Patricia Highsmith

The stories in Eleven are small masterpieces of Patricia Highsmith’s particular art—that of obsession and foreboding, of probing the dark corners of the human psyche. From the eerily outlandish (a man suffocated by countless snails) to the irrational and brutal (a child’s revenge on his mother for cooking his pet turtle), Eleven presents a gallery of bizarre characters, each driven by strange, unspoken urges, and their cumulative effect is at least as unsettling as any of her novels. [publisher page]

The Monk of horror, or The Conclave of corpses, by Anonymous The Astrologer's prediction, or The Maniac's fate, by Anonymous The expedition to Hell, by James Hogg Mateo Falcone, by Prosper Merimee [Facts in the Case of M. Valdemar]( by Edgar Allan Poe Le Grande Breteche, by Honore de Balzac The romance of certain old clothes, by Henry James Who knows?, by Guy de Maupassant The body snatcher, by Robert Louis Stevenson The death of Olivier Becaille, by Emile Zola The boarded window, by Ambrose Bierce Lost hearts, by M.R. James The sea-raiders, by H.G. Wells The derelict, by William Hope Hodgson Thurnley Abbey, by Perceval Landon The fourth man, by John Russell In the penal colony, by Franz Kafka The waxwork, by A.M. Burrage Mrs. Amworth, by E.F. Benson The reptile, by Augustus Muir Mr. Meldrum's Mania, by John Metcalfe The beast with five fingers, by William Fryer Harvey Dry September, by William Faulkner Couching at the door, by D.K. Broster The two bottles of relish, by Lord Dunsany The man who liked Dickens, by Evelyn Waugh Taboo, by Geoffrey Household The thought, by L.P. Hartley Comrade death, by Gerald Kersh Leningen versus the ants, by Carl Stephenson The brink of darkness, by Yvor Winters Activity time, by Monica Dickens Earth to Earth, by Robert Graves The dwarf, by Ray Bradbury The Portabello Road, by Muriel Spark No flies on Frank, by John Lennon Sister Coxall's revenge, by Dawn Muscillo Thou shalt not suffer a witch ..., by Dorothy K. Haynes The terrapin, by Patricia Highsmith [Man from the south]( by Roald Dahl Uneasy home-coming, by Will F. Jenkins The Aquarist, by J.N. Allan An interview with M. Chakko, by Vilas Sarang

THE PRICE OF SALT is the famous lesbian love story by Patricia Highsmith, written under the pseudonym Claire Morgan. The author became notorious due to the story's latent lesbian content and happy ending, the latter having been unprecedented in homosexual fiction. Highsmith recalled that the novel was inspired by a mysterious woman she happened across in a shop and briefly stalked. Because of the happy ending (or at least an ending with the possibility of happiness) which defied the lesbian pulp formula and because of the unconventional characters that defied stereotypes about homosexuality, THE PRICE OF SALT was popular among lesbians in the 1950s. The book fell out of print but was re-issued and lives on today as a pioneering work of lesbian romance.

Two women die under similar circumstances--Melchior Kimmel killed his wife, Walter Stackhouse did not kill his. Lieutenant Corby, investigating the Stackhouse case, links it with the unsolved Kimmel murder. Then begins a nightmare for the two suspected men. Corby's wish to get at the truth becomes perverted by his ambition into an almost insane desire to extract confessions. Soon all three are caught in a trap from which there is no escape.

The first of the acclaimed Ripley novels, this clever psychological thriller introduces the reader to Tom Ripley and his extraordinary modus operandi. Accepting a commission from a wealthy businessman to travel to Italy in an attempt to convince his wayward son to return to the United States, Ripley gradually develops a plan to assume the young man’s identity along with his bank account.

"Slowly, Slowly in the Wind assembles many of Patricia Highsmith's most nuanced and psychologically suspenseful works. Rarely has an author articulated so well the hypocrisies of the Catholic Church while conveying the delusions of a writer's life and undermining the fantasy of suburban bliss. Each of these twelve pieces is a crystal-clear snapshot of lives both static and full of chaos."--Jacket.

[Purloined Letter]( / Edgar Allan Poe A terribly strange bed / Wilkie Collins The three strangers / Thomas Hardy T[he red-headed league]( / Arthur Conan Doyle The corpus delecti / Melville Davisson Post Gentlemen and players / E.W. Hornung A journey / Edith Wharton The leopard man's story / Jack London A retrieved reformation / O. Henry The problem of Cell 13 / Jacques Futrelle The absent-minded coterie / Robert Barr The invisible man / G.K. Chesterton The infallible Godahl / Frederick Irving Anderson The adventure of the unique "Hamlet" / Vincent Starrett The Gioconda smile / Aldous Huxley Haircut / Ring Lardner The killers / Ernest Hemingway The hands of Mr. Ottermole / Thomas Burke The little house at Croix-Rousse / Georges Simenon The case of the missing patriarchs / Logan Clendening Clerical error / James Gould Cozzens The two bottles of relish / Lord Dunsany The chaser / John Collier The perfect crime / Ben Ray Redman Yours truly, Jack the Ripper / Robert Bloch The blind spot / Barry Perowne The catbird seat / James Thurber Recipe for murder / C.P. Donnel Jr. The nine mile walk / Harry Kemelman Kill or be killed / Ogden Nash The specialty of the house / Stanley Ellin Nearly perfect / A.A. Milne The Gettysburg Bugle / Ellery Queen The last spin / Evan Hunter Stand up and die! / Mickey Spillane A new leaf / Jack Ritchie The snail-watcher / Patricia Highsmith The long way down / Edward D. Hoch The man who never told a lie / Isaac Asimov I have / John Gardner [Quitters, Inc.]( / Stephen King Horn man / Clark Howard The new girl friend / Ruth Rendell By the dawn's early light / Lawrence Block Iris / Stephen Greenleaf High Darktown / James Ellroy The Pietro Andromache / Sara Paretsky Soft monkey / Harlan Ellison The hand of Carlos / Charles McCarry Karen makes out / Elmore Leonard

