this final, definitive edition. Shortly after the preceding version of his autobiography appeared thirty-five years ago, Frank Lloyd Wright began to revise it, adding material over a period of sixteen years. This is the first edition of the corrected manuscript. Besides all his revisions of the earlier (and unillustrated) version, this new edition includes eighty-two illustrations, photographs of his family and of the people involved in his life, as well as his architectural masterpieces produced over a span of seventy years (including houses built as recently as 1976). This volume consists of six books, of which Book Six, titled BROADACRE CITY, comprises one of the most important additions to this comprehensive edition: the master's concepts of the future city and government-a major presentation of his ideas, prophecies being increasingly borne out in our time and destined to have an enduring influence in the future. Frank Lloyd Wright's autobiography is an incomparable book, a frankly revealing and uncompromising personal achievement to stand with his great buildings.

#3

1987

The titles of Ralph Waldo Emerson’s essays consist of a range of general concepts such as character, experience, friendship, history, intellect, love, nature, politics, prudence and, most famously, self-reliance. However, in no case is the content of an essay limited to considerations relevant to its title concept. Emerson’s style is digressive and aphoristic, his lengthy paragraphs strewn with terse, dogmatic assertions. The pieces record the diffuse preconceptions and opinions of the author, typically without arguing for them. “Nature,” Emerson’s first published essay, was published independently five years before his first collection of essays. It became a foundational text for transcendentalism, the New England intellectual movement that upheld the divine character of the natural world and the importance of spiritual connection with it. In its emphasis on reason, individual conscience, and innate human goodness, transcendentalism was related to Unitarianism, where Emerson began his career as a minister. While Emerson resigned from this post after only a few years, he retained a lifelong concern with religion and theology that is frequently manifest in his essays. Even in the earlier essays Emerson expresses in passing a general opposition to slavery, but he has sometimes been criticized for remaining aloof from the social issues of his day, and especially from abolition. Emerson’s growing willingness to think and speak about slavery as he aged is visible in the collection; its final essay is a lecture given before the American Anti-Slavery Society. In “Politics,” he includes “emancipat[ing] the slave” alongside befriending the poor, building schools and cherishing the arts in a list of causes that he takes to represent “real good.” Emerson’s essays were especially influential among the members of the Transcendental Club that met in Cambridge, Massachusetts, which included Henry Thoreau among its members. Reading the essays was also instrumental in the literary development of Emerson’s later correspondent Walt Whitman, who in Leaves of Grass aimed to attain the ideal of the American poet described in “The Poet.” In German translation, the essays were read and appreciated by Nietzsche, who chose a quotation from “History” as the epigraph for the first edition of his 1882 book The Gay Science and in the same book named Emerson among the few men he judged to be “masters of prose.” The essays collected here were originally released in two volumes, or “series,” the first in 1841 and the second in 1844. In the original editions, each essay was prefaced by a poem of Emerson’s own authorship. While some of these poems were omitted in later editions, all have been included here.