Michael Longley

In her enthralling novels of literary suspense, Carol Goodman writes stories that resonate with emotion set in lush landscapes that entice the senses. Now, with The Ghost Orchid, a narrative that seamlessly weaves together the past and the present, Goodman creates her most lyrical and haunting work to date. For more than one hundred years, creative souls have traveled to Upstate New York to work under the captivating spell of the Bosco estate. Cradled in silence, inspired by the rough beauty of overgrown gardens and crumbling statuary, these chosen few fashion masterworks--and have cemented Bosco's reputation as a premier artists' colony. This season, five talented artists-in-residence find themselves drawn to the history of Bosco, from the extensive network of fountains that were once its centerpiece but have long since run dry to the story of its enigmatic founder, Aurora Latham, and the series of tragic events that occurred more than a century ago.Ellis Brooks, a first-time novelist, has come to Bosco to write a book based on Aurora and the infamous summer of 1893, when wealthy, powerful Milo Latham brought the notorious medium Corinth Blackwell to the estate to help his wife contact three of the couple's children, lost the winter before in a diphtheria epidemic. But when a seance turned deadly, Corinth and her alleged accomplice, Tom Quinn, disappeared, taking with them the Lathams' only surviving child. The more time she spends at Bosco, the more Ellis becomes convinced that there is an even darker, more sinister end to the story. And she's not alone: biographer Bethesda Graham uncovers stunning revelations about Milo and Corinth; landscape architect David Fox discovers a series of hidden tunnels underneath the gardens; poet Zalman Bronsky hears the long-dry fountain's waters beckoning him; and novelist Nat Loomis feels something lingering just out of reach.After a bizarre series of accidents befalls them, the group cannot deny the connections between the long ago and now, the living and the dead . . . as Ellis realizes that the tangled truth may ensnare them all in its cool embrace.From the Hardcover edition.

In a particularly turbulent century that witnessed, among other things, emigration, the 1916 uprising, world wars, the Troubles and the hunger strikes, the shifting perspectives of the poets, reporting on events in close-up or as noises-off, offer a unique commentary from the front line.

"The poems collected in Snow Water find their gravity and centre in Michael Longley's adopted home in west Mayo, but range widely in their attention - from ancient Greece to Paris and Pisa, from Central Park to the trenches of the Somme. In these meditations on nature and mortality, there is a depth and delicacy, a state of lucid wonder, that allow for the easy companionship of love poem and elegy, hymns to marriage and friendship and lyric explorations of loss." "Though the embodiment of these themes is often found in the wildlife of Carrigskeewaun - the plovers and oystercatchers and whooper swans, the hares and otters, the marsh marigolds and yellow flags - Snow Water is emphatically a celebration of humanity. These are all, in a way, poems of love and kinship - even the magnificent sequence that links the horrors of the Great War with those of the Trojan War, and with all the wars between."--BOOK JACKET.

61 pages ; 20 cm