UNITED STATES AUTHOR · BIOGRAPHY · HISTORY AND CRITICISM
Park Honan
Also known as: Park HONAN, PARK HONAN
The winter of 1775 was a hard one.
— from Jane Austen
Most acclaimed
Shakespeare
1977
Shakespeare has been the lodestar of English literature, not only to our finest biographers & critics but to our greatest imaginative writers as well. Oscar Wilde, Mark Twain & James Joyce have all written of the man— as enigma, ancestor or phantom. In Shakespeare Burgess, whose Nothing Like the Sun Harold Bloom called "the only successful novel ever written about Shakespeare," takes up that daunting challenge once again, reimagining the actual world of Shakespeare the author, actor & man. Burgess is mindful of the few facts we have about Shakespeare & handles them with great dexterity. But this isn't a mere recounting of facts. It's an attempt by one virtuoso writer to capture the likeness of the supreme virtuoso, to locate him exactly & take his measure. It's also an attempt to present him —as only a gifted professional writer can —as a working writer among others, a man of his time in his own milieu. Shakespeare the Elizabethan upstart? Literary genius without peer? The representative man? The actor among actors, businessman among businessmen? What Burgess so skillfully gets across —alongside what he calls "the main facts about the life & society from which the poems & plays arose"— is a genuine feel for who Shakespeare was & where he was. In the end, Burgess claims for himself the right of every Shakespeare-lover: "to paint his own portrait of the man."
Jane Austen
At the heart of Jane Austen's story lies a mystery: how a woman of "genteel poverty," the seventh child of a country clergyman, an unmarried spinster for whom life was often a struggle against the indignities of financial dependency, could have produced works of such magnificent warmth and wisdom. Valerie Grosvenor Myer's flawless research proves Austen's books grew from the preoccupations of her social set - respectability, financial security, and most of all, marriage. "It is a truth universally acknowledged," begins Pride and Prejudice, "that a single man in possession of a good fortune must be in want of a wife." In that one line are revealed the principal forces at work in Austen's novels - and in the world from which they were drawn. For many middle-class women of Austen's day, marriage was paradoxically the only method of achieving independence. Marriage could also be a life sentence. Myer shows that by many accounts Austen was pretty and flirtatious (though occasionally also sharp-tongued), and the object of at least two proposals, but obstinate in her refusal to marry for other than love. Her obstinacy condemned her to reliance on her family for financial support. As Myer points out, it also enabled Austen to write her immortal novels. Using letters, family memories, and of course the novels themselves, Myer provides a detailed and revealing look at Jane Austen - her relationship with her beloved sister Cassandra, her devotion to and pride in her brothers and their children (who remembered "Aunt Jane" with warm affection), and her independence of mind and spirit. Austen's fondest dream was to establish herself not as another "silly female novelist," but as a serious and self-supporting writer. She reveled in the reviews of those of the novels published - anonymously - during her brief lifetime. Yet as Myer shows, no one, least of all Austen herself, could have imagined her posthumous popularity.