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Béla Bartók

Personal Information

Born March 25, 1881
Died September 26, 1945 (64 years old)
Sânnicolau Mare, United States
Also known as: Bartók, Béla, Bartók, Béla, 1881-1945
28 books
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20 readers

Description

A Hungarian composer and pianist.

Books

Newest First

Bela Bartók studies in ethnomusicology

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Composer, folklorist, and performer Bela Bartok (1881-1945) is internationally renowned as one of the most important and influential musicians of the twentieth century. Throughout his life he wrote lectures and essays that dealt with virtually every aspect of East European folk music. Many of those essays, previously scattered in specialty journals in four different languages, are collected here for the first time. All are concerned with that branch of musicology within which Bartok was most influential, and for which he is best known: research into folk music, or ethnomusicology. The volume includes a preface by editor Benjamin Suchoff, a leading expert on Bartok's music and writings. Suchoff examines Bartok's developing views on the folk-music traditions of Hungary, Romania, Slovakia, and the Arab world.

Essays

Jeremy Collier, Umberto Eco, H. I. D. Ryder, Arthur Penrhyn Stanley, Walter Kasper, Béla Bartók, Clement Mansfield Ingleby, John Fiske, John Dalberg-Acton, 1st Baron Acton, Jean-Luc Nancy, Michael Pye, Octavio Paz, Sayyid Aḥmad K̲h̲ān̲, Joseph Addison, Algirdas Julien Greimas, Евгений Иванович Замятин, Henry F. (Henry Francis) Pelham, Arthur Christopher Benson, Grant, Percy Stickney, Charles Carroll Everett, Jean François Lyotard, Herbert Spencer, Raymond Williams, William Hazlitt, Giorgio Agamben, Alfred Kerr, Aleksandr Aleksandrovich Blok, William Butler Yeats, William Graham Sumner, Allen Tate, James Beattie, J. H. Plumb, William Godwin, Francis Bacon, Henry David Thoreau, Henry Thomas Buckle, Arthur Schopenhauer, Herman Friedrich Grimm, John Addington Symonds, James Hadley, James Laughlin, Joseph Isaac Schneersohn, Irving Howe, E. M. W. Tillyard, Benjamin Rush, Plutarch, Morton Feldman, Simone Weil, Ralph Waldo Emerson, Howard Zinn, Ellen Key, Salisbury, Robert Cecil marquess of, J. Logie Robertson, Oliver Goldsmith, Thomas Henry Huxley, Arnold Zweig, Hugh Miller, Mackenzie, Morell Sir, George Orwell, Bing Xin, Roland Barthes, Errico Malatesta, George John Romanes, Parsons, Theophilus, Alice Meynell, Alejo Carpentier, Charles Baudelaire, Jacques Barzun, James Huneker, Thomas Paine, Thomas Merton, Jean-Paul Sartre, Montaigne, Michel de, David Hume, Paul Valéry, Félix Guattari, Wilhelm Max Wundt, Christopher Hill, Shen, Congwen, Italo Calvino, Robert Morgan, James Martineau, Abūlkalām Āzād, Friedrich Schiller, Rosemond Tuve, René Descartes, Immanuel Kant, Joseph Alois Schumpeter, Carl Gustav Jung, John Henry Newman, Thomas De Quincey, Virginia Woolf, Matthew Arnold, Frederic William Henry Myers, Ernst Troeltsch, Martin Buber, Hermann Bahr, Thomas Mann, Charles Augustin Sainte-Beuve, Jonathan Franzen, Samuel Johnson, Anscombe, G. E. M., Charles Lamb, George Brimley, John Abercrombie, Thomas Monro, Hubert Bland
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Umberto Eco's latest work unlocks the riddles of history in an exploration of the "linguistics of the lunatic," stories told by scholars, scientists, poets, fanatics, and ordinary people in order to make sense of the world. Exploring the "Force of the False," Eco uncovers layers of mistakes that have shaped human history, such as Columbus's assumption that the world was much smaller than it is, leading him to seek out a quick route to the East via the West and thus fortuitously "discovering" America. In a careful unveiling of the fabulous and the false, Eco shows us how serendipities - unanticipated truths - often spring from mistaken ideas. From Leibniz's belief that the I Ching illustrated the principles of calculus to Marco Polo's mistaking a rhinoceros for a unicorn, Eco tours the labyrinth of intellectual history, illuminating the ways in which we project the familiar onto the strange.

Tanz-Suite

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1 miniature score (xxii, 103 p.) ; 24 cm