Living on his posh French estate with his elegant heiress wife, Tom Ripley, on the cusp of middle age, is no longer the striving comer of The Talented Mr. Ripley. Having accrued considerable wealth through a long career of crime—forgery, extortion, serial murder—Ripley still finds his appetite unquenched and longs to get back in the game. In Ripley's Game, first published in 1974, Patricia Highsmith's classic chameleon relishes the opportunity to simultaneously repay an insult and help a friend commit a crime—and escape the doldrums of his idyllic retirement. This third novel in Highsmith's series is one of her most psychologically nuanced—particularly memorable for its dark, absurd humor—and was hailed by critics for its ability to manipulate the tropes of the genre. With the creation of Ripley, one of literature's most seductive sociopaths, Highsmith anticipated the likes of Norman Bates and Hannibal Lecter years before their appearance.

An outside interest / Ruth Rendell Colette's column / Andy Harrison The undead / Robert Bloch Elvara should be easy / J.K. Haderack Angel / Philip Robinson The birds poised to fly / Patricia Highsmith Old times / Alick Newman Plucked / Frank Finch The secret of the growing gold / Bram Stoker Catherine would / Sidney Gray What might have been / Elizabeth Kay [Berenice]( / Edgar Allan Poe The plain brown envelope / Lyn Wood

When a troubled young runaway arrives on Tom Ripley's French estate, he is drawn into a world he thought he'd left behind: the seedy underworld of Berlin, with its kidnapping plots, lies and deception. Frank Pierson, son a wealthy American family, has traced Tom Ripley to his home in France. Frank has committed a crime - a murder - and senses that Tom, not above the odd killing himself, is the best person to shelter him. Ripley becomes the boy's protector and a friendship develops between the young man with a guilty conscience and the older one with no conscience at all.

"Ramó́́n, quick-tempered and devoutly Catholic, fixes furniture in Mexico City, not far from where he was born into poverty. Theodore, a rich German expatriate and painter, lives a calm life in his mansion and believes in nothing at all. You'd think the two had nothing in common. Except, of course, that both had slept with Lelia. The two men form an unlikely friendship--until Lelia is found brutally murdered in her apartment. Both become suspects, and each suspects the other. Caught in an excruciating limbo, Ramón and Theodore seize on the possibility of a third man, a thief seen at Lelia's apartment. Their hunt for the possible murderer takes the pair on a frantic chase from Mexico City to sun-drenched Acapulco, and to a small colonial mountain town where Theodore gets the uneasy feeling that his every move is being watched"--Provided by publisher.

Short Stories. This volume of stories, many of them published here for the first time, spans almost fifty years of Highsmith's career. Showing the evolution of her writing from her days as a struggling freelancer living in New York in the 1940s to her later years when she was an expatriate in Switzerland, they reveal her trademark dark themes such as the married man who dates women out of secret revenge against their sex, and the suicidal woman who finds that in her despair she is a sexual magnet. These are suspenseful, playful, taut and psychologically gripping stories, evidence of an extraordinary talent.

In 1961, Patricia Highsmith received a fan letter from a prison inmate. A correspondence ensued between author and inmate, and Highsmith became fascinated with the psychological traumas that incarceration can inflict. Based on a true story, 'The glass cell' is Highsmith's fictionalization of everything she learned. Falsely convicted of fraud, the easy-going but naive Philip Carter is sent to prison. Despite his devotion to Hazel, his wife, and the support of David Sullivan, a lawyer and friend who tries to avenge the injustice done to him, Carter endures six lonely and drug-ravaged years. Upon his release, Carter is a much more discerning, suspicious, and violent man. For those around him, earning back his trust can mean the difference between life and death.

[Black Cat]( / Edgar Allan Poe -- [Tell-tale Heart]( / Edgar Allan Poe -- [Premature Burial]( / Edgar Allan Poe -- Torture of hope / Villiers de L'Isle Adam -- An episode of the terror / Honore de Balzac -- The hand / Guy de Maupassant -- The withered arm / Thomas Hardy -- The idiots / Joseph Conrad -- The bird / Thomas Burke -- Lot no. 249 / Sir Arthur Conan Doyle -- The sentence / J. Kaden-Bandrowski -- Arabesque, the mouse / A.E. Coppard -- Cinci / Luigi Pirandello -- Suspicion / Dorothy L. Sayers -- Dead on her feet / Cornell Woolrich -- Taboo / Geoffrey Household -- A little place off the Edgware Road / Graham Greene -- The words of guru / C.M. Kornbluth -- Yours truly, Jack the Ripper / Robert Bloch -- The veld / Ray Bradbury -- Evening primrose / John Collier -- Back from the grave / Robert Silverberg -- [A rose for Emily]( / William Faulkner -- The comforts of home / Flannery O'Connor -- [Pig]( / Roald Dahl -- Robert / Stanley Ellin -- The question / Stanley Ellin -- The terrapin / Patricia Highsmith -- Not after mindnight / Daphne du Maurier -- Corabella / David Fletcher.