James Ellroy

[Purloined Letter]( / Edgar Allan Poe A terribly strange bed / Wilkie Collins The three strangers / Thomas Hardy T[he red-headed league]( / Arthur Conan Doyle The corpus delecti / Melville Davisson Post Gentlemen and players / E.W. Hornung A journey / Edith Wharton The leopard man's story / Jack London A retrieved reformation / O. Henry The problem of Cell 13 / Jacques Futrelle The absent-minded coterie / Robert Barr The invisible man / G.K. Chesterton The infallible Godahl / Frederick Irving Anderson The adventure of the unique "Hamlet" / Vincent Starrett The Gioconda smile / Aldous Huxley Haircut / Ring Lardner The killers / Ernest Hemingway The hands of Mr. Ottermole / Thomas Burke The little house at Croix-Rousse / Georges Simenon The case of the missing patriarchs / Logan Clendening Clerical error / James Gould Cozzens The two bottles of relish / Lord Dunsany The chaser / John Collier The perfect crime / Ben Ray Redman Yours truly, Jack the Ripper / Robert Bloch The blind spot / Barry Perowne The catbird seat / James Thurber Recipe for murder / C.P. Donnel Jr. The nine mile walk / Harry Kemelman Kill or be killed / Ogden Nash The specialty of the house / Stanley Ellin Nearly perfect / A.A. Milne The Gettysburg Bugle / Ellery Queen The last spin / Evan Hunter Stand up and die! / Mickey Spillane A new leaf / Jack Ritchie The snail-watcher / Patricia Highsmith The long way down / Edward D. Hoch The man who never told a lie / Isaac Asimov I have / John Gardner [Quitters, Inc.]( / Stephen King Horn man / Clark Howard The new girl friend / Ruth Rendell By the dawn's early light / Lawrence Block Iris / Stephen Greenleaf High Darktown / James Ellroy The Pietro Andromache / Sara Paretsky Soft monkey / Harlan Ellison The hand of Carlos / Charles McCarry Karen makes out / Elmore Leonard

Recueil de trois articles et de six nouvelles parus entre 1998 et 2004, dans lesquels l'écrivain met en scène les faits divers dans les mondes de la presse et du spectacle.

From the Publisher: In his introduction to the The Best American Noir of the Century, James Ellroy writes, "Noir is the most scrutinized offshoot of the hard-boiled school of fiction. It's the long drop off the short pier and the wrong man and the wrong woman in perfect misalliance. It's the nightmare of flawed souls with big dreams and the precise how and why of the all-time sure thing that goes bad." Offering the best examples of literary sure things gone bad, this collection ensures that nowhere else can readers find a darker, more thorough distillation of American noir fiction. James Ellroy and Otto Penzler, series editor of the annual The Best American Mystery Stories, mined one hundred years of writing-1910-2010-to find this treasure trove of thirty-nine stories. From noir's twenties-era infancy come gems like James M. Cain's" "Pastorale," and its post-war heyday boasts giants like Mickey Spillane and Evan Hunter. Packing an undeniable punch, diverse contemporary incarnations include Elmore Leonard, Patricia Highsmith, Joyce Carol Oates, Dennis Lehane, and William Gay, with many page-turners appearing in the last decade.

Un joueur d'accordéon prodige, Hollywood en pleine chasse aux sorcières, le tournage d'une série Z qui deviendra un film-culte, un tueur en liberté, les années cinquante ... A travers le blues de Dick Contino, c'est son propre passé que James Ellroy apprend à mieux connaître. Ce court roman est suivi de cinq nouvelles.

We are behind, and below, the scenes of JFK's Presidential election, the Bay of Pigs, the assassination - in the underworld that connects Miami, Los Angeles, Chicago, D.C.... Where the CIA, the Mob, J. Edgar Hoover, Howard Hughes, Jimmy Hoffa, Cuban political exiles and various loose cannons conspire in a covert anarchy... Where the right drugs, the right amount of cash, the right murder, buys a moment of a man's loyalty... Where money, power, influence and even the Presidency of the United States are up for grabs... Where three renegade law enforcement officers - a former L.A. cop and two FBI agents - are shaping events with the virulence of their greed and hatred, riding full-blast shotgun into history... The same blistering language, relentless narrative pace and nothing-spared rendering of reality that have marked James Ellroy's other best-selling novels are here once again, and in electrifying abundance. And now he puts them to work in a novel more shocking and daring than anything he's written before: a secret history that zeroes in on a time still shrouded in secrets and blows it wide open.

The 2005 edition of The Best American Crime Writing offers the year's most shocking, compelling, and gripping writing about real-life crime, including Peter Landesman's article about female sex slaves (the most requested and widely read New York Times story of 2004), a piece from The New Yorker by Stephen J. Dubner (the coauthor of Freakanomics) about a high-society silver thief, and an extraordinarily memorable "ode to bar fights" written by Jonathan Miles for Men's Journal after he punched an editor at a staff party. But this year's edition includes a bonus -- an original essay by James Ellroy detailing his fascination with Joseph Wambaugh and how it fed his obsession with crime -- even to the point of selling his own blood to buy Wambaugh's books. Smart, entertaining, and controversial, The Best American Crime Writing is an essential edition to any crime enthusiast's bookshelf.

