bell hooks

bell hooks gibt in diesem Buch eine treffende Analyse patriarchaler Stereotypen von Männlichkeit und die Auswirkungen auf uns alle. Insbesondere ihre reflektierten und konstruktiven Ideen zu alternativen Männlichkeitsbildern regen zum Nachdenken an und eröffnen neue Sichtweisen.

Discusses what black males fear most, their longing for intimacy, the pitfalls of patriarchy, and the destruction of oppression through redemption and love.

"[An] examination of the role self-esteem plays in the African-American experience in determining whether individuals or groups succeed or self-sabotage"--Front flap of jacket.

Writing about struggles to end racism and white supremacy, the autho reminds us that "no one is born a racist"--Everyone makes a choice. But the pervasiveness of racism in society - the "worship of whiteness" - devalues us all. To "teach community" means, for example to work against the effects of such socialization and to resist even the subtle ways in which racism is reinforced.

Strieber candidly describes the series of elaborate personal encounters he and his family have had with intelligent non-human beings in his isolated cabin in upstate New York.

Celebrates being Bold, All Bliss Boy, All Bad Boy Beast, Boy running, Boy Jumping, Boy Sitting Down, and being in Love With Being a Boy.

A sweeping examination of the core issues of sexual politics, bell hooks' new book Feminist Theory: from margin to center argues that the contemporary feminist movement must establish a new direction for the 1980s. Continuing the debates surrounding her controversial first book, Ain't I A Woman, bell hooks suggests that feminists have not succeeded in creating a mass movement against sexist oppression because the very foundation of women's liberation has, until now, not accounted for the complexity and diversity of female experience. In order to fulfill its revolutionary potential, feminist theory must begin by consciously transforming its own definition to encompass the lives and ideas of women on the margin. Hooks' work is a challenge to the women's movement and will have profound impact on all whose lives have been touched by feminism and its insights.

Los medios conservadores presentan a las feministas como mujeres antihombres, siempre enfadadas. Pero muy al contrario, el feminismo ha logrado mejorar la vida de todas las personas. Gracias al feminismo, todos vivimos de forma más igualitaria: en el trabajo y en casa, en nuestras relaciones sociales y sexuales. Gracias al feminismo, la violencia doméstica ya no es un secreto, se ha normalizado el uso de anticonceptivos y todos somos un poco más libres. No obstante, el feminismo quería mucho más que la igualdad entre hombres y mujeres. Cuando hablaba de hermandad entre mujeres, quería superar las fronteras de clase y raza, transformar el mundo de raíz. El feminismo es antirracista, anticlasista y antihomófobo o no merece ese nombre. Muchas mujeres blancas hacen uso del feminismo para defender sus intereses pero no mantienen este compromiso con las mujeres negras, precarias y lesbianas; eso no es feminismo. Tanto daño hace al movimiento una mujer que reproduce el sexismo como aporta un hombre feminista. El feminismo es para las mujeres y para los hombres. Necesitamos nuevos modelos de masculinidad feminista, de familia y de crianza feminista, de belleza y de sexualidad feminista. Necesitamos un feminismo renovado que explique con palabras sencillas que pretendemos superar el sexismo y colocar el apoyo mutuo en el centro. Eso es el feminismo. Y ese es el objetivo de este libro.

Celebrates the joy and beauty of nappy hair.

Haunted In the sultry darkness of an Italian summer night, Patrick Ogilvie had been accused of a terrible crime, branded by a woman who identified him as her attacker. Patrick's name was cleared, but that night changed his life. And the life of his accuser, Antonia Cabot. Now, forced to confront the man who haunts her dreams--the man she'd desired and nearly destroyed-Antonia must face her nightmare. Because Patrick isn't about to let her run ...he's going to get close enough to heal the wounds of passion ....

Although it may not be the goal of filmmaker, most of us learn something when we watch movies. They make us think. They make us feel. Occasionally they have the power to transform lives. In Reel to Real, Bell Hooks talks back to films she has watched as a way to engage the pedagogy of cinema - how film teaches its audience. Bell Hooks comes to film not as a film critic but as a cultural critic, fascinated by the issues movies raise - the way cinema depicts race, sex, and class. Reel to Real brings together Hooks's classic essays (on Paris is Burning or Spike Lee's She's Gotta Have it) with her newer work on such films as Girl 6, Pulp Fiction, Crooklyn, and Waiting to Exhale, and her thoughts on the world of independent cinema. Her conversations with filmmakers Charles Burnett, Julie Dash, and Arthur Jaffa are linked with critical essays to show how cinema can function subversively, even as it maintains the status quo.

Stitching together girlhood memories with the finest threads of innocence, feminist intellectual bell hooks presents a powerfully intimate account of growing up in the South. A memoir of ideas and perceptions, Bone Black shows the unfolding of female creativity and one strong-spirited child's journey toward becoming a writer. She learns early on the roles women and men play in society, as well as the emotional vulnerability of children. She sheds new light on a society that beholds the joys of marriage for men and condemns anything more than silence for women. In this world, too, black is a woman's color―worn when earned―daughters and daddies are strangers under the same roof, and crying children are often given something to cry about. hooks finds good company in solitude, good company in books. She also discovers, in the motionless body of misunderstanding, that writing is her most vital breath.

