DUCHY OF HOLSTEIN AUTHOR · DRAMA · FICTION
Friedrich Hebbel
Also known as: Christian Friedrich Hebbel
SCENE: A spacious whitewashed room in Dreissiger's house at Peterswaldau, where the weavers must deliver their finished webs.
— from Three Plays
Most acclaimed
Nimm's leicht
Plutarch: Die Haubenlerche Aus dem altindischen Pantschatantra: Der zerbrochene Topf Aus dem 13. Jahrhundert: Das Gänslein Hans Folz: Drei listige Frauen Aus dem Hitopadesa: Vom Hund, dem Esel und dem Dieb Christian Hofmann von Hofmannswaldau: Drei Rätsel Unbekannt: Die Schildbürger und der Maushund Unbekannt: Till Eulenspiegel führt die Milchfrauen an der Nase herum Christian Weise: Olla Podrida Gotthold Ephraim Lessing: Die Haushaltung Liselotte von der Pfalz: Das Wunder Abraham a Santa Clara: Aus der Großen Totenbrüderschaft Magnus Gottfried Lichtwer: Der Vogel Platea und die Reiher Johann Wolfgang von Goethe: Vanitas! Vanitatum vanitas! Wolfgang Amadeus Mozart: Brief an die Cousine Maria Anna Thekla Mozart Heinrich Heine: Kleines Volk Ludwig Aurbacher: Seltsame Jagdpacht Johann Peter Hebel: Der Zahnarzt Johann Peter Hebel: Drei Worte Johann Gottfried Seume: Trotz kommt teuer zu stehen Valentin Schumann: Von einem Edelmann und einem Maler Volkstümliches aus Sachsen: Finster war's, der Mond schien helle Christian Morgenstern: Die Probe Heinrich Zschokke: Wahrheit gilt nichts Heinrich von Kleist: Charité-Vorfall Clemens Brentano: Der Meister vom Stuhle Ludwig Aurbacher: Der Korbmacher und seine Frau Des Knaben Wunderhorn: Selbstgefühl Ludwig Aurbacher: Soll ich? Oder soll ich nicht? Gebrüder Grimm: Kürdchen Bingeling Johann Ludwig Gericke: Wahrsagung der Zigeunerin Gebrüder Grimm: Doktor Allwissend Friedrich Rückert: Das Männlein in der Gans Ludwig Bechstein: Schwan, kleb an Musenklänge aus Deutschlands Leierkasten: Eduard und Kunigunde Hans Christian Andersen: Tölpelhans Franz von Pocci: Der Staatshämorrhoidarius Friedrich Hebbel: Die Mutprobe Wilhelb Busch: Die Täuschung Otto Julius Bierbaum: Die Haare der heiligen Fringilla Unbekannt: Doktor Eisenbart Carl Reinhardt: Thema mit Variationen Marie von Ebner-Eschenbach: Die Anhänger Ludwig Thoma: Der Kohlenwagen Wilhelm Busch: Eine unruhige Nacht Ludwig Thoma: Amalie Mettenleitner Gustav Hansen: Die Wassernot in Leipzig Frank Wedekind: Die Schutzimpfung Ludwig Thoma: Der Meineid Wilhelm Busch: Die wunderbare Bärenjagd August Gottlieb Meißner: Der Esel, der zu Markte geführt wird
Three Plays
World-renowned historian Howard Zinn has turned to drama to explore the legacy of Karl Marx and Emma Goldman and to delve into the intricacies of political and social conscience perhaps more deeply than traditional history permits. Three Plays brings together all this work, including the previously unpublished Daughter of Venus, along with a new introductory essay on political theater, and prefaces to each of the plays.“The first act of ‘Emma,’ Howard Zinn’s play about Emma Goldman, is a small miracle. Here is a drama that holds down the heroics, polemics and didacticism to which works about heroes and heroines are prone. True, Emma is idealized; she is loving, honest, selfless, daring, but she is also human and believable.”—Walter Goodman, New York Times“[Marx in Soho is] an imaginative critique of our society’s hypocrisies and injustices, and an entertaining, vivid portrait of Karl Marx as a voice of humanitarian justice — which is perhaps the best way to remember him.” —Kirkus Reviews“[Daughter of Venus’s] central concerns — personal and social ethics; the balance of obligations to ourselves, our families, and our fellow citizens; the uses and abuses of political and scientific power — remain as timely as ever. . . . Zinn not only displays a fluid and passionately committed style but also is attempting to do something interesting with it: to interweave a story of familial tensions and national politics, and in doing so to remind us that the way we live our lives on the small, local, day-to-day scale of family life can have repercussions and implications for the life of the nation at large.”—Louise Kennedy, Boston Globe
Briefe
1994
For two decades, beginning in the early 1870s, Robert Keller, music editor for N. Simrock Verlag in Berlin, worked with diligence and devotion to usher into print most of Johannes Brahms's major compositions, including all four of his symphonies, the Violin Concerto, the Double Concerto, the Second Piano Concerto, and numerous chamber, choral, and vocal works. This volume collects for the first time the complete extant correspondence between Brahms and Keller, as preserved in the collections of the Library of Congress and the Gesellschaft der Musikfreunde in Vienna. To read their correspondence is to witness a relationship of mutual respect and increasing friendship and to gain an appreciation for the meticulous labor that went into the publication of Brahms's masterpieces. This edition includes transcriptions of the letters in the original German and English-language translations.