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Jan 1, 1907 — Jan 1, 2005· 98 yrs

UNITED KINGDOM AUTHOR · DRAMA · ENGLISH

Christopher Fry

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Hannah Mary Fry (born 21 February 1984) is a British mathematician, author and broadcaster. She is the first Professor of the Public Understanding of Mathematics at the University of Cambridge, a fellow of Queens' College, Cambridge, and president of the Institute of Mathematics and its Applications. She was previously a Professor of the Mathematics of Cities at University College London. Her work has included studies of patterns of human behaviour, such as interpersonal relationships and dating, and how mathematics can apply to them, the mathematics behind pandemics, and scientific explanations of modern appliances. She has had a particular focus on helping the public to improve their mathematical skills.

Bristol, United Kingdom
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SCENE: A spacious whitewashed room in Dreissiger's house at Peterswaldau, where the weavers must deliver their finished webs.

— from Three Plays

Most acclaimed

#1

Contemporary Drama. Eleven Plays. American - English - European

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Contains: [Pygmalion]( / Bernard Shaw -- The green pastures / Marc Connelly -- The happy journey to Trenton and Camden / Thornton Wilder -- Ways and means / Noël Coward -- Hello out there / William Saroyan -- Antigone / Jean Anouilh -- [The Glass Menagerie]( / Tennessee Williams -- The madwoman of Chaillot / Jean Giraudoux -- Another part of the forest / Lillian Hellman -- [Death of a Salesman]( / Arthur Miller -- Venus observed / Christopher Fry.

#2

Selected plays

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"August Strindberg is often considered the father of modern Swedish literature. His vast output of plays was innovative in style and form. Volume 1 of Selected Plays presents selections from the beginning of his career, before Strindberg's period of psychotic attacks in the 1890s. Master Olof (1872) is a historical drama set in early Reformation Sweden, influenced by Ibsen and Shakespeare. Two of his most produced plays today, The Father (1887) and Miss Julie (1888), are examples of his naturalistic plays. Strindberg described Creditors (1888), a tragicomedy, as his "most mature work." The Stronger (1889), a playlet, is a favorite in acting classes. Playing with Fire (1893) is one of his few comedies. These plays deal with Strindberg's preoccupation with power struggles and sexual warfare. "--

#3

Three Plays

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World-renowned historian Howard Zinn has turned to drama to explore the legacy of Karl Marx and Emma Goldman and to delve into the intricacies of political and social conscience perhaps more deeply than traditional history permits. Three Plays brings together all this work, including the previously unpublished Daughter of Venus, along with a new introductory essay on political theater, and prefaces to each of the plays.“The first act of ‘Emma,’ Howard Zinn’s play about Emma Goldman, is a small miracle. Here is a drama that holds down the heroics, polemics and didacticism to which works about heroes and heroines are prone. True, Emma is idealized; she is loving, honest, selfless, daring, but she is also human and believable.”—Walter Goodman, New York Times“[Marx in Soho is] an imaginative critique of our society’s hypocrisies and injustices, and an entertaining, vivid portrait of Karl Marx as a voice of humanitarian justice — which is perhaps the best way to remember him.” —Kirkus Reviews“[Daughter of Venus’s] central concerns — personal and social ethics; the balance of obligations to ourselves, our families, and our fellow citizens; the uses and abuses of political and scientific power — remain as timely as ever. . . . Zinn not only displays a fluid and passionately committed style but also is attempting to do something interesting with it: to interweave a story of familial tensions and national politics, and in doing so to remind us that the way we live our lives on the small, local, day-to-day scale of family life can have repercussions and implications for the life of the nation at large.”—Louise Kennedy, Boston Globe

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