Georges Bataille

Basically the entire book is about sex, urine, eggs and disgusting and disturbing situations. The narrator and Simone traverse England (?) and Spain, often naked, getting themselves in stranger and stranger situations. Not remotely for the faint of heart. It's a mix of a John Waters movie, Marquis de Sade, Brett Easton Ellis and J.G. Ballard.

"With contributions from distinguished scholars and clinicians who view human erotic desire from modern developmental, relational, societal, and cross-cultural perspectives, Eroticism: Developmental, Cultural, and Clinical Realms offers a multi-faceted and up-to-date glimpse into what we find sexually attractive and why. While psychoanalysis has unshackled itself from the narrow confines of instinct theory to include ego psychology, object relations theory, self psychology, and the contemporary relational paradigm, such heuristic and clinical advance is sorely needed to further our grasp of human eroticism and love. Accommodation also needs to be made for the cultural changes that have occurred over the last five or six decades. These include the feminist corrective to the phallocentrism of 'classical' psychoanalysis, the new insights into human subjectivity and personality development provided by the gay and lesbian movement, the contemporary de-centering of the essentialist and binary gender formulations, and the post-colonial voices of the non-Western people. By providing theoretically-anchored clinical guidelines, Eroticism provides not only an update on the early analytic understanding of human eroticism but advances clinical praxis as well"--

'Surrealism', wrote Georges Bataille in 1945, 'has from the start given consistency to a "morality of revolt" and its most important contribution - important perhaps even in the political realm - is to have remained, in matters of morality, a revolution.'. For Bataille, 'the absence of myth' had itself become the myth of the modern age. In a world that had 'lost the secret of its cohesion', Bataille saw surrealism as both a symptom and the beginning of an attempt to address this loss. His writings on this theme - which he had hoped to assemble into a book and which are published here for the first time - mostly date from the immediate postwar period, and are the result of profound reflection in the wake of World War Two. In one respect they represent preliminary notes for his later work, especially for The Accursed Share and Theory of Religion. But many of the issues raised were never taken up again; therefore they offer a fresh perspective on his thinking at a decisive time. . Together, these texts also comprise perhaps the most incisive study yet made of surrealism, insisting on its importance as a cultural and social phenomenon with far-reaching consequences. They clarify Bataille's links with the surrealist movement, and throw revealing light on his complex and greatly misunderstood relationship with Andre Breton. Above all, The Absence of Myth shows Bataille to be a much more radical figure than his postmodernist devotees would have us believe: a man who continually tried to extend Marxist social theory; a pessimistic thinker, but one as far removed from nihilism as can be.

Th author responds to the myth that Claude Eatherly was a symbol of a guilt-ridden America.