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Jan 1, 1606 — Jan 1, 1684· 78 yrs

KINGDOM OF FRANCE AUTHOR · DRAMA · FICTION

Pierre Corneille

Also known as: Corneille, P.CORNEILLE

35
BOOKS
4.3
AVG RATING (23)
1
READERS

Pierre Corneille ( kor-NAY, French: [pjɛʁ kɔʁnɛj]; 6 June 1606 – 1 October 1684) was a French tragedian. He is generally considered one of the three great 17th-century French dramatists, along with Molière and Racine. As a young man, he earned the valuable patronage of Cardinal Richelieu, who was trying to promote classical tragedy along formal lines, but later quarrelled with him, especially over his best-known play, Le Cid, about the medieval Spanish warrior, which was denounced by the newly formed Académie française for breaching the unities. He continued to write well-received tragedies for nearly forty years.

Rouen, Kingdom of France
Wikipedia

If you want to fully and feelingly understand the words of Christ, you must endeavor to conform your life wholly to the life of Christ.

— from Imitation of Christ, 1977

Most acclaimed

#1

Imitation of Christ

1977

4.9 (9)

Written over five centuries ago by Thomas a Kempis, The Imitation of Christ has been translated into more languages than any other book except the Bible. It has been acclaimed by countless readers as one of the greatest spiritual masterpieces ever written. No book except the Bible points the way so clearly to inward peace and increased faith in God: "Many words do not satisfy the soul, but a good life comforts the mind, and a pure conscience inspires confidence in God." John Wesley considered it to be of such value to spiritual growth, and the best summary of the Christian life, that he personally translated it for the use of his followers.

#2

Three Plays

0.0 (0)

World-renowned historian Howard Zinn has turned to drama to explore the legacy of Karl Marx and Emma Goldman and to delve into the intricacies of political and social conscience perhaps more deeply than traditional history permits. Three Plays brings together all this work, including the previously unpublished Daughter of Venus, along with a new introductory essay on political theater, and prefaces to each of the plays.“The first act of ‘Emma,’ Howard Zinn’s play about Emma Goldman, is a small miracle. Here is a drama that holds down the heroics, polemics and didacticism to which works about heroes and heroines are prone. True, Emma is idealized; she is loving, honest, selfless, daring, but she is also human and believable.”—Walter Goodman, New York Times“[Marx in Soho is] an imaginative critique of our society’s hypocrisies and injustices, and an entertaining, vivid portrait of Karl Marx as a voice of humanitarian justice — which is perhaps the best way to remember him.” —Kirkus Reviews“[Daughter of Venus’s] central concerns — personal and social ethics; the balance of obligations to ourselves, our families, and our fellow citizens; the uses and abuses of political and scientific power — remain as timely as ever. . . . Zinn not only displays a fluid and passionately committed style but also is attempting to do something interesting with it: to interweave a story of familial tensions and national politics, and in doing so to remind us that the way we live our lives on the small, local, day-to-day scale of family life can have repercussions and implications for the life of the nation at large.”—Louise Kennedy, Boston Globe

#3

Chief plays

1957

0.0 (0)

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