William Hope Hodgson
Personal Information
Description
William Hope Hodgson (15 November 1877 – 19 April 1918) was an English author. He produced a large body of work, consisting of essays, short fiction, and novels, spanning several overlapping genres including horror, fantastic fiction, and science fiction. Hodgson used his experiences at sea to lend authentic detail to his short horror stories, many of which are set on the ocean, including his series of linked tales forming the "Sargasso Sea Stories". His novels, such as The House on the Borderland (1908) and The Night Land (1912), feature more cosmic themes, but several of his novels also focus on horrors associated with the sea. Early in his writing career Hodgson dedicated effort to poetry, although few of his poems were published during his lifetime. He also attracted some notice as a photographer and achieved renown as a bodybuilder. He died in World War I at age 40. Source: [William Hope Hodgson]( on Wikipedia.
Books
The Penguin Book of Horror Stories
The Monk of horror, or The Conclave of corpses, by Anonymous The Astrologer's prediction, or The Maniac's fate, by Anonymous The expedition to Hell, by James Hogg Mateo Falcone, by Prosper Merimee [Facts in the Case of M. Valdemar]( by Edgar Allan Poe Le Grande Breteche, by Honore de Balzac The romance of certain old clothes, by Henry James Who knows?, by Guy de Maupassant The body snatcher, by Robert Louis Stevenson The death of Olivier Becaille, by Emile Zola The boarded window, by Ambrose Bierce Lost hearts, by M.R. James The sea-raiders, by H.G. Wells The derelict, by William Hope Hodgson Thurnley Abbey, by Perceval Landon The fourth man, by John Russell In the penal colony, by Franz Kafka The waxwork, by A.M. Burrage Mrs. Amworth, by E.F. Benson The reptile, by Augustus Muir Mr. Meldrum's Mania, by John Metcalfe The beast with five fingers, by William Fryer Harvey Dry September, by William Faulkner Couching at the door, by D.K. Broster The two bottles of relish, by Lord Dunsany The man who liked Dickens, by Evelyn Waugh Taboo, by Geoffrey Household The thought, by L.P. Hartley Comrade death, by Gerald Kersh Leningen versus the ants, by Carl Stephenson The brink of darkness, by Yvor Winters Activity time, by Monica Dickens Earth to Earth, by Robert Graves The dwarf, by Ray Bradbury The Portabello Road, by Muriel Spark No flies on Frank, by John Lennon Sister Coxall's revenge, by Dawn Muscillo Thou shalt not suffer a witch ..., by Dorothy K. Haynes The terrapin, by Patricia Highsmith [Man from the south]( by Roald Dahl Uneasy home-coming, by Will F. Jenkins The Aquarist, by J.N. Allan An interview with M. Chakko, by Vilas Sarang
Out of the Storm
The House on the Borderland
The House on the Borderland is a supernatural horror novel by William Hope Hodgson. He went beyond the existing ghost story and gothic molds, synthesizing a new cosmic horror that made a huge impact on later writers of weird tales, notably H. P. Lovecraft. The two gentlemen Tonnison and Berreggnog head to a village in Ireland for a week's fishing. There they discover the ruins of a strange house and the diary of the house's former occupant, the words on its torn pages hinting at an evil far beyond anything that has existed in this world before.
