FICTION
Tomás Rivera
Also known as: Tomas Rivera
Most acclaimed
Y no se lo trago la tierra
"I tell you, God could care less about the poor. Tell me, why must we live here like this? What have we done to deserve this? You're so good and yet you suffer so much," a young boy tells his mother in Tomás Rivera's classic novel about the migrant worker experience. Outside the chicken coop that is their home, his father wails in pain from the unbearable cramps brought on by sunstroke after working in the hot fields. The young boy can't understand his parents' faith in a god that would impose such horrible suffering, poverty and injustice on innocent people.Adapted into the award-winning film ...And the earth did not swallow him and recipient of the first award for Chicano literature, the Premio Quinto Sol, in 1970, Rivera's masterpiece recounts the experiences of a Mexican-American community through the eyes of a young boy. Forced to leave their home in search of work, the migrants are exploited by farmers, shopkeepers, even other Mexican Americans, and the boy must forge his identity in the face of exploitation, death and disease, constant moving and conflicts with school officials.In this new edition of a powerful novel comprised of short vignettes, Rivera writes hauntingly about alienation, love and betrayal, man and nature, death and resurrection and the search for community.
The Harvest
The harvest is past, the summer has ended, and we are not saved (Jeremiah 8:20).Bishop T.D. Jakes focuses on the problems plaguing the United States of America and addresses issues that many would rather not consider. Racism, though more sophisticated and attitudinal, is as prevalent as it was before the Civil Rights Bill. Homosexuality has become an acceptA‚Aable alternative lifestyle. * Degenerative soA‚Acial and moral issues result in sin and hopelessness-inside churches as well as outside.For it is time for judgment to begin with the family of God; and if it begins with us... (1 Peter 4:17).God knows who is responsible for the breakdown and corrosion within our nation-the church. Until now, no one was willing to take responsibility for society's moral decay; and no one was offering any viable, long-lasting solutions. Today, Bishop Jakes shares how you can make a difference and bring in The Harvest for the glory of God.
Prentice Hall Literature--Timeless Voices, Timeless Themes--Gold Level
The Brooklyn Immersionists were a community of artists, musicians and writers that moved beyond the distancing aesthetics of postmodernism and immersed themselves and their audiences in the world where they lived. First emerging in the late 1980s and coming to fruition in the 1990s, the experimental scene in Williamsburg, Brooklyn catalyzed the largest New York renaissance to take root outside Manhattan. Rejecting the cloistering of the arts into disciplinary siloes, and stressing local vitality over the curatorial priorities of Manhattan, the Immersionists created fully dimensional experiences in the streets, rooftops and abandoned warehouses. Unlike the artificial immersion of digital media, and installation art that is walled off in a museum or gallery, the Brooklyn Immersionists cultivated rich webs of connection across disciplines and with their entire neighborhood. The dynamic, post-postmodern culture played a critical role in revitalizing Williamsburg’s deteriorating industrial waterfront and spread a wave of environmental enchantment to Bushwick, DUMBO, and throughout Brooklyn.