Sebastian Junger

In the spring of 1963, the quiet suburb of Belmont, Massachusetts, is rocked by a shocking sex murder that exactly fits the pattern of the Boston Strangler. Sensing a break in the case that has paralyzed the city of Boston, the police track down a black man, Roy Smith, who cleaned the victim's house that day and left a receipt with his name on the kitchen counter. Smith is hastily convicted of the Belmont murder, but the terror of the Strangler continues. On the day of the murder, Albert DeSalvo--the man who would eventually confess in lurid detail to the Strangler's crimes--is also in Belmont, working as a carpenter at the Jungers' home. In this spare, powerful narrative, Sebastian Junger chronicles three lives that collide--and ultimately are destroyed--in the vortex of one of the first and most controversial serial murder cases in America.--From publisher description.

The incredible true account of the most extraordinary storm of the 20th century, this is the story of a tempest born from so rare a combination of factors it was deemed "perfect" and of the doomed fishing boat with her crew of six that was helpless in the midst of a force beyond comprehension.

Paluten ist ein echter Abenteurer und kann schon gar nicht mehr zählen, wie oft er Freedom nun schon gerettet hat. Professor Entes Klonmaschine hat sich dabei in der Vergangenheit als besonders hilfreich erwiesen. Doch ausgerechnet die geht jetzt kaputt. Für die Reparatur benötigt er ein besonders seltenes Metall, welches es nur auf dem Gipfel des höchsten und gefährlichsten Berg Freedoms gibt: Mount Schmeverest. Paluten und Edgar machen sich natürlich sofort auf den Weg, um das seltene Metall zu besorgen, stoßen dabei allerdings auf unerwartete Gefahren und unvorhergesehene Hindernisse. Schaffen sie es, diesen Widrigkeiten zu trotzen und das Metall zu bekommen?

"Draws on history, psychology, and anthropology to discuss how the tribal connection--the instinct to belong to small groups with a clear purpose and common understanding--can satisfy the human quest for meaning and belonging,"--NoveList.

Explores the experiences of soldiers training for war, going into combat, and returning home after a war.

War has been a key topic of speculation and theorising ever since the invention of philosophy in classical antiquity. This anthology brings together the work of distinguished contemporary political philosophers and theorists who address the leading normative and conceptual issues concerning war. The book is divided into three parts: initiating war, waging war, and ending war. The contributors aim to provide a comprehensive introduction to each of these main areas of dispute concerning war. Each essay is an original contribution to ongoing debates on various aspects of war and also provides a survey of the main topics in each subfield. Serving as a companion to the theoretical issues pertaining to war, this volume also is an important contribution to debates in political philosophy. It can serve as a textbook for relevant courses on war offered in philosophy departments, religious studies programs, and law schools.

In today's image-saturated culture, the visual documentation of suffering around the world is more prevalent than ever. Yet instead of always deepening the knowledge or compassion of viewers, conflict photography can result in fatigue or even inspire apathy. Given this tension between the genre's ostensible goals and its effects, what is the purpose behind taking and showing images of war and crisis? Conversations on Conflict Photography invites readers to think through these issues via conversations with award-winning photographers, as well as leading photo editors and key representatives of the major human rights and humanitarian organizations. Framed by critical-historical essays, these dialogues explore the complexities and ethical dilemmas of this line of work. The practitioners relate the struggles of their craft, from brushes with death on the frontlines to the battles for space, resources, and attention in our media-driven culture. Despite these obstacles, they remain true to a purpose, one that is palpable as they celebrate remarkable success stories: from changing the life of a single individual to raising broad awareness about human rights issues. Opening with an insightful foreword by the renowned Sebastian Junger and richly illustrated with challenging, painful, and sometimes beautiful images, Conversations offers a uniquely rounded examination of the value of conflict photography in today's world.