Achille Mbembe

Achille Mbembe is one of the most brilliant theorists of postcolonial studies writing today. In On the Postcolony he profoundly renews our understanding of power and subjectivity in Africa. In a series of provocative essays, Mbembe contests diehard Africanist and nativist perspectives as well as some of the key assumptions of postcolonial theory. This thought-provoking and groundbreaking collection of essays -- his first book to be published in English -- develops and extends debates first ignited by his well-known 1992 article "Provisional Notes on the Postcolony," in which he developed his notion of the "banality of power" in contemporary Africa. Mbembe reinterprets the meanings of death, utopia, and the divine libido as part of the new theoretical perspectives he offers on the constitution of power. He works with the complex registers of bodily subjectivity -- violence, wonder, and laughter -- to profoundly contest categories of oppression and resistance, autonomy and subjection, and state and civil society that marked the social theory of the late twentieth century. This provocative book will surely attract attention with its signal contribution to the rich interdisciplinary arena of scholarship on colonial and postcolonial discourse, history, anthropology, philosophy, political science, psychoanalysis, and literary criticism. - Publisher.

In this review, African artists, scholars and cultural producers share their positions on the future of literature, film, performance, the visual arts, music and science. Artists include Keziah Jones, Spoek Mathambo, Just A Band, Gato Preto, Kapwani Kiwanga, Nnedi Okorafor, Lauren Beukes and Faustin Linyekula.

>In Critique of Black Reason eminent critic Achille Mbembe offers a capacious genealogy of the category of Blackness—from the Atlantic slave trade to the present—to critically reevaluate history, racism, and the future of humanity. Mbembe teases out the intellectual consequences of the reality that Europe is no longer the world's center of gravity while mapping the relations among colonialism, slavery, and contemporary financial and extractive capital. Tracing the conjunction of Blackness with the biological fiction of race, he theorizes Black reason as the collection of discourses and practices that equated Blackness with the nonhuman in order to uphold forms of oppression. Mbembe powerfully argues that this equation of Blackness with the nonhuman will serve as the template for all new forms of exclusion. With Critique of Black Reason, Mbembe offers nothing less than a map of the world as it has been constituted through colonialism and racial thinking while providing the first glimpses of a more just future.

La France, pays des droits de l'homme, aurait mené une décolonisation pacifique de ses anciennes colonies d'Afrique noire jusqu'à l'indépendance en 1960. En réalité, une guerre secrète, brutale, violente, meurtrière a pour théâtre le Cameroun des années 1950 et 1960 et permet à la France d'inventer un nouveau système de domination : la Françafrique.