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Jan 1, 1916 — Jan 1, 2000· 84 yrs

SPAIN AUTHOR · DRAMA · SPANISH LANGUAGE

Antonio Buero Vallejo

Also known as: A. Buero Vallejo, Buero Vallejo

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Antonio Buero Vallejo (Guadalajara, 29 de septiembre de 1916-Madrid, 29 de abril de 2000) fue un dramaturgo español, asociado al movimiento Generación del 36 y considerado el dramaturgo español más importante de la Guerra Civil Española. Durante su carrera obtuvo tres Premios Nacionales de Teatro (en 1957, 1958 y 1959), un Premio Nacional de Teatro por toda su trayectoria en 1980, el Premio Nacional de Literatura en 1996 y el Premio Miguel de Cervantes, máximo galardón literario de España, en 1986. Desde 1971 hasta su muerte fue miembro de la Real Academia Española.

Guadalajara, Spain
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SCENE: A spacious whitewashed room in Dreissiger's house at Peterswaldau, where the weavers must deliver their finished webs.

— from Three Plays

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In the burning darkness

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This play describes a teaching centre for young people who are blind, where a false unity is maintained by a mixture of fear, coercion and diversion and where education is seen as to play a part in the regime's ideological apparatus and to encourage the acceptance of pleasant and reassuring myths.

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Hoy es fiesta

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Three Plays

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World-renowned historian Howard Zinn has turned to drama to explore the legacy of Karl Marx and Emma Goldman and to delve into the intricacies of political and social conscience perhaps more deeply than traditional history permits. Three Plays brings together all this work, including the previously unpublished Daughter of Venus, along with a new introductory essay on political theater, and prefaces to each of the plays.“The first act of ‘Emma,’ Howard Zinn’s play about Emma Goldman, is a small miracle. Here is a drama that holds down the heroics, polemics and didacticism to which works about heroes and heroines are prone. True, Emma is idealized; she is loving, honest, selfless, daring, but she is also human and believable.”—Walter Goodman, New York Times“[Marx in Soho is] an imaginative critique of our society’s hypocrisies and injustices, and an entertaining, vivid portrait of Karl Marx as a voice of humanitarian justice — which is perhaps the best way to remember him.” —Kirkus Reviews“[Daughter of Venus’s] central concerns — personal and social ethics; the balance of obligations to ourselves, our families, and our fellow citizens; the uses and abuses of political and scientific power — remain as timely as ever. . . . Zinn not only displays a fluid and passionately committed style but also is attempting to do something interesting with it: to interweave a story of familial tensions and national politics, and in doing so to remind us that the way we live our lives on the small, local, day-to-day scale of family life can have repercussions and implications for the life of the nation at large.”—Louise Kennedy, Boston Globe

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