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Jan 17, 1600 — May 25, 1681· 81 yrs

SPAIN AUTHOR · SPANISH DRAMA · DRAMA

Pedro Calderón de la Barca

Also known as: Calderón de la Barca, Calderon de la Barca

27
BOOKS
4.5
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Pedro Calderón de la Barca y Henao (UK: , US: ; Spanish: [ˈpeðɾo kaldeˈɾon de la ˈβaɾka]; 17 January 1600 – 25 May 1681) was a Spanish dramatist, poet, and writer. He is known as one of the most distinguished poets and writers of the Spanish Golden Age, especially for the many verse dramas he wrote for the theatre. Calderón has been termed "the Spanish Shakespeare", the national poet of Spain, and one of the greatest poets and playwrights in the history of world literature. Calderón de la Barca was born into the minor Spanish nobility in Madrid, where he lived for most of his life. He served as soldier and a knight of the military and religious Order of Santiago, but later became a Roman Catholic priest.

Madrid, Spain
Wikipedia

SCENE: A spacious whitewashed room in Dreissiger's house at Peterswaldau, where the weavers must deliver their finished webs.

— from Three Plays

Most acclaimed

#2

Las manos blancas no ofenden

5.0 (1)

Cesar has been reared as a girl because his mother wanted him to avoid the rigors of war -- he dresses and acts as a woman in accordance with his upbringing -- but attempts to win the princess Serafina's hand. Lisarda disquises herself as a man and also attends the competition, to exact revenge against her former love, Federico.

#1

La Vida Es Sueño / Life is a Dream

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#3

Three Plays

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World-renowned historian Howard Zinn has turned to drama to explore the legacy of Karl Marx and Emma Goldman and to delve into the intricacies of political and social conscience perhaps more deeply than traditional history permits. Three Plays brings together all this work, including the previously unpublished Daughter of Venus, along with a new introductory essay on political theater, and prefaces to each of the plays.“The first act of ‘Emma,’ Howard Zinn’s play about Emma Goldman, is a small miracle. Here is a drama that holds down the heroics, polemics and didacticism to which works about heroes and heroines are prone. True, Emma is idealized; she is loving, honest, selfless, daring, but she is also human and believable.”—Walter Goodman, New York Times“[Marx in Soho is] an imaginative critique of our society’s hypocrisies and injustices, and an entertaining, vivid portrait of Karl Marx as a voice of humanitarian justice — which is perhaps the best way to remember him.” —Kirkus Reviews“[Daughter of Venus’s] central concerns — personal and social ethics; the balance of obligations to ourselves, our families, and our fellow citizens; the uses and abuses of political and scientific power — remain as timely as ever. . . . Zinn not only displays a fluid and passionately committed style but also is attempting to do something interesting with it: to interweave a story of familial tensions and national politics, and in doing so to remind us that the way we live our lives on the small, local, day-to-day scale of family life can have repercussions and implications for the life of the nation at large.”—Louise Kennedy, Boston Globe

Books

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