PEOPLE'S REPUBLIC OF CHINA AUTHOR · EXHIBITIONS · INTERVIEWS
Ai Weiwei
Courage my soul, now learn to wield The weight of thine immortal shield.
— from Selected poems, 1990
Most acclaimed

Fragments
The eleven plays by Aristophanes that have come down to us intact brilliantly illuminate the eventful period spanned by his forty-year career, beginning with the first production in 427 BCE. But the Athenians knew much more of his work: over forty plays by Aristophanes were read in antiquity, of which nearly a thousand fragments survive. These provide a fuller picture of the poet's ever astonishing comic vitality and a wealth of information and insights about his world. Jeffrey Henderson's new widely acclaimed Loeb edition of Aristophanes is completed by this volume containing what survives from, and about, his lost plays, hitherto inaccessible to the non-specialist, and incorporating the enormous scholarly advances that have been achieved in recent years. Each fragmentary play is prefaced by a summary of what can be inferred about its plot, characters, themes, theatricality, and topical significance. Also included in this edition are the ancient reports about Aristophanes' life, works, and influence on the later comic tradition. Jeffrey Henderson is William Goodwin Aurelio Professor of Greek Language and Literature at Boston University. He is General Editor of the Loeb Classical Library. -- Jacket.

Weiwei-isms
This collection of quotes demonstrates the elegant simplicity of Ai Weiwei's thoughts on key aspects of his art, politics, and life. A master at communicating powerful ideas in astonishingly few words, Ai Weiwei is known for his innovative use of social media to disseminate his views. The short quotations presented here have been carefully selected from articles, tweets, and interviews given by this acclaimed Chinese artist and activist. The book is organized into six categories: freedom of expression; art and activism; government, power, and moral choices; the digital world; history, the historical moment, and the future; and personal reflections. Together, these quotes span some of the most revealing moments of Ai Weiwei's eventful career--from his risky investigation into student deaths in the 2008 Sichuan earthquake to his arbitrary arrest in 2011--providing a window into the mind of one of the world's most electrifying and courageous contemporary artists.

Selected poems
1990
Charles Olson, the poet who coined the word post-modern and helped shape the generation that would emerge under its mantle, is known for the immense range of his intellectual and poetic reach. Here, in this selection by Robert Creeley, Olson's personal friend and literary ally, is the more "intimate order" of the poet who sought to embrace all of history and human thought. Olson came from working-class immigrant roots in a Massachusetts mill town. A scholar of profound originality and vision, he worked for Roosevelt's administration during the war years, then at Black Mountain, the prototypical experimental college and enclave of avantgarde writers and artists. In 1957 he settled in Gloucester, a town on the shore north of Boston where he had spent summers as a child. It was Gloucester, with its richness of history and human use, that provided the ground of The Maximus Poems, begun as letters some years before and which over the next two decades grew into a masterwork of epic dimensions. From the more than three hundred poems making up The Maximus Poems and the comparable number in Olson's Collected Poems, Creeley's selection makes available for the first time an essential sampling of Olson's poetry. Included are paradigmatic early works like "The Kingfishers," which Guy Davenport called "the most modern of American poems, the most energetically influential text in the last thirty-five years," as well as familiar pieces from Maximus like "Maximus, to Gloucester" and "Celestial Evening." Also represented are less known poems, such as "The chain of memory is resurrection" and "The Lamp," works that reveal a more personal side of this major American poet. Together these poems demonstrate Olson's genius and grace, a poet as at home in Gloucester as in the cosmos, a reckoner with dreams and myths, and "Western man at the limit of himself."