IRELAND AUTHOR · SOCIAL LIFE AND CUSTOMS · DRAMA
John B Keane
Canon Coodle sighed happily.
— from An Irish Christmas
Most acclaimed
Self-Portrait
"Self-Portrait, a look at the man behind the icon, is a photographic and literary memoir, drawing on the rich seam of diaries, letters, poems, journalism and short stories Che Guevara left behind him in Cuba." "Self-Portrait has been compiled in close collaboration with Che's family, using exclusive material from his family's private archives. Revealed for the first time is Che Guevara's personal world, unveiling his extraordinary candor, irony, dry humor and passion." "The photographs, chosen from the Guevara family albums, bring to light a surprisingly sensitive and artistic edge of the legendary revolutionary. A dedicated amateur photographer, Che's own self-portraits are a feature of this selection, much of which has never before been published."--Jacket.
Three Plays
World-renowned historian Howard Zinn has turned to drama to explore the legacy of Karl Marx and Emma Goldman and to delve into the intricacies of political and social conscience perhaps more deeply than traditional history permits. Three Plays brings together all this work, including the previously unpublished Daughter of Venus, along with a new introductory essay on political theater, and prefaces to each of the plays.“The first act of ‘Emma,’ Howard Zinn’s play about Emma Goldman, is a small miracle. Here is a drama that holds down the heroics, polemics and didacticism to which works about heroes and heroines are prone. True, Emma is idealized; she is loving, honest, selfless, daring, but she is also human and believable.”—Walter Goodman, New York Times“[Marx in Soho is] an imaginative critique of our society’s hypocrisies and injustices, and an entertaining, vivid portrait of Karl Marx as a voice of humanitarian justice — which is perhaps the best way to remember him.” —Kirkus Reviews“[Daughter of Venus’s] central concerns — personal and social ethics; the balance of obligations to ourselves, our families, and our fellow citizens; the uses and abuses of political and scientific power — remain as timely as ever. . . . Zinn not only displays a fluid and passionately committed style but also is attempting to do something interesting with it: to interweave a story of familial tensions and national politics, and in doing so to remind us that the way we live our lives on the small, local, day-to-day scale of family life can have repercussions and implications for the life of the nation at large.”—Louise Kennedy, Boston Globe