Lu Xun

xi lie shi yi tao qing shao nian ke wai yue du du wu,You ji shi suo zhi ming xiao xue xiao zhang he lao shi zu cheng bian wei hui gong tong da zao,Xuan qu da jia mei wen,Wen zhong jia ru te se ban kuai"dai zhe wen ti du","ming shi jie yi","hao ci hao ju ji lei"deng,Rang hai zi geng you zhen dui xing di ti gao xian dai wen yue du neng li,Ji lei xie zuo su yang.

Ben shu suo xuan 100 yu pian zuo pin jun xi zhong wai xiao shuo da shi de jing dian zhi zuo.

Due to its complex writing system, Chinese is one of the most difficult languages in the world. Full literacy of Chinese requires a working knowledge of three to four thousand Chinese characters and breaking into reading Chinese literature is a daunting task. Capturing Chinese Short Stories from Lu Xun's Nahan is a comprehensive tool to help students of Chinese read Chinese literature in its original form. Footnotes highlight the more difficult vocabulary and pinyin is provided for the entire text. There is no need to constantly consult a dictionary or look up difficult characters by radical. Historical events, people and places are explained throughout and illustrations recreate the scenes. Please note, the text used in this book is in simplified characters. Free audio files of Lu Xun's Nahan are also included with the purchase of this book and are available for download from the publisher's website. The audio files include both a woman and male speaker.

Ben shu shi lu xun de yi bu lun wen ji, Shou lu le lu xun zai 1907 nian zhi 1925 nian jian suo xie de lun wen er shi san pian. Bao kuo, , , , , , , deng.

Ben shu shou lu le lu xun de duan pian xiao shuo ji, , yi ji san wen ji he.

"This book opens up three new topics in modern Chinese literary history: the intimate lives of Lu Xun and Xu Guangping as a couple; real and imagined love-letters in modern Chinese literature; and concepts of privacy in China. The scandalous affair between modern China's greatest writer and his former student is revealed in their letters to each other between 1925 and 1929. Publication of the letters in a heavily edited version in 1933 was intended partly to profit from a current trend for literary couples to publish their private letters, but another reason was to assert control over their love story, taking it away from the gossip-mongers." "The biographies in Part I, based on the unedited letters, reveal such hitherto neglected information as Xu Guangping's early tendencies towards lesbianism; her gender reversal games and Lu Xun's willing participation in them; Xu Guangping's two early attempts at suicide; and Lu Xun's attempts to play down Xu Guangping's political activism and to impress readers with his own militancy. Part II shows how Lu Xun chose to publish their edited letters in the context of current Chinese epistolary fiction and love-letters published by their authors. Part III provides unique evidence on the nature of privacy in modern China through a comparison between the unedited and edited correspondence. Textual evidence shows their intimate secrets about their affairs, their bodies, and their domestic lives; their fear of gossip; their longing for a secluded life together; and their ambivalent attitudes towards the traditional conflict between public service and private or selfish interests. Although it has sometimes been claimed that Chinese culture lacks a sense of privacy, this study reveals the contents, functions, and values of privacy in China in the early twentieth century."--Jacket.