JAMAICA AUTHOR · POETRY · FICTION
Lorna Goodison
Also known as: Lorna GOODISON
Lorna Gaye Goodison (born 1 August 1947) is a Jamaican poet, essayist and memoirist, a West Indian writer, whose career spans four decades. She is now professor emerita, English Language and Literature/Afroamerican and African Studies at the University of Michigan, previously serving as the Lemuel A. Johnson Professor of English and African and Afroamerican Studies. She was appointed Poet Laureate of Jamaica in 2017 (succeeding Mervyn Morris), serving in the role until 2020. Goodison's 1986 book of poems, I Am Becoming My Mother, won the Commonwealth Writers' Prize, and her 2013 volume, Oracabessa, won the OCM Bocas Prize for Poetry. In addition to poetry, Goodison has published collections of short stories and essays, as well as the memoir From Harvey River: A Memoir of My Mother and Her Island, which in 2008 was the recipient of one of Canada's largest literary prizes, British Columbia's National Award for Canadian Non-Fiction, and in May 2009 was featured on BBC Radio 4's Book of the Week.
Courage my soul, now learn to wield The weight of thine immortal shield.
— from Selected poems, 1990
Most acclaimed
By love possessed
Deadly attraction. Black sheep. Gambler. Notorious womanizer. Accused murderer! Liz Hayden had dreamed about mysterious nineteenth-century Garrett Rowland, his dark history reaching out to her until... With a flash of lightning, Liz was hurled into the past...and into the waiting arms of Garrett himself. He mistook her for his pregnant wife, the woman history claimed he'd murdered. And Liz knew that to stay alive she had to go along with whatever he wanted. Yet there was no playacting involved in her uninhibited response to Garrett's knowing caresses. She understood just how dangerous loving a man like Garrett could be. But the longer she stayed with him, the more she felt the future slipping out of reach....
Collected Poems
2005
Stephane Mallarme (1842-1898) is one of the giants of nineteenth-century French poetry. Leader of the Symbolist movement, he exerted a powerful influence on modern literature and thought, which can be traced in the works of Paul Valery, W. B. Yeats, Ferdinand de Saussure, and Jacques Derrida. From his early twenties until the time of his death, this great writer produced poems of astonishing originality and beauty, many of which have become classics. In the Collected Poems, Henry Weinfield brings the oeuvre of this European master to life for an English-speaking audience, essentially for the first time. All of the poems - in verse and prose - that the author chose to retain are here, superbly rendered by Weinfield in a translation that comes remarkably close to Mallarme's own voice. Weinfield conveys not simply the meaning but the spirit and music of the French originals.^ Deeply affected by the religious crisis that shook the world of nineteenth-century intellectuals, Mallarme saw his task as "the Orphic explanation of the earth." His response was to develop a symbolic vocabulary with which to explore the deepest philosophical questions in highly condensed forms. Whether writing poetry in verse (the Poesies) or prose (the Poemes en Prose), or inventing an altogether new genre - as he did in the amazing "Un Coup de Des," his final work - Mallarme was a poet not only of supreme artistry but of great difficulty. To illuminate Mallarme's poetry for the twentieth-century reader, Weinfield provides an extensive commentary, which is an important work of criticism in its own right. Here the translator defines the major symbols in the poems, elucidates many of the difficulties and complexities of the poetry, and sets each poem in the larger context of the work as a whole.^ Weinfield also includes an introduction and a bibliography of primary and secondary sources. Publication of the Collected Poems is a major literary event in the English-speaking world. Here at last are the poetic works of an important figure in modern literature, masterfully translated and presented.
Selected poems
1990
Charles Olson, the poet who coined the word post-modern and helped shape the generation that would emerge under its mantle, is known for the immense range of his intellectual and poetic reach. Here, in this selection by Robert Creeley, Olson's personal friend and literary ally, is the more "intimate order" of the poet who sought to embrace all of history and human thought. Olson came from working-class immigrant roots in a Massachusetts mill town. A scholar of profound originality and vision, he worked for Roosevelt's administration during the war years, then at Black Mountain, the prototypical experimental college and enclave of avantgarde writers and artists. In 1957 he settled in Gloucester, a town on the shore north of Boston where he had spent summers as a child. It was Gloucester, with its richness of history and human use, that provided the ground of The Maximus Poems, begun as letters some years before and which over the next two decades grew into a masterwork of epic dimensions. From the more than three hundred poems making up The Maximus Poems and the comparable number in Olson's Collected Poems, Creeley's selection makes available for the first time an essential sampling of Olson's poetry. Included are paradigmatic early works like "The Kingfishers," which Guy Davenport called "the most modern of American poems, the most energetically influential text in the last thirty-five years," as well as familiar pieces from Maximus like "Maximus, to Gloucester" and "Celestial Evening." Also represented are less known poems, such as "The chain of memory is resurrection" and "The Lamp," works that reveal a more personal side of this major American poet. Together these poems demonstrate Olson's genius and grace, a poet as at home in Gloucester as in the cosmos, a reckoner with dreams and myths, and "Western man at the limit of himself."