UNITED STATES AUTHOR · DRAMA · HISTORY
Clyde Fitch
Also known as: Clyde, Fitch, Clyde 1865-1909 Fitch
SCENE: A spacious whitewashed room in Dreissiger's house at Peterswaldau, where the weavers must deliver their finished webs.
— from Three Plays
Most acclaimed
The truth
"Keith Mabbut is at a crossroads in his life. A professional writer of some repute, he has reached the age of fifty-six with nothing resembling the success of his two great literary heroes, George Orwell and Albert Camus. When he is offered the opportunity of a lifetime-- to write the biography of the elusive Hamish Melville, a widely respected and highly influential activist and humanitarian-- he seizes the chance to write something meaningful. His search to find out the real story behind the legend takes Mabbut to the lush landscapes and environmental hotspots of India. The more he discovers about Melville, the more he admires him-- and the more he connects with an idealist who wanted to make a difference. But is his quarry really who he claims to be? As Keith discovers, the truth can be whatever we make it"--Publisher's web site.
Three Plays
World-renowned historian Howard Zinn has turned to drama to explore the legacy of Karl Marx and Emma Goldman and to delve into the intricacies of political and social conscience perhaps more deeply than traditional history permits. Three Plays brings together all this work, including the previously unpublished Daughter of Venus, along with a new introductory essay on political theater, and prefaces to each of the plays.“The first act of ‘Emma,’ Howard Zinn’s play about Emma Goldman, is a small miracle. Here is a drama that holds down the heroics, polemics and didacticism to which works about heroes and heroines are prone. True, Emma is idealized; she is loving, honest, selfless, daring, but she is also human and believable.”—Walter Goodman, New York Times“[Marx in Soho is] an imaginative critique of our society’s hypocrisies and injustices, and an entertaining, vivid portrait of Karl Marx as a voice of humanitarian justice — which is perhaps the best way to remember him.” —Kirkus Reviews“[Daughter of Venus’s] central concerns — personal and social ethics; the balance of obligations to ourselves, our families, and our fellow citizens; the uses and abuses of political and scientific power — remain as timely as ever. . . . Zinn not only displays a fluid and passionately committed style but also is attempting to do something interesting with it: to interweave a story of familial tensions and national politics, and in doing so to remind us that the way we live our lives on the small, local, day-to-day scale of family life can have repercussions and implications for the life of the nation at large.”—Louise Kennedy, Boston Globe
Plays
Miller Plays: 6 is the final volume in Methuen Drama's acclaimed series of work by Arthur Miller who, during his lifetime, was acknowledged as 'the greatest American dramatist of our age' (Evening Standard). Featuring two plays from the 1990s and his final two plays (2002 and 2004), it is the first ever publication of Miller's final play, Finishing the Picture. Inspired by his experience during the filming of The Misfits with his then wife Marilyn Monroe, the play was completed and produced at the Goodman Theatre, Chicago, just months before the playwright's death in Feburary 2005. Broken Glass (1994) is set in Brooklyn in 1938 and intertwines a woman's obsession with the news from Germany that government thugs are smashing Jewish stores, with her strange relationship with her husband. Mr Peter's Connections (1998) is an unforgettable journey through one man's mind at a time of suspended consciousness, where the living and dead intermingle in his memory. Resurrection Blues is Miller's astonishing black comedy set in a South American banana republic, that satirises global politicsand the predatory nature of a media-saturated culture. The volume also features a chronology of the writer's work and an introduction by Enoch Brater, professor of English Literature at the University of Michigan.