One of our country's premier cultural and social critics, the author of such powerful and influential books as Ain't I a Woman and Black Looks, Bell Hooks has always maintained that eradicating racism and eradicating sexism must be achieved hand in hand. But whereas many women have been recognized for their writing on gender politics, the female voice has been all but locked out of the public discourse on race. Killing Rage speaks to this imbalance. These twenty-three essays, most of them new works, are written from a black and feminist perspective, and they tackle the bitter difficulties of racism by envisioning a world without it. Hooks defiantly creates positive plans for the future rather than dwell in theories of a crisis beyond repair. The essays here address a spectrum of topics to do with race and racism in the United States: psychological trauma among African Americans; friendship between black women and white women; anti-Semitism and racism; internalized racism in the movies and media. Hooks presents a challenge to the patriarchal family model, explaining how it perpetuates sexism and oppression in black life. She calls out the tendency of much of mainstream America to conflate "black rage" with murderous, pathological impulses, rather than seeing it as a positive state of being. And in the title essay she writes about the "killing rage" - the fierce anger of black people stung by repeated instances of everyday racism - finding in that rage a healing source of love and strength, and a catalyst for productive change. . Her analysis is rigorous and her language unsparingly critical, but Hooks writes with a common touch that has made her a favorite of readers far from universities. Bell Hooks's work contains multitudes; she is a feminist who includes and celebrates men, a critic of racism who is not separatist or Afrocentric, an academic who cares about popular culture.

In Sisters of the Yam, bell hooks reflects on the ways in which the emotional health of black women has been and continues to be impacted by sexism and racism. Desiring to create a context where black females could both work on their individual efforts for self-actualization while remaining connected to a larger world of collective struggle, hooks articulates the link between self-recovery and political resistance. Both an expression of the joy of self-healing and the need to be ever vigilant in the struggle for equality, Sisters of the Yam continues to speak to the experience of black womanhood.

"In the critical essays collected in Black Looks, bell hooks interrogates old narratives and argues for alternative ways to look at blackness, black subjectivity, and whiteness. Her focus is on spectatorship--in particular, the way blackness and black people are experienced in literature, music, television, and especially film--and her aim is to create a radical intervention into the way we talk about race and representation. As she describes: 'The essays in Black Looks are meant to challenge and unsettle, to disrupt and subvert.' As students, scholars, activists, intellectuals, and any other readers who have engaged with the book since its original release in 1992 can attest, that's exactly what these pieces do"--

"In this provocative and captivating dialogue, bell hooks and Cornel West come together to discuss the dilemmas, contradictions, and joys of Black intellectual life. The two friends and comrades in struggle talk, argue, and disagree about everything from community to capitalism in a series of intimate conversations that range from playful to probing to revelatory. In evoking the act of breaking bread, the book calls upon the various traditions of sharing that take place in domestic, secular, and sacred life where people come together to give themselves, to nurture life, to renew their spirits, sustain their hopes, and to make a lived politics of revolutionary struggle an ongoing practice. This 25th anniversary edition continues the dialogue with 'In Solidarity,' their 2016 conversation at the bell hooks Institute on racism, politics, popular culture, and the contemporary Black experience"--Provided by publisher.

"The historic evil curse so feared by the dwindling descendants of the Ice People comes to fruition. A terrifying child, Kolgrim, is born to Sunniva, daughter of the unrepentant witch, Sol Angelica, whom Silje rescued from the plague in the first novel "Spellbound". As Kolgrim grows up, the lives of Silje and Tengel are drawing to a close and the focus moves to their children and grandchildren. A granddaughter Cecilie, governness to the family of King Christian IV, is caught up in the court intrigues in Copenhagen - and with the Thirty Years War raging across Europe, recruiting squads begin dragging off the youngest descendants of the Ice People to fight in that harsh conflict in Germany."--Www.amazon.co.uk.

A world renowned author, scholar, public intellectual, and activist, bell hooks was 19 years old when she wrote Ain't I a Woman (published ten years later). It was her first book, and one of the first published by South End Press, an independent, np, collectively-organized publisher dedicated to advancing movements for radical social change.

Salvation follows gladiator-pit-ruler Malek and sky-ruler Soran. Their two states face destruction unless the men can form a bond they both can trust. Sexy and violent, with great battles in a beautiful cloud city, Hawke’s work has been described as dark, bloody, and thought-provoking. Salvation should appeal to readers of gay fiction and stories involving men loving men. Famed gladiator Malek the Destroyer has spent years secretly plotting a revolution against the oppressive Senate that rules his planet. Popular victors who have retired, left the city of Dis, or even apparently died in the arena have secretly trained as Malek’s revolutionary army. But Malek’s revolution won’t stand a chance if only one city fights it. He reaches out to Soran, leader of the one autonomous city left on the planet, Aerix. Soran leads a caste of Skyknights, starfighter pilots famed for elaborate body modifications that make them nimble fighters and grueling training as soldiers and fighter pilots. Malek invites Soran to Dis to secure an alliance—and to tempt him with promises of power.