Jean Ellroy was murdered in 1958. Her body was dumped on a roadway in a run-down L.A. suburb. The killer was never found. The case was closed. It was a sordid back-page homicide that nobody remembered. Except her son. James Ellroy was ten years old when his mother died. His bereavement was complex and ambiguous. He grew up obsessed with murdered women and crime. His life spun hellishly out of control. He ran from the ghost of Jean Ellroy. He became a writer of radically provocative and best-selling crime novels. He tried to reclaim his mother through fiction. It didn't work. He quit running and wrote this memoir. My Dark Places is Jean Ellroy's and James Ellroy's story - from 1958 to all points past and up to this moment. It is the story of a brilliant homicide detective named Bill Stoner, and of the investigation he and James Ellroy undertook to find Jean Ellroy's killer. My Dark Places is unflinching autobiography and vivid reportage. It is no less than a treatise on 38 years of American murder. It is James Ellroy's journey into and through his most forbidding memories.

"Only a life-and-death mission could make FBI special agent Jackson Revannaugh leave Louisiana for Kansas. But a husband and wife have gone missing in a case with disturbing similarities to an unsolved one, and Jackson's desperate for answers. And the trick is keeping his desire for his new partner from compromising the operation. Marjorie Clinton knows Jackson's type only too well. But with passion--and the case--heating up, she soon has to trust the Southern charmer with her life. Because someone in this friendly lakeside town is a killer. Someone who's made Marjorie a target and could expose the secret Jackson hoped would stay buried forever"--Page 4 of cover.

Case histories of various crimes.

James Ellroy, the undisputed master of crime writing, has teamed up with the Los Angeles Police Museum to present a stunning text on 1953 LA. While combing the museum's photo archives, Ellroy discovered that the year featured a wide array of stark and unusual imagery--and he has written 25,000 words that illuminate the crimes and law enforcement of the era. Ellroy o ffers context and layers on wild and rich atmosphere--this is the cauldron that was police work in the city of the tarnished angels more than six decades ago. More than 80 duotone photos are spread throughout the book in the manner of hard-edged police evidence.

"From "one of the great American writers of our time" (Los Angeles Times Book Review)--a brilliant historical crime novel, a pulse-pounding, as-it-happens narrative that unfolds in Los Angeles and Mexico in the wake in Pearl Harbor. New Year's Eve 1941, war has been declared and the Japanese internment is in full swing. Los Angeles is gripped by war fever and racial hatred. Sergeant Dudley Smith of the Los Angeles Police Department is now Army Captain Smith and a budding war profiteer. He's shacked up with Claire De Haven in Baja, Mexico, and spends his time sniffing out fifth column elements and hunting down a missing Japanese Naval Attache. Hideo Ashida is cashing LAPD paychecks and working in the crime lab, but he knows he can't avoid internment forever. Newly arrived Navy Lieutenant Joan Conville winds up in jail accused of vehicular homicide, but Captain William H. Parker squashes the charges and puts her on Ashida's team. Elmer Jackson, who is assigned to the alien squad and to bodyguard Ashida, begins to develop an obsession with Kay Lake, the unconsummated object of Captain Parker's desire. Now, Conville and Ashida become obsessed with finding the identity of a body discovered in a mudslide. It's a murder victim linked to an unsolved gold heist from '31, and they want the gold. And things really heat up when two detectives are found murdered in a notorious dope fiend hang-out"--

"Freddy Otash is the man in the know and the man to know in Tinseltown. He operates with two simple rules--he'll do anything but murder, and he'll never work with commies. Freddy is a corrupt L.A. cop on the skids. He executed a cop killer named Horvath and it gores him. So Captain "Whiskey" Bill Parker cans him. Now, Freddy dons an array of new hats--sleazoid private eye, shakedown artist, matchmaker for Rock Hudson, pimp for President John F. Kennedy--and, most notably--the lead tipster and head strongarm goon for Confidential magazine. Confidential presaged the idiot internet--and delivered the dirt, the dish, the insidious ink and the scurrilous skank on the feckless foibles of misanthropic movie stars, sex-soiled socialites, and putzo politicians. Freaky Freddy outs them all! In Widespread Panic we traverse the depths of '50s L.A. and internalize the inner workings of Confidential. Dig: You'll go to Burt Lancaster's lushly appointed torture den. . . You'll gas on overhyped legend James Dean as Freddy's chief stooge. . . You'll be there for Freddy's ring-a-ding rendezvous with Liz Taylor. . . You'll be front and center as Freddy runs roughshod over the stars of the silver screen and the demimonde of the Hollywood hills"--

The Black Dahlia is a roman noir on an epic scale: a classic period piece that provides a startling conclusion to America's most infamous unsolved murder mystery--the murder of the beautiful young woman known as The Black Dahlia.

A botched liquor store heist leaves three grisly dead. A hero cop is missing. Nobody could see a pattern in these two stray bits of information-no one except Detective Sergeant Lloyd Hopkins, a brilliant and disturbed L.A. cop with an obsessive desire to protect the innocent. To him they lead to one horrifying conclusion--a killer is on the loose and preying on his city.