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Peter Quennell

Personal Information

Born March 9, 1905
Died October 27, 1993 (88 years old)
Kent, United Kingdom
Also known as: Peter QUENNELL, Peter Courtney Quennell
34 books
3.3 (3)
50 readers

Description

Sir Peter Courtney Quennell CBE (9 March 1905 – 27 October 1993) was an English biographer, literary historian, editor, essayist, poet, and critic. He wrote extensively on social history. Born in Bickley, Kent, the son of architect (and author/illustrator) C. H. B. Quennell and Marjorie Quennell (historian/author/illustrator), he was educated at Berkhamsted Grammar School and at Balliol College, Oxford. While still at school some of his poems were selected by Richard Hughes for the anthology Public School Verse, which brought him to the attention of writers such as Edith Sitwell. In 1922 he published his first book, Masques and Poems. This was followed by many other volumes, particularly his Four Portraits of 1945 (studies of Boswell, Gibbon, Sterne, and Wilkes), books on London and works on Baudelaire, Byron, Pope, Ruskin , Hogarth, Shakespeare, Proust and Samuel Johnson. He first practised journalism in London. In 1930 he taught at the University of Tokyo. In 1944–51, he was editor of The Cornhill Magazine and from 1951 to 1979 founder-editor of History Today. Quennell published two volumes of autobiography, The Marble Foot and Wanton Chase. He was appointed a Commander of the Order of the British Empire (CBE), and was knighted in the 1992 New Year Honours. He married five times, and had two children, a daughter (Sarah) from his third marriage and a son (Alexander) from his fifth. He died in London. --adapted from Wikipedia

Books

Newest First

Mayhew's London Underworld

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2

Being Selections from 'Those That Will Not Work', The Fourth Volume of 'London Labour and the London Poor' edited by Peter Quennell

Understanding fiction -- Second Edition

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14

The Attack on the Fort Sir Tatton Sykes Captain Isaiah Sellers Lady Blessington RMS. Titanic The Man Who Would Be King The Secret Life of Walter Mitty The Lottery The Girls in Their Sunnner Dresses The Furnished Room De Mortuis The Necklace [Occurrence at Owl Creek Bridge]( A Piece of Neus I See You Never Haircut Crossing into Poland War The Bride Comes to Yellow Sky Tennessee's Partner [Araby]( The Drunkard The Lament Tickets, Please Eventide Old Red Cruel and Barbarous Treatment A Domestic Dilennna Christ in Flanders Love: Three Pages from a Sportsman's Book Love The Killers The Fly I Want to Knou Why The Adulterous Woman [A Rose for Emily]( A Good Man Is Hard to Find In the Penal Colony Through the Quinquina Glass The Bitch A Father-to-Be The Fight The Far and the Near The Sensible Thing A Christmas Memory Realpolitik The Sailor Boy's Tale Amy Foster The Killing of the Dragon Dermuche Disorder and Early Sorro•-w No Place for You, My Love 1 Write Goodbye, My Brother What Happened Noon Wine Blackberry Winter

The prodigal rake

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2

1962 editing by Peter Quennell of William Hickey's Memoirs. Quennell’s edition was a one volume selection, with a slightly expanded edition in 1975. William Hickey's Memoirs had previously been edited by Alfred Spencer and published 1913-1925 in 4 volumes.

London's Underworld

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1

Henry Mayhew vowed "to publish the history of a people, from the lips of the people themselves — giving a literal description of their labour, their earnings, their trials and their sufferings, in their own 'unvarnished' language." With his collaborators, Mayhew explored hundreds of miles of London streets in the 1840s and 1850s, gathering thousands of pages of testimony from the city's humbler residents. Their stories revealed aspects of city life virtually unknown to literate society. A sprawling, four-volume history resulted from Mayhew's investigations. This extract focuses on the criminal class--pickpockets, prostitutes, rag pickers, and vagrants, whose true stories of degradation, horror, and desperation rival Dickensian fiction. A classic reference source for sociologists, historians, and criminologists, Mayhew's work is immensely readable. As Thackeray wrote, these urban vignettes conjure up "a picture of human life so wonderful, so awful, so piteous and pathetic, so exciting and terrible, that readers of romances own they never read anything like to it."