Lydia Davis

"Lydia Davis's first major collection of stories, Break It Down (1986), a finalist for the PEN/Hemingway Award, was described as "A magnetic collection of stories" (Booklist), "Strong, seemingly effortless, and haunting work" (Kirkus Reviews), and "Amazing" (The Village Voice). The stories, said Michiko Kakutani in The New York Times, "attest to the author's gift as an observer and archivist of emotion."" "Davis's next book, The End of the Story, was called "A remarkably original and successful novel" by The London Review of Books, as "Near perfection" by The New Yorker, and "Breathlessly elegant and unsentimental" by Rick Moody." "Almost No Memory, her next collection of stories, was named one of the Voice Literary Supplement's 25 Favorite Books of 1997 and one of the Los Angeles Times's 100 Best Books of 1997. Said the Washington Post Book World, "Lydia Davis's new collection justifies the critical acclaim."" "Now, in Samuel Johnson Is Indignant, Davis continues her sometimes harrowing, often witty, always meticulous and honest narrative investigations into such urgent and endlessly complex concerns as boring friends, Marie Curie, neighbors, lawns, marriage, jury duty, Christianity, ethics, selfishness, failing health, old age, funeral parlors, war, Scotland, dictionaries, children, and the problematic vehicle by which such concerns are most often conveyed -- language itself. Book jacket."--BOOK JACKET.

Lydia Davis's new collection, Almost No Memory, is a richly inventive array of playful philosophical investigations, involuted domestic disputes, and fables of the dark fantastic. With wittily restrained intensity, she again portrays the contemplative self caught in the paradoxical world. In "Pastor Elaine's Newsletter," a harried mother studies a Bible passage; in "Foucault and Pencil," a troubled analysand on her way home from a session attempts to distract herself with a difficult French text; in "Glenn Gould," a former pianist tries to justify her dependence on a certain television show. The stories in Almost No Memory reveal an empathic, sometimes shattering understanding of human relations, as Davis, in a spare but resonant prose all her own, explores the limits of identity, of logic, and of the known and the knowable.

This issue of Granta is dedicated to love, or more often the lack of it, the loss of it, and the search for it. It includes stories about sibling rivalry, about rediscovering parental love, and about the end of marriage and enduring friendship.

On the border of Scotland and England beginning in the early 1880s, two sheep farmers and their sheepdogs engage in a years-long battle to prove their superiority in handling sheep--a battle which must end in death.

Lydia Davis is one of our most original and influential writers, a storyteller celebrated for her emotional acuity, her formal inventiveness, and her ability to capture the mind in overdrive. She has been called "an American virtuoso of the short story form" (Salon.com) and "one of the quiet giants ... of American fiction" (Los Angeles Times Book Review). This volume contains all her stories to date, from the acclaimed Break it Down (1986) to the 2007 National Book Award finalist Varieties of Disturbance. - Cover flap.

A fifth collection by the author of the National Book Award finalist, Varieties of Disturbance, includes pithy one-liners, exploratory observations and letters of complaint, including "A Small Story About a Small Box of Chocolates," in which a professor is stymied by her choices.

"In Varieties of Disturbance, her fourth collection, Davis extends her reach as never before in stories that take every form from sociological studies to concise poems. Her subjects include the five senses, fourth-graders, good taste, and tropical storms. She offers a reinterpretation of insomnia and re-creates the ordeals of Kafka in the kitchen. She questions the lengths to which one should go to save the life of a caterpillar, proposes a clear account of the sexual act, rides the bus, probes the limits of marital fidelity, and unlocks the secret to a long and happy life"--Publisher website (November 2007).

The first of five volumes designed to bring the short fiction of the popular "Weird Tales" author back in print features twenty-five stories unavailable for decades.

"Two remarkable prose stylists — friends since high school — transform found material from the nineteenth century into mesmerizing poem-essays. It was given to me, in the nineteenth century, to spend a lifetime on his earth. Along with a few of the sorrows that are appointed unto men, I have had innumerable enjoyments; and the world has been to me, even from childhood, a great museum.— Lydia Davis. Bad rapids. Bradley is knocked over the side; his foot catches under the seat and he is dragged, head under water. Camped on a sand beach, the wind blows a hurricane. Sand piles over us like a snowdrift.— Eliot Weinberger."--Publisher's website (viewed 11/29/2016).