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Jan 1, 1920 — —· 106 yrs

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Mackay, David

Also known as: David MacKay, David Mackay

13
BOOKS
3.0
AVG RATING (1)
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READERS

Late in the afternoon of July 26, 1989, a dry lightning storm swept through the mountains north of Boise, Idaho, and lit what seemed like the whole world on fire.

— from Fire

Most acclaimed

#2

Dressing up

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Dressing Up explores the fascinating and complex phenomena of Transvestism (cross dressing by heterosexuals who admire and identify with the opposite sex) and Drag (cross dressing by male homosexuals who adorn themselves in the highly exaggerated dress and makeup of the vamp in an expression of parody and misogyny). It is an examination of the profound psychological significance underlying most cross dressing: as erotic experience; as the expression of longing for identification with women while maintaining one's maleness; and as fetishistic impulse. —book jacket

#1

Fire

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In the diary that she would call Fire, Nin sails to New York City and, having temporarily fled her static marriage to Hugh Guiler and her love affair with Henry Miller, indulges her infatuation with analyst Otto Rank. Her interest in the study of psychology grows, but in time she tires of Rank ... and she returns to Paris, Hugh, and Henry. Settling into a great serenity, a psychological moon life, she is haunted by a rising dissatisfaction, which inspires her to seek out a new source of fulfillment ... The cure for her disenchantment is the Peruvian Gonzalo More, who takes control, woos her in Spanish (the language of my blood), and stirs her to new heights ... Drawn from Nin's original, uncensored journals, Fire continues the story of one woman's quest to discover and liberate herself sexually, artistically, and emotionally. She also continues passionately the one affair that would last the rest of her life: "The diary is my world, my ego... I will no longer be ashamed of it"--Publisher's description.

#3

Shopping

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This publication accompanies the exhibition at the Schirn Kunsthalle Frankfurt 28 September - 1 December 2002 and the Tate Liverpool from December 20th 2002-March 23rd 2003 and documents the fascination with the increasingly sophisticated means of seduction in shop windows. Pictorial material illustrates the interactionbetween art and the consumption of goods.

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