KINGDOM OF THE NETHERLANDS AUTHOR · EXHIBITIONS · CRITICISM AND INTERPRETATION
Piet Mondrian
Most acclaimed
Natural reality and abstract reality
1995
Internationally recognized as a pioneer of abstract art, the founder of Neo-Plasticism, and the ideological father of the De Stijl movement, Piet Mondrian (1872-1944) created both paintings and writings that embodied the spirit of modernism. Mondrian saw himself as an arch-Modernist with uncompromisingly strong ideas about what art was to be about in the next century. He viewed abstraction as the ideal artistic and spiritual direction, and argued this cause in his most important text, "Natural Reality and Abstract Reality." Written in Holland at the outset of 1919 and completed in Paris in July of that year, Mondrian's Trialogue carefully presents the artist's ideas through the voices of A Layman, A Naturalist Painter, and An Abstract-Real Painter. Abstraction contains, Mondrian proposes, the essence of what art of all the ages sought to express - relationship, harmony, repose, life force, the universal. In the Trialogue, Mondrian demonstrates the basis of his new art form in visible reality. This volume also contains Mondrian's "two urban sketches" entitled "Les Grands Boulevards" and "Little Restaurant - Palm Sunday," which form ideal literary complements to the Trialogue.
Correspondance
1994
How to reconcile the necessary loneliness of the creator and the need to build a community of spirits that are close to the neighboring requirements? For Yves Bonnefoy, sharing is the meaning of the poetic experience, in his eyes different from mere literature. One of the moments is that of writing a letter. The edition of his Correspondence associates the letters he has written with those he has received. It brings out the fabric of a life of man and poet, with its network of friendships, constant or mobile, according to alliances, chances and crumples. This first volume, begun with the collaboration of Yves Bonnefoy, brings together more than nine hundred letters exchanged in the second half of the twentieth century, to which are added some e-mails.^ The dialogues, with forty-nine correspondents, are organized around two axes: on the one hand, links from surrealism - André Breton, Pierre Alechinsky, Gilbert Lely, Christian Dotremont, George Henein, Raoul Ubac, Jacqueline Lamba, André Pieyre of Mandiargues, Hans Bellmer, Jean Brun; on the other hand, the friendships which after fifteen years led to the creation of L'Éphémère (1967-1972), the magnificent magazine published by the Maeght editions: André du Bouchet, Jacques Dupin and Gaëtan Picon , Louis-René des Forêts and Paul Celan.^ The other authors of the letters are in no way secondary characters, neither in themselves, nor by the place they occupied in the world of Bonnefoy: Gaston Bachelard, Jean Wahl and Andre Chastel, his masters; then Gilbert Lely, Salah Stétié, Pierre Jean Jouve, Gabriel Bounoure, Christiane Martin du Gard, Philippe Jaccottet, Boris Schloezer, André Frenaud, Michel Butor, Emil Cioran, Monique Wittig, Paul Benichou, Jean-Pierre Richard or Henry Corbin, for to name only them. Here you will find a wealth of information about the poet's work and the sensibility of an era, with notes enriched with excerpts from the writer's Chronology by himself, also unpublished.--Translation of page 4 of cover by Fabula.