Gabriel Egan

The Two Gentlemen of Verona The Tragedy of M. Arden of Faversham; or, The Tragedy of M. Arden of Fevershame, Anonymous and Shakespeare The Most Lamentable Roman Tragedy of Titus Andronicus, Shakespeare and Peele, with an added scene (by Thomas Middleton?) The Second Part of Henry the Sixth; or, The First Part of the Contention, Shakespeare, Marlowe, and Anonymous; revised by Shakespeare The Third Part of Henry the Sixth; or, The Tragedy of Richard Duke of York, Shakespeare, Marlowe, and Anonymous; revised by Shakespeare The Taming of the Shrew The Reign of King Edward the Third, Anonymous and Shakespeare The Tragedy of Richard the Third Venus and Adonis Lucrece The Comedy of Errors A Pleasant Conceited Comedy Called Love's Labour's Lost Love's Labour's Won: A Lost Play The Tragedy of King Richard the Second The First Part of King Henry the Sixth; or, Harry the Sixth, Marlowe, Nashe, and Anonymous, adapted by Shakespeare The Most Excellent and Lamentable Tragedy of [Romeo and Juliet]( A Midsummer Night's Dream The Life and Death of King John The Comical History of the Merchant of Venice; or, The Jew of Venice The History of Henry the Fourth The Second Part of Henry the Fourth [Much Ado About Nothing]( 'To the Queen' The Passionate Pilgrim, Shakespeare, Barnfield, Griffin, Deloney, Marlowe, Raleigh, and Anonymous The Life of Henry the Fifth The Tragedy of Julius Caesar The 1602 Additions to The Spanish Tragedy, Shakespeare (?) and Heywood (?) As You Like It The Merry Wives of Windsor Twelfth Night; or, What You Will Poems attributed to Shakespeare in seventeenth-century miscellanies Troilus and Cressida The Tragedy of [Hamlet]( Prince of Denmark The Tragedy of Sejanus: A Lost Version, Jonson and Anonymous (Shakespeare?) Sir Thomas More: Additions by Shakespeare The Tragedy of Othello; or, The Moor of Venice Measure for Measure, Shakespeare, adapted by Middleton All's Well that Ends Well, Shakespeare, adapted by Middleton (?) King Lear and his Three Daughters The Life of Timon of Athens, Shakespeare and Middleton The Tragedy of Macbeth, Shakespeare, adapted by Middleton Antony and Cleopatra Pericles, Prince of Tyre, Shakespeare and Wilkins The Tragedy of Coriolanus Shakespeare's Sonnets and A Lover's Complaint The Winter's Tale Cymbeline, King of Britain The [Tempest]( Fragments of The History of Cardenio, Fletcher and Shakespeare All Is True; or, The Famous History of the Life of King Henry the Eighth, Fletcher and Shakespeare The Two Noble Kinsmen, Fletcher and Shakespeare

"Combining the latest scientific and philosophical understanding of humankind's place in the world with interpretative methods derived from other politically inflected literary criticism, ecocriticism is providing new insights into literary works both ancient and modern. With case-study analyses of the Tragedies, the Comedies, the History Plays and the late Romances as well as the Sonnets, this book is a wide-ranging introduction to reading Shakespeare in light of contemporary ecocritical theory. Shakespeare and Ecocritical Theory also features a glossary of key critical terms and guides to further reading and online resources, making this an essential resource for students and scholars of Shakespeare at all levels."--

Modern critical edition -- Critical reference edition -- Authorship companionship.

"Crossing the boundaries of literary and cultural studies to draw in politics, philosophy, and ecology, this volume not only introduces one of the most lively areas of contemporary Shakespeare studies, but also offers a case for Shakespeare's continuing relevance to contemporary theory."--BOOK JACKET.

Volume I General Introduction, John Jowett Shakespeare and the Kingdom of Error, John Jowett Music Introduction, John Cunningham Editorial Procedures Complete Works: Copy-Texts from Shakespeare's Lifetime Volume 2 Posthumous Publication: The 1623 Folio and other late collections, Gary Taylor Complete Works: Posthumous Copy-Texts

"We know Shakespeare's writings only from imperfectly-made early editions, from which editors struggle to remove errors. The New Bibliography of the early twentieth century, refined with technological enhancements in the 1950s and 1960s, taught generations of editors how to make sense of the early editions of Shakespeare and use them to make modern editions. This book is the first complete history of the ideas that gave this movement its intellectual authority, and of the challenges to that authority that emerged in the 1980s and 1990s. Working chronologically, Egan traces the struggle to wring from the early editions evidence of precisely what Shakespeare wrote. The story of another struggle, between competing interpretations of the evidence from early editions, is told in detail and the consequences for editorial practice are comprehensively surveyed, allowing readers to discover just what is at stake when scholars argue about how to edit Shakespeare"--

"This book explores the past and continuing influence of Marx on interpretations of Shakespeare. Marx's ideas about cultural production and its relation to economic production are explained, together with the standard terminology and concepts such as base/superstructure, ideology, commodity fetishism, alienation, and reification. The influence of Marx's ideas on the theory and practice of Shakespeare criticism and performance is traced from the Victorian age to the present day. The continuing importance of these ideas is illustrated via new Marxist readings of King Lear, Hamlet, The Merchant of Venice, Timon of Athens, The Comedy of Errors, All's Well that Ends Well, and The Winter's Tale."--Jacket.