Italo Calvino

The Italian author recalls his years as a teenager, during Mussolini's rule, the liberation, and the Cold War; his life in Paris and New York; and his travels through the United States in 1959 and 1960.

"Kublai Khan does not necessarily believe everything Marco Polo says when he describes the cities visited on his expeditions, but the emperor of the Tartars does continue listening to the young Venetian with greater attention and curiosity than he shows any other messenger or explorer of his." So begins Italo Calvino's compilation of fragmentary urban images. As Marco tells the khan about Armilla, which "has nothing that makes it seem a city, except the water pipes that rise vertically where the houses should be and spread out horizontally where the floors should be," the spider-web city of Octavia, and other marvelous burgs, it may be that he is creating them all out of his imagination, or perhaps he is recreating fine details of his native Venice over and over again, or perhaps he is simply recounting some of the myriad possible forms a city might take.

Three tales, each dominated by one of three senses, present a married couple touring Mexico, a tyrant made prisoner of contradictory messages, and a fashionable Parisian and a drugged rock musician impassioned by scents.

In this book, each second is an age, every cell a universe. Through a series of stories, the author illustrates the paradoxes of space and time. Estranged lovers forever travelling parallel highways, the hunter and lion trapped at each others throats and victims linked in mutual pursuit.

Italian novelist and short story writer Calvino has been accused of making protons, quarks and living cells talk as if they were people, but here he defends his approach as a kind of animism attuned to the way the universe works. His fascination with myth is evident in pieces on Ovid's Metamorphoses and the separate odysseys that make up Homer's Odyssey. Three intertwined essays on French utopian socialist Fourier present him as a precursor of Women's Lib, a satirist and visionary thinker whose scheme for a society in which each person's desires could be satisfied deserves to be taken seriously. In other pieces, Calvino brings a fresh, unpredictable approach to why we should reread the classics, how cinema and comic strips influence writers, and the cartoon universe of Saul Steinberg. His message is that writers need to establish erotic communion with the humdrum objects of everyday reality.

L'impresa di cercare di scrivere romanzi 'apocrifi', cioè che immagino siano scritti da un autore che non sono io e che non esiste, l'ho portata fino in fondo nel mio libro 'Se una notte d'inverno un viaggiatore'. E un romanzo sul piacere di leggere romanzi; protagonista è il Lettore, che per dieci volte comincia a leggere un libro che per vicissitudini estranee alla sua volontà non riesce a finire. Ho dovuto dunque scrivere l'inizio di dieci romanzi d'autori immaginari, tutti in qualche modo diversi da me e diversi tra loro ... Più che d'identificarmi con l'autore di ognuno dei dieci romanzi, ho cercato d'identificarmi col lettore: rappresentare il piacere della lettura d'un dato genere, più che il testo vero e proprio. Ma soprattutto ho cercato di dare evidenza al fatto che ogni libro nasce in presenza d'altri libri, in rapporto e confronto ad altri libri.

ix, 307 pages ; 21 cm