Alfred Hitchcock presents 12 stories they wouldn't let me do on TV
Great Short Tales of Mystery and Terror
Each story in Great Short Tales of Mystery and Terror is an example of the work of an outstanding author--from Edgar Allan Poe and Sir Arthur Conan Doyle to such modern masters as Agatha Christie, Ross Macdonald, Georges Simenon and a score of other famous names. Appearing in these pages are the world's greatest fictional detectives--Sherlock Holmes, Hercule Poirot, Father Brown, James Bond, Lew Archer, Ellery Queen, Inspector Maigret and Perry Mason, all at work on some of their more baffling and fascinating cases. Contents: [THE RED-HEADED LEAGUE]( / Sir Arthur Conan Doyle THE TURN OF THE TIDE / C. S Forester THE SUMMER PEOPLE / Shirley Jackson [THE CASK OF AMONTILLADO]( / Edgar Allan Poe THE THIRD FLOOR FLAT / Agatha Christie THE MAN WHO LIKED DICKENS / Evelyn Waugh WAS IT A DREAM / Guy de Maupassant THE FOURTH MAN / John Russell THE WENDIGO / Algernon Blackwood THE TOUCH OF NUTMEG MAKES IT / John Collier THE ABSENCE OF MR. GLASS / G. K. Chesterton MIRIAM / Truman capote THE LOG OF THE EVENING STAR / Alfred Noyes CASTING THE RUNES / M. R. James [MAN FROM THE SOUTH]( / Roald Dahl THE WHOLE TOWNS SLEEPING / Ray Bradbury THE ARROW OF GOD / Leslie Charteris THE TWO BOTTLES OF RELISH / Lord Dunsany THE GETTYSBURG BUGLE / Ellery Queen [The Damned Thing]( / Ambrose Bierce DON'T LOOK NOW / Daphne du Maurier THE HANDS OF MR. OTITRMOLE / Thomas Burke AN ALPINE DIVORCE / Robert Barr THE INCAUTIOUS BURGLAR / John Dickson Carr THANATOS PALACE HOTEL / André Maurois THE GHOST.SHIP / Richard Middleton THE RATS IN THE WALLS / H. P. Lovecraft AETER.DINNER STORY / William Irish ANOTHER SOLUTION j Gilbert Highet THE WAXWORK / A. M. Burrage FOR YOUR EYES ONLY / Ian Fleming THE FOGHORN / Gertrude Atherton LEININGEN VERSUS THE ANTS / c-arl. Stephenson THE INTERRUPTION / W. W. Jacobs AN INVITATION TO THE HUNT / George Hitchcock THE VOICE IN THE NIGHT / William Hope Hodgson MIDNIGHT BLUE / Ross Macdonald THE REIVRN OF IMRAY / Rudyard Kipling JOURNEY BACKWARD INTO TIME / Georges Simenon THE MOVIE PEOPLE / Robert Bloch BROKER'S SPECIAL / Stanley Ellin THE SEA RAIDERS / H. G. Wells THE CASE OF THE IRATE WITNTESS / Erie Stanley Gardner SREDNI VASHTAR / Saki (H. H. Munro) THE NINE BILLION NAMES or GOD / Arthur C. Clarke
Chamber of Horrors
The ghoulish, disturbing and macabre tales contained in this anthology of fear draw the reader into a world inhabited by the dark and threatening monsters of nightmare. Legendary creators of horror and suspense such as the father of vampire literature Bram Stoker and Ambrose 'Bitter' Bierce combine within these pages with modern mastercraftsmen like Psycho author Robert Bloch and phenomenal bestseller writer Stephen King. Their stories range from grisly supernatural revenge ("The Squaw") to black humour of a fantastic nature ("Edifice Complex") and the mystery and menace of fiendish possession ("The Night of the Tiger"). The collection encompasses recognised masterpieces of the genre such as H.P. Lovecraft's "The Dunwich Horror" - a sustained evocation of monstrous violence in a sleepy mid-Western town - as well as stories by famous authors not usually associated with this type of fiction - H. G. Wells and Robert Silverberg for example. Within this Chamber of Horrors also lurk haunted houses such as H. Russell Wakefield's "The Red Lodge", psychological tortures of a peculiarly unpleasant kind, as in "The Cloth of Madness" by Seabury Quinn, and the masterful use of understatement and surprise endings in stories by M. R. James, Rudyard Kipling and Robert Aickman. From underwater monsters to bloodthirsty ghouls, from the evil that lies just beneath the surface of domestic comfort and security to cannibalism twenty-first- century style, this chilling compendium of terror is calculated to send a shiver down the spine of the most hardened devotee of horror fiction.
The Night Land Volume 1
Described by H. P. Lovecraft as being "one of the most potent pieces of macabre imagination ever written", The Night Land is a classic horror fantasy novel by William Hope Hodgson published in 1912. Telling the story of a dying earth, The Night Land starts with a man from the 17th century who, mourning the death of his true love, is given a vision through the eyes his future incarnation. In that distant time Earth is only dimly lit by the remaining glow of the dead Sun. The last millions of the human race cluster together inside the Last Redoubt, a huge metal pyramid, and are set upon by mysterious forces from the dark outside. Leaving the protection of their refuge means certain death, but our narrator makes mind contact with a survivor in a forgotten Lesser Redoubt. He must journey alone through the evil darkness to find her, knowing that she is the reincarnation of his past precious love.Writer Clark Ashton Smith said that "In all literature, there are few works so sheerly remarkable, so purely creative, as The Night Land...it impresses the reader as being the ultimate saga of a perishing cosmos, the last epic of a world beleaguered by eternal night and by the unvisageable spawn of darkness. Only a great poet could have conceived and written this story; and it is perhaps not illegitimate to wonder how much of actual prophecy may have been mingled with the poesy."