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Feb 1, 1874 — Jul 15, 1929· 55 yrs

CISLEITHANIA AUTHOR · TRANSLATIONS INTO ENGLISH · DRAMA

Hugo von Hofmannsthal

Also known as: Hugo Von Hofmannsthal, Hugo von Hoffmanstahl

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Hugo Laurenz August Hofmann von Hofmannsthal (German: [ˈhuːɡo fɔn ˈhoːfmanstaːl] ; 1 February 1874 – 15 July 1929) was an Austrian novelist, librettist, poet, dramatist, narrator, and essayist.

Vienna, Cisleithania
Wikipedia

ON THE morning of July 22, 1848, a patrol squadron, the 2nd Squadron of Wallmoden cuirassiers numbering 107 cavalrymen under Captain Baron Rofrano, left the San Alessandro mess before six o'clock and rode in the direction of Milan.

— from Der Brief des Lords Chandos

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The Lord Chandos letter and other writings

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"Hugo von Hofmannsthal made his mark as a poet, as a playwright, and as the librettist for Richard Strauss's greatest operas, but he was no less accomplished as a writer of short, strangely evocative prose works. The atmospheric stories and sketches collected here - fin de siecle fairy tales from the Vienna of Klimt and Freud, a number of them never before translated into English propel the reader into a shadowy world of uncanny fates and secret desires. An aristocrat from Paris in the plague years shares a single night of passion with an unknown woman, a cavalry sergeant meets his double on the battlefield, an orphaned man withdraws from the world with his four servants, each of whom has a mysterious power over his destiny." "The most influential of all of Hofmannsthal's writings is the title story, a fictional letter to the English philosopher Francis Bacon in which Lord Chandos explains why he is no longer able to write. The "Letter" not only symbolized Hofmannsthal's own turn away from poetry, it captured the psychological crisis of faith and language which was to define the twentieth century."--Jacket.

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Elektra

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#3

Selected Prose

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Housman was not only a poet but also a master of a highly individual prose style. Here is a selection of Housman's writings, both scholarly and general, gathered from periodicals and other out-of-the-way sources, which decisively confirms his reputation as a prose stylist. The prefaces, the adversaria and the reviews, in particular, give even the layman an idea of the precision and the penetration of exact scholarship. Housman's comments and judgments on other men illuminated his own nature: withdrawn, austere, even crusty, yet gentle with the unassuming; ruthless in exposure of arrogance and pretension.

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