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Apr 13, 1906 — Dec 22, 1989· 83 yrs

IRELAND AUTHOR · TRANSLATIONS INTO ENGLISH · FICTION

Samuel Beckett

Also known as: Samuel Barclay Beckett, Samuel (Author) Beckett

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Samuel Barclay Beckett was an Irish avant-garde writer, dramatist and poet, writing in English and French. Beckett's work offers a bleak outlook on human culture and both formally and philosophically became increasingly minimalist in his later career. As a student, assistant, and friend of James Joyce, Beckett is considered one of the last modernists; as an inspiration to many later writers, he is sometimes considered one of the first postmodernists. He is also considered one of the key writers in what Martin Esslin called "Theatre of the Absurd." As such, he is widely regarded as one of the most influential writers of the 20th century. Beckett was awarded the Nobel Prize in Literature in 1969 for his "writing, which—in new forms for the novel and drama—in the destitution of modern man acquires its elevation". Beckett was elected Saoi of Aosdána in 1984. He died in Paris of respiratory problems.

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SCENE: A spacious whitewashed room in Dreissiger's house at Peterswaldau, where the weavers must deliver their finished webs.

— from Three Plays

Most acclaimed

#2

Theatrical Notebooks of Samuel Beckett

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#1

Samuel Beckett

1978

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A biography of the Irish novelist and playwright who also wrote in French.

#3

Three Plays

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World-renowned historian Howard Zinn has turned to drama to explore the legacy of Karl Marx and Emma Goldman and to delve into the intricacies of political and social conscience perhaps more deeply than traditional history permits. Three Plays brings together all this work, including the previously unpublished Daughter of Venus, along with a new introductory essay on political theater, and prefaces to each of the plays.“The first act of ‘Emma,’ Howard Zinn’s play about Emma Goldman, is a small miracle. Here is a drama that holds down the heroics, polemics and didacticism to which works about heroes and heroines are prone. True, Emma is idealized; she is loving, honest, selfless, daring, but she is also human and believable.”—Walter Goodman, New York Times“[Marx in Soho is] an imaginative critique of our society’s hypocrisies and injustices, and an entertaining, vivid portrait of Karl Marx as a voice of humanitarian justice — which is perhaps the best way to remember him.” —Kirkus Reviews“[Daughter of Venus’s] central concerns — personal and social ethics; the balance of obligations to ourselves, our families, and our fellow citizens; the uses and abuses of political and scientific power — remain as timely as ever. . . . Zinn not only displays a fluid and passionately committed style but also is attempting to do something interesting with it: to interweave a story of familial tensions and national politics, and in doing so to remind us that the way we live our lives on the small, local, day-to-day scale of family life can have repercussions and implications for the life of the nation at large.”—Louise Kennedy, Boston Globe

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