Alan Ayckbourn

In the first of these two plays, a new technology allows a man who has been paralyzed by fear to move again and, in the second, a household of bizarre misfits is saved from eviction by Antunes o Rei, King of Musicians.

The author documents the history of his home, describing its first owners at the turn of the twentieth century and his own family's acquisition of the house, and presents his perspectives on how a house reflects the American dream.

"In this play, Annie has arranged to spend an illicit weekend with her sister Ruth's husband Norman, and for this reason, suitably disguised, has asked her elder brother Reg and his wife Sarah to look after their widowed mother and the house. As it happens the seduction, thought or planned, by each of the six characters never takes place either"--Publisher's website.