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Elder Olson

Personal Information

Born January 1, 1909
Died January 1, 1992 (83 years old)
United States
9 books
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11 readers

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Books

Newest First

Collected Poems

D. J. Enright, Peter Redgrove, Alfred Noyes, Herman Melville, Wyatt, Thomas Sir, Vachel Lindsay, Dylan Thomas, Saint-John Perse, Kay Boyle, Stéphane Mallarmé, Elder Olson, Wilfred Owen, Yvor Winters, Jack Kerouac, Primo Levi, W. R. Rodgers, Edgell Rickword, William Butler Yeats, Patrick Kavanagh, Kōnstantinos Petrou Kabaphēs, Isabella Valancy Crawford, Stephen Crane, Lorna Goodison, Edwin Arlington Robinson, Howard Paton Vincent, Nikolai Tolstoy, John Betjeman, James Arlington Wright, Edith Dame Sitwell, Horace Gregory, Tomas Tranströmer, Kingsley Amis, Omoseye Bolaji, W. H. Auden, Rita Dove, Miriam Waddington, Marianne Moore, Allan Ahlberg, Patrick O'Brian, Dorothy Livesay, Edgar Allan Poe, Chinua Achebe, Conrad Aiken, George Seferis, John Collings Squire, Mervyn Peake, Oliver St. John Gogarty, Richard L. Tierney, Lewis, Alun, Alan Sillitoe, Thom Gunn, John Berger, Mark Strand, Clarke, Austin, Christy Brown, Robert Bly, Sylvia Plath, Paul Goodman, Lawrence Durrell, Austin Dobson, Louis MacNeice, Jonathan Swift, Edward Thomas, C. H. Sisson, Emily Dickinson, Robert Hillyer, Abbie Huston Evans, Ted Hughes, Condé Bénoist Pallen, David Constantine, Gascoyne, David, Eavan Boland, Pratt, E. J., U. A. Fanthorpe, Ruth Pitter, Josephine Miles, Frederick William Rolfe, Hope Mirrlees, Anthony Thwaite, Thomas Kinsella, John Reed, Edwin Muir, Clive James, Padraic Colum, William Blake, Stevie Smith, F. T. Prince, Louise Glück, Paul Auster, William Plomer, Maurice Lindsay, Theodore Roethke, Justice, Donald Rodney, Iain Crichton Smith, Nicholson, Norman, Federico García Lorca, Leslie Norris, Robert Hayden, Rolfe Humphries, Edna St. Vincent Millay, Ronald Duncan, Sylvia Townsend Warner
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6

Tragedy and the theory of drama

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This book grew out of lectures on tragedy by Elder Olson delivered at Wayne State University in the spring of 1958. It is an attempt to cover the dramatic principles themselves instead of only stage-craft and play writing. The author as attempted to see tragedy, and of the whole of drama, from a point of view of the working dramatist, encapsulating the principles.