RUSSIAN EMPIRE AUTHOR · DIARIES · RUSSIANS
Marie Bashkirtseff
Marie Bashkirtseff, born Maria Konstantinovna Bashkirtseva (Russian: Мария Константиновна Башкирцева; 24 November [O.S. 12 November] 1858 – 31 October 1884), was an émigré artist who was born into a noble family on their estate near the city of Poltava. She lived and worked in Paris, and died at the age of 25.
Most acclaimed
Correspondance
1994
How to reconcile the necessary loneliness of the creator and the need to build a community of spirits that are close to the neighboring requirements? For Yves Bonnefoy, sharing is the meaning of the poetic experience, in his eyes different from mere literature. One of the moments is that of writing a letter. The edition of his Correspondence associates the letters he has written with those he has received. It brings out the fabric of a life of man and poet, with its network of friendships, constant or mobile, according to alliances, chances and crumples. This first volume, begun with the collaboration of Yves Bonnefoy, brings together more than nine hundred letters exchanged in the second half of the twentieth century, to which are added some e-mails.^ The dialogues, with forty-nine correspondents, are organized around two axes: on the one hand, links from surrealism - André Breton, Pierre Alechinsky, Gilbert Lely, Christian Dotremont, George Henein, Raoul Ubac, Jacqueline Lamba, André Pieyre of Mandiargues, Hans Bellmer, Jean Brun; on the other hand, the friendships which after fifteen years led to the creation of L'Éphémère (1967-1972), the magnificent magazine published by the Maeght editions: André du Bouchet, Jacques Dupin and Gaëtan Picon , Louis-René des Forêts and Paul Celan.^ The other authors of the letters are in no way secondary characters, neither in themselves, nor by the place they occupied in the world of Bonnefoy: Gaston Bachelard, Jean Wahl and Andre Chastel, his masters; then Gilbert Lely, Salah Stétié, Pierre Jean Jouve, Gabriel Bounoure, Christiane Martin du Gard, Philippe Jaccottet, Boris Schloezer, André Frenaud, Michel Butor, Emil Cioran, Monique Wittig, Paul Benichou, Jean-Pierre Richard or Henry Corbin, for to name only them. Here you will find a wealth of information about the poet's work and the sensibility of an era, with notes enriched with excerpts from the writer's Chronology by himself, also unpublished.--Translation of page 4 of cover by Fabula.
Journal
The journal of the brothers Edmond and Jules de Goncourt is one of the masterpieces of nineteenth-century French literature, a work that in its richness of color, variety, and seemingly casual perfection bears comparison with the great paintings of their friends and contemporaries the Impressionists. Born nearly ten years apart into a French aristocratic family, the two brothers formed an extraordinarily productive and enduring literary partnership, collaborating on novels, criticism, and plays that pioneered the new aesthetic of naturalism. But the brothers’ talents found their most memorable outlet in their journal, which is at once a chronicle of an era, an intimate glimpse into their lives, and the purest expression of a nascent modern sensibility preoccupied with sex and art, celebrity and self-exposure. The Goncourts visit slums, brothels, balls, department stores, and imperial receptions; they argue over art and politics and trade merciless gossip with and about Hugo, Baudelaire, Degas, Flaubert, Zola, Rodin, and many others. And in 1871, Edmond maintains a vigil as his brother dies a slow and agonizing death from syphilis, recording every detail in the journal that he would continue to maintain alone for another two decades.