David Constantine

#2

1994

Kaspar Hauser (30 April 1812 – 17 December 1833) was a German youth who claimed to have grown up in the total isolation of a darkened cell. His claims, and his subsequent death from a stab wound, sparked much debate and controversy both in Nuremberg and abroad. Theories propounded at the time identified Hauser as a member of the grand ducal House of Baden, hidden away because of dynastic intrigue. However, there were also allegations that Hauser was an impostor. In 2024, a scientific study ruled out Hauser's princely descent by comparing mitochondrial DNA haplotypes with the House of Baden.

#3

2005

Stephane Mallarme (1842-1898) is one of the giants of nineteenth-century French poetry. Leader of the Symbolist movement, he exerted a powerful influence on modern literature and thought, which can be traced in the works of Paul Valery, W. B. Yeats, Ferdinand de Saussure, and Jacques Derrida. From his early twenties until the time of his death, this great writer produced poems of astonishing originality and beauty, many of which have become classics. In the Collected Poems, Henry Weinfield brings the oeuvre of this European master to life for an English-speaking audience, essentially for the first time. All of the poems - in verse and prose - that the author chose to retain are here, superbly rendered by Weinfield in a translation that comes remarkably close to Mallarme's own voice. Weinfield conveys not simply the meaning but the spirit and music of the French originals.^ Deeply affected by the religious crisis that shook the world of nineteenth-century intellectuals, Mallarme saw his task as "the Orphic explanation of the earth." His response was to develop a symbolic vocabulary with which to explore the deepest philosophical questions in highly condensed forms. Whether writing poetry in verse (the Poesies) or prose (the Poemes en Prose), or inventing an altogether new genre - as he did in the amazing "Un Coup de Des," his final work - Mallarme was a poet not only of supreme artistry but of great difficulty. To illuminate Mallarme's poetry for the twentieth-century reader, Weinfield provides an extensive commentary, which is an important work of criticism in its own right. Here the translator defines the major symbols in the poems, elucidates many of the difficulties and complexities of the poetry, and sets each poem in the larger context of the work as a whole.^ Weinfield also includes an introduction and a bibliography of primary and secondary sources. Publication of the Collected Poems is a major literary event in the English-speaking world. Here at last are the poetic works of an important figure in modern literature, masterfully translated and presented.