Germaine Greer

Little is known about Ann Hathaway, the wife of England's greatest playwright; a great deal, none of it complimentary, has been assumed. The omission of her name from Shakespeare's will has been interpreted as evidence that she was nothing more than an unfortunate mistake from which Shakespeare did well to distance himself.While Shakespeare is above all the poet of marriage—repeatedly in his plays, constant wives redeem unjust and deluded husbands—scholars persist in positing the worst about the writer's own spouse. In Shakespeare's Wife, Germaine Greer boldly breaks new ground, combining literary-historical techniques with documentary evidence about life in Stratford, to reset the story of Shakespeare's marriage in its social context. With deep insight and intelligence, she offers daring and thoughtful new theories about the farmer's daughter who married England's greatest poet, painting a vivid portrait of a remarkable woman.A passionate and perceptive work of first-rate scholarship that reclaims this maligned figure from generations of scholarly neglect and misogyny, Shakespeare's Wife poses bold questions and opens new fields of investigation and research.

Boy is an autobiographical book by British writer Roald Dahl. This book describes his life from birth until leaving school, focusing on living conditions in Britain in the 1920s and 1930s, the public school system at the time, and how his childhood experiences led him to writing as a career. It ends with his first job, working for Royal Dutch Shell. His autobiography continues in the book Going Solo. An expanded edition titled More About Boy was published in 2008, featuring the full original text and illustrations with additional stories, letters, and photographs. It presents humorous anecdotes from the author's childhood which includes summer vacations in Norway and an English boarding school.

Germaine Greer presents an anthology of poems culled from all periods, ranging from Roman to medieval poetry, and including the best-known paean, Marvell's "The Garden", Tennyson's comic "Amphion", and Donne's meditations on individual flowers, herbs and trees.

An anthology of women's poetry from the 17th century to the present day. Ranging through the spectrum of poetry in the English language, it is distilled from Germaine Greer's pioneering commitment and scholarly contribution to the history of women's writing.

Building on the strength of Keith Walker's acclaimed The Poems of John Wilmot, Earl of Rochester (1984), leading scholar Nicholas Fisher presents a thoroughly revised and updated edition of the work of one the greatest Restoration wits.: Includes the text of Lucina's Rape, Rochester's adaptation of Fletcher's revenge tragedy Valentinian, in a text that readily identifies Rochester's revisions; Presents the poems in versions that were current during Rochester's lifetime, allowing the reader to experience the poems as Rochester's contemporaries did; Incorporates insights and discoveries made o.

Thirty years after The Female Eunuch galvanized the women's liberation movement, Germaine Greer launches a fiery sequel assessing the state of womanhood and proclaiming that the time has come to get angry again. Greer argues that women have come a long way in the past three decades, but that innumerable forms of insidious discrimination and exploitation persist in every area of lifefrom the care of the body to the care of the household, from the workplace to the marketplace. She startles us with her demonstration that the oft-repeated claim that "women can have it all" is merely a pacifying illusion - that things are getting worse, and that action is necessary now.

Erudite and provocative, Germaine Greer returns to the subject of feminism.

Influential feminist writer and intellectual Germaine Greer tracks the life of her father, an Australian intelligence officer during World War II, who died in her childhood. A secretive man, Reg Greer took pains to hide his working-class roots. As she painstakingly assembles the jigsaw pieces of his life, Germaine discovers surprising secrets about her father, her family, and herself. Obsessed with family history, Greer is chasing not just her father's life story, but the parental love she always felt deprived of. Brimming with emotion, loss, regret, fury, and the intense depth of love, this book offers a moving climax--as well as sharp observations about Australian culture during the war.

Germaine Greer on marijuana, the women's movement, women's sexuality, erotica, Jimi Hendrix, pornography, Norman Mailer, sexual ethics, birth control, abortion, rape, the 1972 Democratic convention, Brazil, Cuba, Ethiopia.

The author examines customs and attitudes toward fertility, chastity, promiscuity, abortion, contraception, and infanticide.

"If men and women are equally capable of genius, why have there been no female artists of the stature of Leonardo, Titian or Poussin? In seeking to answer this question, Germaine Greer introduces us to major but underestimated figures in the history of Western painting -- Angelica Kauffmann, Natalia Goncharova, Suzanne Valadon, Berthe Morisot, Kathe Kollwitz -- and produces a brilliantly incisive and richly illustrated study. She explains the obstacles as both external and surmountable and internal and insurmountable in the race for achievement."--Publisher's description.

In Aristophanes' most popular play, sex is a powerful agent of reconciliation. As war ravages ancient Greece, a band of women, led by Lysistrata, promise to deny their husbands all sex until they stop fighting. This volume of Lysistrata brings the play up to date with modern scholarship, providing an account of its history and containing new information about the comic theater and its social and political context. Lysistrata not only brims with topical references to social life, religion, and politics in classical Athens; it is also one of the best sources for information on the life of women in antiquity, offering a unique glimpse of their everyday life.

Publisher description: In Winged Words Laura Coltelli interviews some of America's foremost Indian poets and novelists, including Paula Gunn Allen, Michael Dorris, Louise Erdrich, Joy Harjo, Linda Hogan, N. Scott Momaday, Simon Ortiz, Wendy Rose, Leslie Marmon Silko, Gerald Vizenor; and James Welch. They candidly discuss the debt to old and the creation of new traditions, the proprieties of age and gender; and the relations between Indian writers and non-Indian readers and critics, and between writers and anthropologists and histo-rians. In exploring a wide range of topics, each writer arrives at his or her own moment of truth.